For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specif form of analysis if applicable.

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Analysis of Greensleeves

I had a go at chording out GreenSleeves today: (EDIT: Revised image, thanks ℵ₀) This is very exciting, as it is completely off my map. Here be dragons! The central section (m9-12) looks like a IV ...
5
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3answers
447 views

Analysis of Scarborough Fair

I'm attempting to figure out what is going on in terms of harmony with this song. This is the best I have managed so far (supposing a tonal center of A): Chords are: Am Em G ...
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0answers
54 views

Communities for discussing harmonic analysis

Every day I try to pick apart a new song. First I try to get the melody. Then the chords. Then I attempt a functional analysis. Finally I try to zoom out a bit further and "see what is going on". ...
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2answers
531 views

Harmonic analysis of “Walk this Way” by Aerosmith

I'm trying to do harmonic analysis of "Walk this Way" by Aerosmith. Verses and choruses uses I to IV progression, but I wonder about the riff in the bridge. It seem to be played in the E key. Joe ...
3
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2answers
315 views

How to analyze a chord from Beethoven sonata no 8 (Pathetique)

Looking at a chord towards the end of the development in measure 169, beat 2, spelled C♯-E-A♭ over the G pedal. How would you analyze this in the context of the harmonic progression at ...
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2answers
148 views

Are these “power chords” in a classical composition?

I've been trying to figure out the chord progression from the beginning of this Mussorgsky piece (orchestrated by Shostakovich, link below) and I'm just curious if I'm getting things right. The chords ...
11
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1answer
112 views

What is the difference between grouping overlaps and elisions?

I am reading "A Generative Theory of Tonal Music" by F. Lerdahl and R. Jackendoff and I don't understand the difference between grouping overlaps and elisions (this is explained in section 3.4). The ...
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2answers
1k views

Why D sharp not E flat in Turkish March

I'm analyzing Mozart's Turkish March piece for the piano. As I see in measure 18 the harmony is F7 (fourth) with minor seven. Assuming it is a minor seven because the harmony is F7 why they thought ...
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2answers
107 views

Roman numerals analysis

I'm studying music theory in https://www.musictheory.net I have reach a point where the roman numeral analysis is explained. A couple of lessons later, I found the next image: I really can't make ...
2
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2answers
128 views

B - F - A chord in the key of C major

It was published in 1891 so I guess the harmony is based on common practice era music. There is one exercise (in C major) that I can play but I just don't really know how to understand it ...
4
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3answers
93 views

Does this cadence have a name?

The cadence on the fermata in this (simplified) example sounds familiar to me (in blue): Since it does, I suppose it possibly has a name. My best guesses trying to analyze it so far are: half ...
2
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2answers
133 views

What is a Schenkerian graph?

I just started reading Audacious Euphony: Chromaticism and the Triads Second Nature pretty early on it mentioned Schenkerian graphs and put them in the same group of analysis as Roman Numeral ...
4
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3answers
647 views

Why does the chord progression Gmaj - F#maj - Amaj sound the way it does?

I really like the chord progression Gmaj - F#maj - Amaj ... (I think it can be written I, VII, II)? While all the chords are major, there is some sadness about it. What is the story behind this ...
2
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2answers
61 views

Chord progression in Brangane's warning

I have been interested for quite some time in the harmonic progression in Brangane's warnings in the second act of Wagner's Tristan und Isolde. My question: how can one analyze the chord progression ...
3
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3answers
302 views

I, (II), III major chord progression?

In Under the Bridge by Red Hot Chili Peppers, the introduction alternates between D and F# chords, with an E in between as a passing chord in some cases. There is also a g# passing note played over ...
6
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1answer
274 views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
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2answers
102 views

Modulation via a major chord, then another major chord a half step down

In Nick Cave's "Darker With The Day", there's a modulation at the end of the chorus which sounds very good (to me), but I don't understand why it works. The verse is more or less in G major: GM ...
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2answers
95 views

What is the name of a description of a pattern of motives?

