I was always intrigued with the way Ted Nugent/Adrian Belew/Jeff Beck/Jimi Hendrix/SRV were able to control feedback and make it musical - are there guitar/amp settings and techniques that can make this kind of control a part of a players repertoire?
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The answer to a ton of the questions here so far are the same basics: practice and experiment. In order to get feedback, all you really need is a loud amp and an electric guitar. Hollow or semi hollow guitars can be kind of hard to control the feedback, so definitely start with a solid body. The thing to experiment with is your guitar's position relative to the amp. Where you position yourself will change the frequency of the feedback you are getting. Moving the guitar around can change the note that's feeding back. Some other hints:
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Assuming you mean feedback from the amp, it has a ton to do with the amp circuit used. It is quite easy to make an amp oscillate. Usually this isn't preferred because it can be hard to control but I suppose with a properly designed amp and a bit of practice it wouldn't be too hard. The part of the amp that seems to have the most effect on controlling feedback is the the negative feedback. This is added to reduce distortion(which also reduces gain). So first things first is to make sure you have a good amp to work with. |
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Get yourself a Sustainer or Sustainiac, switch to harmonic mode and you'll be able to get feedback when playing straight to tape. |
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Hendrix would walk around the stage with his guitar during soundcheck and mark the "sweetspots" with masking tape so he knew where to stand when he wanted feedback. |
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The way I usually do it on stage is as follows: Run a guitar straight into a Line 6 Pod X3 Live and then take that into the DI input for the venue backline (this lets me use my preset amp simulators) and have a pretty loud front of stage monitor. In soundcheck I take a good look at where I can get feedback and although I don't mark them on the floor, I note where I need to be for particular songs or sections. I also set the volume so feedback will only happen at full volume on my guitar. When I don't want feedback I slightly back off on my volume or tone. If I get feedback slightly wrong, I can move forward or backward a very small amount to get it to sound 'in tune' caveat - this works well for loud rock and metal. Not so good with an acoustic guitar mic'ed up. For that I always rather have my monitor behind me so feedback doesn't ring so harshly. |
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A lot of folks get their pickups dipped in wax to help control feedback. Here's a link to Premier Guitar that explains how to wax pot your own pickups: http://www.premierguitar.com/Magazine/Issue/2009/Apr/How_To_Pot_Your_Own_Pickups.aspx |
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