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Usually there are so many good recording of any famous classical piano piece. Consider a piece which has been recorded by all of these great pianists: Horowitz, Richter, Gould, Rubinstein, Gilels, Schiff, Ashkenazy!

Question 1: What's the point of a making a new recording by another pianist? Has anything remained which these giants had not achieved in performing that piece?

Question 2: What can I gain and should look for, listening to a new recording of such a piece (of course other than clarity of the recording due to technology developments)?

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This isn't actually asking a question about music. It is asking for opinions. Why would I do something? Why would someone else? New recordings can be done for any reason - to change tone, speed, cadence, timbre; to use a different piano...etc –  Dr Mayhem Nov 22 '13 at 20:02
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closed as primarily opinion-based by Dave, Alexander Troup, Dr Mayhem Nov 22 '13 at 20:02

Many good questions generate some degree of opinion based on expert experience, but answers to this question will tend to be almost entirely based on opinions, rather than facts, references, or specific expertise.If this question can be reworded to fit the rules in the help center, please edit the question.

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Music is a performing art, and a performance is not (should not be) an acoustic "printout" of the score. Each performer gives each piece's performance his/her own personal touch, timing, energy, and interpretation. Each recording environment (be it a studio, or specific concert hall) affects the character of the performance.

I'm not saying that every distinct performance is "good" and worthy of perennial preservation, but even a "lesser performer" - whatever that means - will put a put an interesting touch to a piece.

There is no such thing as "the perfect performance". And I'm thankful: that would be really boring.

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