I have to describe short melodies composed by beginner students. They are typically just a few bars long, and are composed bar by bar, so most of the times there is a 1-to-1 correspondence between bar ...
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2answers
112 views

Role of Dominant 7th chord in particular progressions

Examining this progression in F: | F | A7 | Dm7 | Bb, Bbm | | F, E7 | Gm7, C7 | F, D7 | Gm7, C7 | In the fifth measure I really don't understand what role has the E7 chord because I can't ...
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1answer
91 views

Roman Numeral Analysis Algorithm [closed]

I'm working on a Roman Numeral Analyzer, but I have some problems and questions that I'd like to get clarification on. 1) What information is required to determine a chords function? 2) If the ...
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2answers
136 views

Score analysis: Beethoven - Menuetto IV in F major (WoO9) at measure 4

I'm new to music and I'm trying to learn analysis, my question is, what chord is represented in the last bar of this excerpt? It has C in bass, so it could be a dominant chord, but rest of the notes ...
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1answer
117 views

Identifying Modulations in Roman Numeral Analysis

I've been working on this analysis as some of you may have seen in other questions. It's my first non-super basic analysis so I've been really really struggling. I've attached a scan of where I'm up ...
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4answers
185 views

How exactly tell the root of a song over a defined scale on ambiguous harmonic context?

I play a song in either C major key or A minor key. Usually I determine the root (C or A) taking into account clues like: The happy or sad feel of it all The first chord (C or Am) Stereotypical ...
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5answers
306 views

Roman Numeral Analysis of Chords Outside Of The Key: C7 in the key of E major

I'm completing a roman numeral analysis in E Major, but there's several chords marked out that fall outside of the key - either with an accidental that shouldn't be there or they're marked as minor. ...
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5answers
354 views

chords in BWV 846

I have been doing chord analysis on BWV 846 (prelude). It is very interesting and I hope you can help me with some questions: I understand that doing chord analysis is good but what is the reason ...
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2answers
93 views

Symmetry Instead of Tonaliity

I have read about a different approach to music, the symmetrical approach of analyzing, that was after I listened to a the jazz standard Giant Steps and heard that the technique that is used in the ...
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2answers
52 views

How can I visualise the effects of EQ as a curvature represented on a graph?

I have just started diving into the magic world of EQ. Basically, I can hear what the effects are, and see them via a freq-analyser, however, what i'd really like is a way I can represent any sound ...
2
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1answer
43 views

Motifs in Bartók's 5th Quartet

I'm doing a motific analysis of the first movement of Bartók's 5th Quartet and I've traced almost everything. The only bit which bothers me occurs at bar 82, then again at bar 177 where it forms the ...
4
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3answers
635 views

What are common analytic techniques for identifying phrases in music?

I understand that the concept of "phrase" is not always very well defined, and that there contrasting "intuitive" and "analytical" ways of thinking about music phrases and phrasing, per Wikipedia. ...
3
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3answers
246 views

What are the official modes from Ionian to Locrian?

I am having some confusion is respects to the formal definition of what the various modes are. I know that their defined in relation to their scale, however, I've come to realise this may not be best ...
3
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4answers
794 views

Why are pure tones depicted as sine waves?

This is pretty much the only thing in music theory (that i've covered so far) that I cannot understand. What I would expect to hear, is what you get from LFO, or Low Frequency Oscillator represented ...
11
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2answers
409 views

Software to analyse music for playability

Is there any software that can analyse instrumental parts for playability? I want to compose orchestral music, I know the ranges of the individual instruments, but do not know if what I compose is ...
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3answers
234 views

What is the origin and advantages of this system of chord naming/ notation? e.g. G7 is major minor seventh not Dominant 7th

I've received a few emails through my website asking me what a major minor seventh chord was. At first I thought they had mixed up the sequence and were referring to the A-#7 chord (root chord of ...
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2answers
1k views

Why is Mozart's Turkish March considered a rondo?

