In some songs that I have listened, only one inversion could be used; when one tries to use other voicings, it will sound really odd. So, when it is more preferrable, for example, to use the second ...
If I play C4, E4, G4, it's a C-major chord. First inversion would be E4, G4, C5: is this considered a different chord, or just a different voicing of the same chord? I'm thinking specifically for ...
Say I'm given the notes like this. How do I determine whether it's already in root, 1st, 3rd, or 7th inversion?
This is the exercise I'm trying to figure out. I don't really understand how to do this.
When I hear music what I can consciously detect is the top melody note and the chord as a whole, for eg "that is a C sung over an A min". However, I am unable to detect how the chord is voiced, as in ...
As there is very few people that know about this, here is the only place I can ask. I am looking for retrograde and inverted remakes of classical songs. Even better if they are being played ...
In classical music harmony analysis, we see the chord inversions notated like I6/4, I6, V4/3. Examples: What are those numbers? How do they define the inversion? What's the theory behind using ...
For example consider C6 [C-E-G-A] and Am7 [A-C-E-G] which share the same notes in different order. When we play [E-G-A-C] how is it called?(is this a inversion of C6 or Am7) Generally, how are these ...
This article from wikipedia, states: In the first inversion of a C major triad the bass is E—the 3rd of the triad—with the 5th and the root stacked above it (the root now shifted an octave ...