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I'm mostly self-taught, so I don't know much in the way of theory beyond the basics. I have heard of G sharp Major a few times. I believe a scale in the key goes as such: G♯, A♯, B♯, C♯, D♯, E♯, Fx, G♯. Is this key real (as in, has it ever been used in a notable piece)? Or, is it a "theoretical" thing? If it is real, does it have any significant relations to G major?

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5 Answers 5

up vote 20 down vote accepted

I'm not sure why you'd have any reason to question why it's real ... it's not really related to G Major though, no more than C# major is related to C Major. It's enharmonically equivalent to A♭ major, just like C# Major = D♭ Major or F# Major = G♭ Major.

As for pieces involving it, Wikipedia mentions some. In general, keys with double-sharps aren't used very commonly because their equivalents are easier to play. With just intonation, however, G# is not actually the same note as A♭, nor are the keys the same. For more information on that see my answer here and the answers on the question it links to.

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The larger question is why any composer would use a certain key signature rather than its enharmonic equivalent. For instance the choral music composer John Rutter is known for notating songs in C♭ major (with seven flats) rather than in B major (with five sharps). In the equal-tempered system, C♭ major and B major are the same key.

Despite the fact that this frustrates the heck out of piano accompanists, there is actually a good reason for it; C♭ major is the preferred notation for a harp player, due to the way that the harp is tuned and the pedals on the harp are used to transpose pitches. Rutter has written several pieces that may be performed by either harp or piano.

So in this example, the choice of key signature can be influenced by the instrument that the composer is primarily writing for.

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This question discusses why a composer would select one key over another in more detail:… – Kevin Oct 29 '14 at 15:30

Realize first that keys can be, and very often are, "temporary" within a piece. That is, the tonality may modulate to a new key without changing key signatures. Accidentals are used to indicate on notes that are in the tonality of that section.

With that in mind, I could imagine that G♯ Major would be used in a number of works, but not as a key signature. Try looking for works that might modulate to G♯ Major. c♯ minor could certainly do so, for instance, if the more "traditional" approach of modulating to the relative major were replaced by modulating to the dominant. Sometimes, as in Chopin op. 10, no. 4, the composer will choose to write in A♭ Major instead for notational convenience. Compositions in C♯ Major are fewer, but you may be even more likely to find the modulation in question in such a work.

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Here's how it's related to G major: It's a semitone higher.

I don't know about pieces scored in G#, but any time a guitarist puts a capo on the first fret because the singer is finding G too low, that's G#.

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So perhaps that guitarist actually wants to signify that they are raising the key signature by one semitone, is that what you were saying? – mey Jan 28 at 18:14
That is Ab Major. – Neil Meyer Jul 19 at 7:13

The only Major scale which starts on a note with a sharp on it is F# Major and C# Major. G# Major does not exist. If you where to start a scale on that specific tone degree it would be Ab Major which does exist.

There does exist g# minor though which is the relative minor of B Major.

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I wish someone would tell me why this has gotten 3 down votes. – Neil Meyer Oct 29 '14 at 13:36 . It's also linked in Matthew Read's answer. – Dom Oct 29 '14 at 13:51
I don't care what Wikipedia says my point stands G# Major does not exist. – Neil Meyer Jul 19 at 7:14
Let's put it this way. If I started writing a piece in the key of C# major then modulated to the dominant key, what key would I be in? – Dom Jul 19 at 13:10

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