What is so special about a melodic half step that makes it "want" to go up (As in the leading tone to the tonic). Why isn't there as much resolution in a melodic half-step downwards?
In major and minor keys, the perfect cadence is V to I Will this structure remain the same in a different mode? I.e. E Phrygian Mode in the key of C (E F G A B C D), the tonic chord is the iii of ...