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For example, C Ionian has the same notes as D Dorian. But when looking at the scale degrees, I think they have to be different. Here's what I mean:

C Ionian:

    C Db D Eb E F F# G Ab A Bb B C
    1 2b 2 3b 3 4 5b 5 6b 6 7b 7 1

D Dorian:

    D Eb E F F# G Ab A Bb B C Db D
    1 2b 2 3 4b 4 5b 5 6b 6 7 7# 1

Since the D Dorian has the same notes as C Ionian, when I try to name the scale degrees accordingly suddenly there is a 4 instead of a 3b, and the 4b and 7# appeared out of nowhere...

Is this right?

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4 Answers 4

up vote 4 down vote accepted

This is not right. The modes of the major scale each have 7 notes; instead you have listed both scales as having all 12 possible pitches, but just starting on different notes. You have listed a chromatic scale on C and a chromatic scale on D.

Also, the way you describe a number of the intervals is not correct: for instance C-F# is a 4# (in your notation).

As different modes have the same number of notes, you can think of them as having the same degrees (eg. I, II, III etc.), but the intervals between them are not the same. It is the different intervals produced between the different degrees of modes which gives them their character.

Using your notation, C Ionian and D Dorian have the following notes:

C Ionian (C Major):

    I   II  III IV  V   VI  VII
    C   D   E   F   G   A   B
    1   2   3   4   5   6   7

D Dorian:

    I   II  III IV  V   VI  VII
    D   E   F   G   A   B   C
    1   2   b3  4   5   6   b7

Really, the flat intervals above should be called minor intervals (m3, m7).

So, as you can see, the notes are the same for C Ionian and D Dorian (as you said!), but the intervals each degree creates with the root notes (C for C Ionian; D for D Dorian) are not the same.

It would be interesting to see where you got the information about these modes from; it is pretty far from accurate!

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I was reading this page about harmonica positions, and then I was trying to deduce what it would mean to change the mode rather than the position. For example playing a harmonica in the key of D, in 1st position, Ionian mode, would mean I'm playing in the key of D, and playing a harmonica in the key of C, 1st position, but using a Dorian mode would mean I'm playing in the key of D also (I'm pretty sure that's right, hope you follow). And then I tried to figure out how the scale degrees in the charts would change. angelfire.com/tx/myquill/PlayingBlues.html –  Malki Apr 15 at 9:20
    
Also, there's this video that tries to explain the modes on a harmonica - youtube.com/watch?v=mjxknb5p30U And this one explains the difference between positions and modes - youtube.com/watch?v=Rfd13ZA8pBI –  Malki Apr 15 at 9:23
    
I guess the chart (link in my first comment) lists all the pitches in the chromatic scale as having scale degrees for completeness. Thanks for the clarification! –  Malki Apr 15 at 9:26
    
@Malki I'm not sure whether I follow you on the harmonica example. Are you saying that you use a C-major harmonica to play D Dorian? That’s correct: C major and D Dorian are enharmonic equivalents, so you can use a harmonica tuned to C major to play D Dorian. You could also use it to play A minor, another enharmonic equivalent. (I am not a harmonica player, so I don't know whether there are practical problems with any of that, but theoretically they are equivalent.) –  Bradd Szonye Apr 30 at 21:59
    
@Bradd - it's a bit more complex than that. Basically you can play any scale on any diatonic harmonica using a technique called "bending" which is equivalent to bending the strings of a guitar to change the pitch. You just need to know how to play each note, and make sure to play the correct notes of the scale. When I asked the question I did not understand the difference between scale degrees and intervals. –  Malki May 4 at 7:14

If you looked at the scale/mode notes as a circle rather than linear, it may make more sense to you. I can't draw it here, but the CYCLE of notes will be more accurate as music goes round instead of along. By this, I mean go round your circle, starting at, say, C, and the notes are in Ionian. Start at D and you've got D Dorian. Start at E - I hope you follow.

Points already made - you can discount chromatic notes in between - they're red herrings. You are quite mixed up naming notes - calling F# a b5.There's a lot of knowledge missing, I'm afraid. This is probably why you are mixed up.Check out INTERVALS and you'll see.

As Dom and Bob have indicated, Ionian in any key will have the same notes exactly as Dorian starting a tone up, because both use the same set of notes. There are various really good Q&A on this site relevant to this subject. Read them.

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Scale degrees are always made from the notes in the scale so you have a lot of unnecessary notes in your example above. It should look like this.

C Ionian:

C D E F G A B C
1 2 3 4 5 6 7 1 

D Dorian:

D E F G A B C D
1 2 3 4 5 6 7 1

They have the same scale degrees because each scale has 7 notes in it, but the distance between the scale degrees may vary for each scale. The steps between each scale degree are as follows:

C Ionian:

C D E F G A B C
 W W H W W W H 

D Dorian:

D E F G A B C D
 W H W W W H W 

This is what makes these two scales/modes different. Notes outside the key may be raised or lowered based on context. For example, in D Dorian if you were going chromatically from F to F# to G you would be going from 3 to #3 to 4 and if you were going chromatically from G to Gb to F you would be going from 4 to b4 to 3. Notes outside the scale are based on context.

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Good points about the chromatic movement between notes within each mode, Dom. Is that why you think all the chromatic pitches are listed in the question…? Beats me... –  Bob Broadley Apr 15 at 1:11
    
@BobBroadley yeah I think the OP has learned a lot of concepts at the same time and lumped the idea of scale degrees with all 12 notes instead of the notes in the scale. –  Dom Apr 15 at 1:13
    
Thank you for the answer, it is just as helpful as Bob's answer, but since I can only accept one, I gave you a +1 –  Malki Apr 15 at 9:29
    
@Dom - same question as to Bob. What relevance do the major chords you show have to the modes? C Ionian doesn't feature a Dmaj., and in D Dorian, there won't be a Dmaj.The notes make sense (to me), but how are the chords in there? I'm probably missing something ! –  Tim May 15 at 5:56
    
@Tim jtab decided it wanted to turn the letter name of notes into guitar chords. –  Dom May 15 at 13:59

For a great explanation of modes, see “What is a Mode?” from Leonard Bernstein’s Young People’s Concerts and watch his very entertaining explanation. It's nearly 50 years old (he starts singing that great “new” hit “My Baby Does the Hanky Panky” as an example of Lydian mode), but just as entertaining and informative now as it was then. That's how I learned modes back when I was 10.

The lecture is in four parts on YouTube: part 1, part 2, part 3, part 4.

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Thank you for pointing out this excellent lecture! I watched it last night with my fiancée, and we were both enlightened and entertained. –  Bradd Szonye Apr 30 at 21:17
1  
I remember being enthralled by it when I was a kid, and finding that because of it I had no difficulty with modes when I got into music school. It was funny to be able to see it again on youtube 40 years later and realize that I still remembered much of it. Perhaps a bit fractured though, I remembered a song about going to see miss Mary, and was a bit surprised to see that it was really "Along Comes Mary". :) –  BobRodes Apr 30 at 21:22

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