The following excerpt is from a piece called Brincado by the Brazilian composer Alberto Nepomuceno from the collection 5 Little Pieces for the Left Hand (imslp)
How should I count this?
As far as I can tell, the composer's either having a mathematical in-joke, is trying to be "too" clever, or he's just a little confused.
Either way, the short answer is that you should play/count that passage in exactly the same way as if the semiquavers (16ths) weren't dotted, and the triplet marking didn't exist.
Why? Well, let's look it it mathematically if not musically (I'll use British note names if that's ok - it's less confusing when talking about quantites and note lengths in the same sentence):
The piece is in 6/8 time and 4 of those 6 quavers are accounted for prior to the dotted semiquavers:
So, the 4 dotted semiquavers are representing the last 2 quavers' worth of time in the bar.
The triplet marking tells us that instead of just 2 quaver divisions, we need to squeeze 3 into the same amount of time - in other words, we'd expect to have to use 6 semiquavers (= 3 quavers).
However, we only see four semiquavers in the score - but all 4 of their lengths have been increased by half again (that's what the dots mean).
To put it even simpler, all that's happened is that we've had to reduce our quaver lengths by a third (observing the triplet marking), then immediately increased them by 50% (as per the dotted notation).
I can't work out whether I think this composer's a comedy genius or the musical equivalent of the nerdy kid at school who annoyed everyone by trying to be a little too clever.