Here is something that I have been wondering about for a while:
If you strum all six strings of a guitar in standard (EADGBe) tuning what chord would you play?
I think it would be some variety of a E minor but I am not certain.
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Well are openly strummed guitar strings even a chord? A chord denotes fretting either one fretted sting or all. These varied answers like Em11, A9sus, A11/E, Em7add11, A11, Em/D, EADGBE or E=mc2 chord just lead to confusion. If no strings are fretted it's an "open" chord (?) thus the "O" chord fretted at the nut removes all conjecture. Yes I submit it is that simple. |
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It's a mantra of mine that a given chord (or chord name) only properly exists in the context of a specific chord progression. Thus, the name you give to the chord formed by the 6 open strings of the guitar depends on what key and mode you use this chord in. It might have one name if used in the key of A major, another name if used in the key of E minor, and so forth. And thus it is with all complex chords that go beyond the basic major and minor triads. I think guitarists get entirely too hung up on giving a name to a particular grouping of notes that are strummed together. The individual pitches are what they are, but the name of the chord depends on how those pitches are being used at the time. |
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I'v always heard it called an A11. And it never occurred to me that the C# is missing. Em7(add11) seems closer to the mark. But pragmatically, whenever I use this chord, it is as an atonal "background" accent. That is, it's the chord I play when I want something that "doesn't sound like a chord." Mostly during rhythmic strumming of muted strings; un-muting one or two beats adds just a little bit of growl using tones that are effectively "neutral" to all keys; so it works in any key. All the chord names suggested so far fail to convey the "hollow effect" of that stack of fourths with no "character tones" (3rd and 6ths) when you emphasize just the lower strings. I'm almost tempted to describe it just as figured-bass (if only I knew the "correct" notation): E\4\7\10\12. |
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It all depends on which chord you want it to be. With GBD, you have a strong G tendency, and with the Es, that leans E minor. With the A, That's an added 4. So EminAdd4 (not suspended, because you still have the G). But if you want to think of it as an A, With the A and E, you have the root and the fifth. The G is a dominant 7. The B is a 9th away from that E, and the D is again a 4th. No strong major-minor tonality, which can be good. Back to the G. I said it has the full triad for a G major, with the A (2nd) and the Es, which are the 6th, so G69. Given some time, I could create some justification for it being some sort of Bminor9, too. I'm sure that some of that is sloppy and not quite according to Hoyle, but the greater point is that chords are made out of notes and notes can be reconstituted into different chords. |
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There appears to be a lot of differing opinion as to what this 'chord' is. A lot of these reverse chord finders seem to either find 'A11' or 'Em7add11.' According to this source, the chord is Em7add11. |
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In the standard tuning (EADGBE) the open chord is A11/E. This means that it is an A chord, with the added 11th (D), 9th (B) and 7th (G) and an E note in the bass. A lot of chords like these are used in jazz. Also, Joe Satriani uses a lot of 11th chords in his songs. Note, that this kind of notes for the open strings were chosen not because of the chord they create, but because it makes very easy to embellish other chords out of it. |
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The chord those notes spell is A9sus, or it could be Em11. |
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Using the reverse chord finder on http://chordfind.com/ .. Chords found: Em/D or A11. |
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