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I recently did some reading on the historical evolution of the piano. From my understanding, classical-era pianos did not have foot pedals. By classical-era I refer to the narrower meaning of Classical.

I had been playing classical music for years using pedals, especially the "loud" pedal. Do modern musicians playing classical music typically use foot pedals? Do the pedals completely bastardize the sound the composers intended?

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You'd be surprised how many pieces were composed for harpsichord, as well. –  Matthew Read Aug 4 '11 at 2:35
    
Can you point to your sources? I haven't played classical music in a very long time, but I recall countless pieces that explicitly instructed the performer to rely on pedals. As to whether modern classical pianists do use them, a quick search for recent classical competitions on YouTube should help you answer that. –  Anthony Labarre Aug 4 '11 at 8:55
    
I should add that I'm referring to the more specific meaning of classical, referring to composers like Haydn and Mozart, not the romance era where the musical notation actually contained pedal markings. –  Jacob Aug 4 '11 at 23:56

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To answer your question: "Do the pedals completely bastardize the sound the composers intended?" is not as much as playing on the wrong instrument does. :-)

The piano Mozart, Beethoven and their contemporaries would have played would have been a Fortepiano. The modern piano as we know it (named Pianoforte), came a bit later. he Fortepiano is a much quieter instrument. (Consider it this way: a pianoforte can be heard over a full Romantic period orchestra, a fortepiano really can not.) [There also existed an even quieter instrument, the clavichord. It was mostly used for practice and very small, intimate recitals.]

Both the pianoforte and fortepiano use the same basic concept of striking a string, instead of the picked string of the harpsichord, thus allowing for varied dynamic range. [The harpsichord basically has only one volume level for each key. Changes in the overall volume in a harpsichord piece were often done by layer the number of notes.]

Having said all that, the wonderful thing about music is that it is open to interpretation and reinvention. When I listen to music, I listen more to hear what the artist brings to the music than I do to how perfect a reproduction of exactly was was written on exactly the right instruments.

In the end, it's up to you to decide what sounds best in your interpretation.

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Here is an awesome 10-minute instructional video on Classical-period piano playing from Matthew Bengtson. It covers the use of the sustain pedal and many other aspects. He is using an actual fortepiano of a similar model to the ones that Mozart and Beethoven used.

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That is indeed awesome, and demonstrates the sound of the time. Thanks for the link. –  Jacob Aug 10 '11 at 22:15

Classical-era pianos had pedals, or actually levers you would push up with your knees. Mozart undoubtedly used them. Beethoven wrote pedal instructions in the music.

Many pianists use the pedal when playing Bach on a modern piano. In for a penny, in for a pound I suppose.

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Interesting. I guess I had misread the history, but indeed, Wikipedia confirms it. I haven't seen pedal instructions in any Beethoven I've played, but maybe I haven't looked around enough. –  Jacob Aug 5 '11 at 4:38
    
Look at the Moonlight and Waldstein sonatas for example. The first movement of the Moonlight says: Si deve suonare tutto questo pezzo delicatissimamente e senza sordini. (This entire piece must be played most delicately and with no dampers.) –  Mark Lutton Aug 6 '11 at 1:13
    
@MarkLutton: just to be clear to anyone reading this, that means with the damper pedal depressed for the entire piece. Of course, the fortepiano's notes didn't sustain anywhere near as long as a modern piano, since the strings were under a lot less tension, so his pedal indications have to be taken with a grain of salt. –  BobRodes Jul 3 at 6:16
    
@BobRodes: The piano of Beethoven's time had a pretty good sustain, not all that much shorter than a modern piano. You can play 3 of them at the Frederick Collection in Ashburnham, Massachusetts. It appears that Beethoven liked the effect of all the notes sustaining. He compared it to the sound of a voice in a very reverberant vault. –  Mark Lutton Jul 6 at 3:06
    
I spent some time playing a fortepiano while I was in school. At the time, I was working on the Tempest sonata, and the recitative passage in the first movement at the beginning of the recap is marked with the pedal down throughout. The passage sounds great that way on a fortepiano, but it gets very muddied on a modern grand if you don't dampen the strings a bit. So, my assessment is a practical one. Whether "not all that much shorter" or not, I've found that it's shorter enough to create this issue. –  BobRodes Jul 11 at 2:03

Typically I don't use any pedal for older Baroque pieces, since they usually were written for the harpsichord.
Of course, it all depends on how you interpret the piece. Some pieces should sound as much like a harpsichord as possible, but others sound much better utilizing the modern pedals.
As far as "bastardizing" the sound, it all depends on how much you use them.

For example: the sustain pedal. I definetly wouldn't use it on pieces such as Bach's 'Inventions', but Telemann's 'Suite In A Major' sound good with some sustain added.

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