Sequences of chords, and the relationship of one chord to the next

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9
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1answer
335 views

Is i-V a stronger progression than I-V?

I'm just starting to learn a little music theory (in connection with learning to play the ukelele), and I repeatedly see I-V as basically the strongest chord progression (in whatever sense "strongest" ...
8
votes
1answer
128 views

What is the theory behind a chord progression like E, Bm, C#, A#, G and B?

I was playing the chords from Pyramania by The Alan Parsons Project. In the verse from 0:17 the chords are E, Bm7, E, Bm7, C#, A#, G, B. I get the first four chords, E and Bm7 fit in the same scale. ...
1
vote
2answers
86 views

What is this Chord Notation?

I know how to read Roman Numerals for chord progressions. But I've seen something recently I don't understand. I've attached an image below. What are those sub/post-strip's?
1
vote
2answers
48 views

Harmonic Progression

I'm trying to figure out how to do this harmonic progression thing. What I did so far was write out the scale of all the roots. Now I'm trying to determine the common tones. I don't see any common ...
12
votes
5answers
947 views

Why is IV-iv-I an effective chord sequence in a major key?

An example of this is the song Nobody Home by Pink Floyd. The last line of the intro is, in a C major key: F Fm C % I think this sounds great, and in fact I often use such passages when ...
7
votes
3answers
94 views

Minor subdominant in a major key

I was listening to the song "go all the way raspberries" in "Dark Shadows." I sorta figured out the song by ear on my guitar and I was a little confused. It is in the key of A and uses D minor. Here's ...
1
vote
1answer
68 views

In 4-part harmony exercise, how to harmonize soprano 1 to 2 with IV6 - V?

I believe this melody well conforms with the harmony, and does not offense my ear and the rules about counterpoint and chord progression. However, when trying to fill in the inner part, I realize the ...
5
votes
1answer
112 views

In jazz, what is a chord family?

In the jazz context, what is a chord family? How is the concept used in improvisation, chord substitution, and re-harmonization? Which are the families and their members? I've seen chords divided in ...
7
votes
2answers
158 views

Can any diminished chord be used as V anywhere?

I've been playing with diminished chords as 'V' in ii-V-1 progressions. I often use one of the three diminished chords in a ii-V-1 progressions - I sharp the 5th note of the scale and hang a ...
4
votes
1answer
72 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
1
vote
1answer
73 views

Scales, chords and piano music

Songs have chord progressions - different chords played in a sequence repeatedly [mostly]. These chords don't belong to a single scale [usually]; they belong to different scales. As I gather along, ...
11
votes
2answers
525 views

How to interpret a switch from Em (Aeolian) to Bm?

I'm self taught, so I know just a few things on scales and modes, some probably wrong. So the other day I was composing a new song. I believe it starts in E minor, as I was playing over the Chords Em ...
2
votes
2answers
102 views

Chord progression in Phrygian mode

I'm working with a C scale in Phrygian mode. I can create some interesting melody with some character, but I miserably fail in creating pads with this scale. My chord progression has no 'soul', does ...
5
votes
4answers
459 views

Is there any theory to decide a set of plausible chords per measure where a whole melody of a song is given?

I know my question looks similar to many other questions. But, please be patient with me. I'm writing this question because I can't find any appropriate answer although I have searched for it for a ...
13
votes
4answers
1k views

C#m in Am chord progression

I was listening to this song; ...
3
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4answers
285 views

I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
2
votes
2answers
254 views

Creating Happy Melodies and Chords

I've been listening to a track, such as this https://soundcloud.com/wave-racer/flight-facilities-stand and it seems to have a very happy vibe about it, to the extent where it's "over happy". But I ...
5
votes
5answers
506 views

How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
9
votes
4answers
281 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
9
votes
3answers
760 views

How to interpret this chord notation?

How do you interpret this couple of notations? In Bar 2, Fm / Ab, what does the slash do? Do I play either chord or both? In addition, in Bar 3, what does the /9 mean? Thanks
5
votes
2answers
398 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
5
votes
3answers
559 views

Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
4
votes
4answers
226 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
2
votes
1answer
278 views

Which scales to use on complex chord progressions?

According to this article, it is possible to make a chord progression by just keeping one tone that remains constant in all chords of the progression. Also, it gives these examples: Cadd9 F6 D G ...
5
votes
2answers
295 views

How is 12-bar blues harmonically possible?

How is 12-bar blues harmonically possible? Cmaj scale doesn't really have a C7 - F7 - G7. Is it done by borrowing chords from other modes? There seems to be a C7 in C mixolydian, F7 in C dorian and G7 ...
8
votes
5answers
1k views

How to make songs with chords that don't belong in a scale?

