A time period in Western art music spanning between 1600-1760 CE, approximately.

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Which source for Scarlatti K208? Can I mix and match versions?

I'm working on Scarlatti's K208. The Dover edition includes variants from the Codice Veneziano (C.V.), Codice Santini (C.S.) and from the London original edition (E.O.). The first picture shows a ...
12
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3answers
299 views

Did baroque composers expect you to “bring out” the voices in their pieces, the way today's critics seem to enjoy in players?

So, I recently had a, sadly, way too short conversation with a pianist on the train. According to the guy, in the 17th and 18th century polyphonic keyboard works were not played in such a way that ...
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3answers
247 views

Why are the Goldberg Variations considered a demanding work?

In print, the Goldbergs (Goldberg Variations) have a quasi-legendary status, a hallmark of technical difficulty. I was perusing the score and it doesn't look terribly intricate for what's possibly a ...
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2answers
95 views

How much dynamics, tempo fluctuation is acceptable in Baroque music on piano? How to achieve expressivity?

I'm not talking about exaggerated rubato and a deliberate Liberace-style soup of genres, but is it acceptable to add some dynamics and some tiny tempo fluctuations when playing Baroque on piano to ...
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2answers
202 views

Bach: How is this mordent to be realized? Why do people play it like a trill?

So, the old Invention No. 1 by JSB: http://javanese.imslp.info/files/imglnks/usimg/7/72/IMSLP63611-PMLP03267-Bach_Oeves_Complets_Peters_Liv_7_BWV_772-786_2748.pdf The B on the 4th beat of the 1st ...
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4answers
213 views

Were the Goldbergs meant to be played in one go?

See, in this very interesting interview (http://www.npr.org/blogs/deceptivecadence/2012/03/16/148769794/why-i-hate-the-goldberg-variations) Jeremy Denk has the following to say: The piece is ...
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83 views

Why did composers of the Baroque sometimes write two of the same dance in a suite?

In Jacquet de la Guerre's Suite No. 3 in A Minor, there are two Courantes. Later on, in Bach's English Suite no. 1, there are two Courantes, two Doubles, and two Bourées. In fact, all of ...
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412 views

What are the characteristics of a Sarabande?

I am playing Bach's English Suite in a minor, and am currently working on the Sarabande. I know it is a slow dance of Spanish origin, but not much else. What are some characteristics of the Sarabande? ...
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173 views

iii9 - I progression in Bach?

In the last of his 15 Sinfonias (aka Three-Part Inventions), Bach uses quite a daring approach to the tonic chord. Occurring in a sequential progression by downward thirds, it can be described most ...
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111 views

What does “I Solisti Veneti” mean?

What does Vivaldi mean by "I Solisti Veneti"? What does the title mean? There doesn't seem to be a translation I could find of.
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131 views

What would Rock sound like to people in the Baroque era? [closed]

Not entirely sure this is on-topic, but what would people 400 years ago in the Baroque era perceive our rock as? They probably wouldn't have any electric guitars or drum kits, but maybe there is an ...
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561 views

In “All we like sheep have gone astray,” are we laughing with Handel or at him?

Nobody can ever sing — or practically even talk about — "All we like sheep have gone astray" from the Messiah without noticing that the words "We like sheep" are prominently accented, in a way that ...
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4answers
197 views

How do I tune my cello to play the second Bach suite(prelude)?

None of the videos on youtube are is concert pitch.
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122 views

Suggested text material about Italian baroque composition

As a hobbyist composer who composes in "almost" traditional music styles (baroque-like, classical-like etc.), I am at a stage where I would like to compose authentic music in a specific style. I have ...
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1answer
37 views

What is the instrument at the beginning of “Curtain Tune on a Ground”? [closed]

I recently discovered Purcell for me, and listened to quite a lot of his works. I stumbled across the follwing video: ...
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4answers
507 views

When were the terms “Major” and “Minor” applied to keys?

In 1547, Heinrich Glarean published Dodecachordon in which he posited that in addition to the 4 existing pairs of church modes (plagal and authentic versions of modes with finals on D (Dorian), E ...
7
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1answer
316 views

Parallel Fifths in Pachelbel's Canon in D?

The other day, I was watching a scrolling score of Pachelbel's (in)famous Canon in D on Youtube, when I noticed something interesting. In the excerpt below, shouldn't the the circled notes in the 1st ...
13
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2answers
823 views

Baroque music composed in the 21st century

Which characteristically Baroque elements of music composition still have currency in the 21st century? Are there any 21st-century composers or songwriters who still compose primarily or largely in ...
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2answers
405 views

How to interpret notes outside of the key signature?

