A melodic and/or harmonic configuration at the end of a phrase, section, or piece of music.

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10
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2answers
524 views

Do different modes have the same cadence structure?

In major and minor keys, the perfect cadence is V to I Will this structure remain the same in a different mode? I.e. E Phrygian Mode in the key of C (E F G A B C D), the tonic chord is the iii of ...
8
votes
3answers
1k views

When to use inversions in harmonizing a bass line

What exactly is the procedure for harmonizing a bass line? In my class, the teacher introduced inversions of chords, which are not hard to understand per se, but I can't wrap my head around how can I ...
8
votes
7answers
466 views

Why aren't unusual leading tone cadences more common?

As far as I understand, the main reason why an authentic cadence (i.e. V–I) works well and is so common, is that the dominant chord contains the leading tone, which resolves very strongly to the tonic....
8
votes
2answers
5k views

Ic-V-I perfect cadence progression SATB part writing rules

I am studying Music at AS-level - we have to harmonise a soprano line (in any style we wish I believe) with the alto, tenor and bass parts. One possible perfect cadence I have been taught is the Ic-V-...
8
votes
1answer
358 views

When was the deceptive cadence introduced?

Bach used the Deceptive Cadence as early as his Passacaglia and Fugue in C minor, BWV 582, which dates to the early 18th century. Are there earlier uses? A definitive answer may be impossible, but I ...
6
votes
3answers
633 views

What do multiple l's and r's beneath a note mean?

I do a tad of drumming, but not enough at all to call myself a drummer (or anything close). I understand what a R or a L means under a note, but i'm not sure what two or three under each note means. I ...
6
votes
5answers
517 views

Does a phrase ending in V7/V - V end in an authentic cadence or a half cadence?

Does a phrase ending in V7/V - V end in an authentic cadence or a half cadence?
5
votes
3answers
303 views

Why does a melodic half step resolve on the higher note?

What is so special about a melodic half step that makes it "want" to go up (As in the leading tone to the tonic). Why isn't there as much resolution in a melodic half-step downwards?
5
votes
2answers
148 views

Need help about Harmonizing Cadences

Using the given soprano notes, how can I plot the tonal journey that will start and end in G minor. This exercise wants me to use middle two cadences to move to a related chord and have one authentic ...
4
votes
2answers
366 views

How common is it to omit the I in II V I cadences in Jazz?

I was studying the song 'Satin Doll' by Duke Ellington: And basically, there many II V in different tonalities. The same happens in Charles Mingus's 'Nostalgia in Times Square' (bars 9-11): In ...
4
votes
3answers
98 views

Does this cadence have a name?

The cadence on the fermata in this (simplified) example sounds familiar to me (in blue): Since it does, I suppose it possibly has a name. My best guesses trying to analyze it so far are: half ...
3
votes
3answers
83 views

I don't understand dominant 7ths in cadences

I am confused with the following passage: Dominants are associated with a strong urge to resolve to their next chord in the circle of fifths. This particular sequence, E7 A7 Dm (or V7/V-V7-i) ...
3
votes
3answers
137 views

bV substitution in ii V I

So I have been playing around with the good'ol ii V I standard and I have found, just by playing around, that instead of going to the V, it sounds odd, but you can substitute it for a bV. Key: D ...
1
vote
3answers
134 views

Does a dominant seventh chord always have to function as a secondary dominant/cadence?

Does a dominant seventh chord always have to function as a secondary dominant/cadence? In "I Wanna Hold Your Hand" they play a B7-C and a B7-G instead of resolving to an E. Does this just work as a ...
1
vote
3answers
178 views

Chord Roles/Reputations

Does there exist literature examining the particular psychological/emotional role/reputation of each chord in a movement? (For example, I am currently infatuated with IVmaj7, which is to say I find ...
0
votes
6answers
686 views

AMEB Grade 4 Theory question - harmonising cadence points in a melody?

So i've started doing Grade 4 theory, and came across this question. Normally, i would have no problem if they gave me the bass, but in this case, I'm slightly confused. How are you supposed to go ...
0
votes
2answers
37 views

Can 2 single notes be considered as cadence?

I was studying a tutorial about phrases and cadences. I faced following image : Here [I] means first chord of F Major scale so it's F Major Chord. So is the next note (A) also considered as [I] or ...