I read on Wikipedia Mozart's Turkish March has the form A-B-C-D-E-C-A-B-C But I read in my textbook Listening to Music by Craig Wright that a rondo form is supposed to have more "symmetrical ...
4
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1answer
129 views

Is there a collection of pop or jazz standards that include harmonic analysis? [closed]

I'm learning to do harmonic analysis and I'm quite happy with the sources for the theoretic aspects online and in books. But to practice, it would be great to have excercises with solutions ...
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5answers
2k views

If A minor doesn't have any accidentals, is it still minor?

As part of a music course, we have to compose a 3 minute long piece based on a river's journey. Having finished the composition, we now have to write a set of sleeve notes - basically an analysis and ...
7
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2answers
214 views

What is the Hanson system used for?

Recently I've been learning about alternate analysis techniques used for modern compositions and one that I've recently learned about the Hanson system partiality described below: Now as shown in ...
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2answers
178 views

How to find popular and relevant songs from different decades? [closed]

I'm working on a project which entails gathering some very specific information about popular songs of all time, which is then entered into a database. I make no distinction in regards to genre, so by ...
6
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3answers
1k views

Why does the IV - V♯ - I chord progression work so well?

The song Long Away by Queen does this, but it's a pattern you'll probably find in many songs. Basically, I've noticed that when moving from IV to I, a V♯ or V♯maj7 chord is sometimes used as a ...
2
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1answer
620 views

How to find an analysis of a classical piece in the internet

I'm a passionate non-professional musician and I find it extremely helpful to know something more about the pieces I practice. I tried to find musical analyses (formal, rhythmical, melodical) in the ...
2
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3answers
293 views

Question about analyzing a Dm C A# chord progression

Say I play the chords Dm C A# How would you describe the chord progression? There seems to be a relationship between Dm and A# but I don't understand how to describe it. They aren't a perfect 5th ...
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2answers
3k views

How do I determine the chord progression Roman numerals?

Let's say I'm playing the chords D, G, A and Bm. I know that D is my key, which would be Roman numeral I. How do I associate the other chords with their proper roman numerals? How would I determine ...
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4answers
2k views

Roman numeral notation for a suspended chord?

On the Wikipedia entry for Roman numeral analysis, it says that major chords use the upper case numerals (e.g. IV for the F major chord in the C major scale) and lowercase letters for minor chords ...
2
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3answers
446 views

How is a chord progression with G#, D#m, F and G possible?

I was analyzing Gone Hollywood by Supertramp, and from around 0:22 a riff starts. The chords in the riff are G#, D#m/F#, F and G. The weird thing is that in the key of G# major the D# minor chord ...
21
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5answers
2k views

Why is bass note so important in harmonic analysis of music?

In any type of harmonic analysis the bass plays a big part in determining the function of the harmony. There are even special ways to describe what note of the chord is in the bass (known as ...
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2answers
326 views

Which roman numeral should I use for F# diminished chord in the key F Major?

In the key of F major, what roman numeral is the F# A C chord? I know it is a diminished chord. It is going from a F to F#dim to Gm7
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1answer
1k views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
7
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5answers
931 views

Why does this progression sound good, even if it not resolve to the root?

I'm trying to learn some music theory. I'm interested in the magic of chord progression, and how little changes can make a dramatic change in the feeling. Anyway, I suppose that a progression moving ...
8
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4answers
492 views

Alternative Analysis for Non-Functioning Secondary Dominants

I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
2
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2answers
975 views

Chord analysis of Rachmaninoff's Piano Concerto No.2 Movement 1 mm 86

I need help in analyzing the chords of Rachmaninoff's Piano Concerto No.2 measure 86. In the snippet below, the measure is encapsulated by a green box. . Score is from and can be found here. EDIT : ...