Lets make this question a bit clear. If you're playing Bach's music, it shows you that its' key is E minor, or A major or anything. But, when you play something like: He add sharp in his notes. ...
14
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1answer
764 views

What does “silonveut” mean?

I am typesetting a Cambini Quartet. In the score for the cello part I see the following phrase: What does it mean? It appears to say "silonveut". This is the context (I don't think the piece is ...
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1answer
335 views

Are instructions on organ stop settings included in the notation of Baroque organ music?

I am currently listening to a collection of Bach's complete organ works for the organ. I love Baroque music and Bach in particular, but I am not very familiar with the organ from the performer's ...
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3answers
881 views

What are all these symbols in some old sheet music?

Looking at this sheet music of Pietro Antonio Locatelli's "L'arte del violino" Op. 3 we see that the sheet music is pretty old. I have no idea if this is perhaps the original one or not but it does ...
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1answer
192 views

What instrument is this and why is it held so strangely and played?

Looking at this orchestral performance of sinfonia from Bach's 29th Cantata (BWV 29), it is really curious to see the trombonists (?) holding the horn/trombone with one hand and the way they are ...
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5answers
396 views

Clarinetist learning baroque recorder

I've seen other questions, such as "Resources for learning to play the recorder" and have done a decent amount of Google searches. Basically, I used to play clarinet rather well, but had to quit due ...
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Confusing passage from The Study of Counterpoint [duplicate]

Here is the passage: Joseph: I wanted to write a sixth here. But when I studied singing, I learned that fa leads down and mi leads up. Since the progression moves upward from the sixth into a third I ...
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1answer
122 views

Are repeated octaves permissable in a fourt part SATB?

I am writing a four part SATB (soprano, alto, tenor, bass) and wanted to know if repeated (that is, successive) octaves are permissible? I know that parallel fifths/octaves are not allowed, but what ...
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2answers
193 views

Name of baroque formation with five musicians (soprano, recorder, violin, viola da gamba, lute)?

I attended a (old) baroque music performance with an ensemble as follows: soprano, recorder, violin, viol (viola da gamba), and lute. The singer stood at the apex of a narrow triangle, furthest away ...
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428 views

Baroque Performance Tips

What are some recommendations for performing Baroque music? My studio professor seems to think that I can improvise in the Baroque style as easily as breathing -- which is sadly not true. The ...
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222 views

Recorder type for Telemann's music piece

I notice there are some compositions from GP Telemann for recorder. I just want to know what type of recorder(alto or soprano) for playing Telemann's pieces for recorder. Thanks
5
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2answers
480 views

Deciding how to articulate Baroque semiquavers

I'm playing a movement (from a Quantz flute concerto) in 2/4 time. There are reasonably lengthy passages of semiquavers with no slurs marked. I appreciate I want to vary my articulation to make it ...
14
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2answers
572 views

J. S. Bach's place in musical history

Was there any reason Bach didn't follow the trends of the times? He was surely very much in touch with contemporary composers, and knew of Handel's and Scarlatti's works specifically. Amazingly, he ...
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1answer
182 views

Playing Haydn on the modern piano, reading list?

A typical modern score for Haydn has a boatload of editorial suggestions for dynamics, staccato, tenuto, etc. I'm sure these editors know more than I do (that's not hard), but I'd like to know more ...
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Training and Influences of J. S. Bach

Johann Sebastian Bach is undoubtedly among the most celebrated of Baroque composers, and to many the great composer in all history. The era of the late 17th and early 18th centuries in which he lived, ...
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Why was basso continuo not widely used after the baroque period?

I'm studying a string quartet by Haydn. This (obviously) doesn't have a basso continuo. Why were basso continuos no longer used in the classical period? Was it something to do with the development of ...
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1answer
844 views

How much baroque music was derived from improvisation?

I've heard that much music we think of as "baroque" was actually improvised, and only later set in stone. Is this true? I'm currently playing baroque-style continuo/bass lines in a duo that riffs ...
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801 views

What are the shared fundamental components of Baroque and Minimalist music that make them sound similar?

Baroque and minimalist music are two of my favorite genres. In particular, I like the repetitive note sequences with variations. J.-S. Bach's Goldberg Variations and Phillip Glass's Naqoyqatsi are ...