I've always wondered how come there can be a chord progression with some chord that doesn't belong in the particular scale... Moreover, how can it be possible that this progression is in any key at ...
8
votes
5answers
379 views

Looking for letter-based chord identification algorithms, and related literature

I'm searching for chord recognition algorithms that will assign a chord name(s) to a group of notes, and related literature. Sometimes known as reverse chord identification, where you feed notes to ...
8
votes
4answers
811 views

Uses for augmented chords in composition

I've been studying for music theory for many years and I enjoy just writing little chord progressions and melodies to see what certain progressions sound like and how interesting I can make them. The ...
15
votes
3answers
686 views

How to algorithmically find a chord progression for an infinite arbitrary melody?

My question is primarily about this piano performance: ...
3
votes
5answers
225 views

How would you interpret this chord progression?

Ok, To be Specific I'm looking for Key Chord Types With Degree I've included both keyless and how I understand it. My Interpretation so far To me it's obvious that this Key is B, which would ...
1
vote
3answers
356 views

What is meant by this chord progression description?

Basic question, I understand the ideas of modes and that there are 7 corresponding keys within each major/minor scale, but I'm trying to learn what exactly is meant when the chord progression is ...
0
votes
1answer
309 views

Oasis - Supersonic Harmonic analysis (What modes are played, explaining modulations and pivots function as roman analysis)

Song can be played as: Main Riff: F#m(F#5) A B Bridge: E Riff E C#7 Chorus: D A E F#7, D A E C#7 -> Main Riff Again I am struggling on harmonic functions. I am not sure whether the song ...
3
votes
4answers
245 views

“I-vi” in Major or “III-i” in Minor?

There are some progressions that seem to move back and forth between a major key and its relative minor, like the "I-vi" progression (C, Am for example, two measures each.) Most people would consider ...
0
votes
2answers
364 views

Help me in this chord progression analysis please [closed]

Verse is in G major key Then it comes bridge: Am B7 Em A7 Am D C And then a typical C lydian progression (G major again) for the chorus Id like to understand whhich modulations are occurring in the ...
1
vote
5answers
1k views

Learning how to be a good rhythm guitarist before becoming a lead guitarist, where to start?

I have recently been trying to hone in my improvisational skills. I'm stuck in the first position of the Am pentatonic box and can't move away from it. Whenever I try to move out of it, I randomize ...
2
votes
2answers
295 views

how does the bluegrass major chord built off of the flat 7 “work”?

It's in almost every bluegrass song, but I've never seen an exposition of the theory behind the major chord (minor may also be used, but I don't think I've seen it) built off of the flat 7th of the ...
11
votes
1answer
270 views

What are some good/interesting ways to exit a circle of fifths section?

Circle of 5ths is in tons of chord progressions, sounds nice and 'easy', etc. But if you keep going on it the song can sound unreasonably predictable. What are some good ways to use a little bit of ...
7
votes
2answers
648 views

“Andalusian cadences”: How are they commonly heard?

The "Andalusian cadence" I-bVII-bVI-V is commonly heard as a repeated figure in Flamenco music as well as many pop songs, e.g. "Hit the Road, Jack": ...
2
votes
2answers
494 views

What is a root movement by fourth in chord progression

I'm reading music theory for computer musician and in chapter 18 they talk about chord progression and root movement by fourth, second and third. So it makes sense for the second and third, but for ...
6
votes
2answers
1k views

What does it mean when progression is resolved?

I saw this text inside a very basic piano workbook in which I'm not sure what the author means by using "resolve". Progression #1: C-F-G-F-C NOTE: This 4 bar progression resolves back to C ...
0
votes
3answers
161 views

What left hand technique is being used to create this percussive chord transition sound?

There is a strange chord transition that I cannot figure out how to play near the beginning of this acoustic guitar song: ...
8
votes
2answers
756 views

Why play out of scale notes as part of a chord?

So, I'm learning 'Stray Cat Strut' right now and came across something I'm not sure I understood. I have to say, I've only just begun to learn theory, so maybe that's why. Anyway, as far as I can ...
4
votes
3answers
399 views

Musical Harmony: When to use more than three chords

I understand that I, IV, and V chords in both major and minor keys are common chords that make up a good progression. I understand that those 3 chords cover all the notes diatonic to the key that we ...
15
votes
4answers
848 views

Why do these progressions sound good?

I have always wondered why these progressions sound so exiting. I don't really know how the I-IV-things work, so I'll just write the chords. An explanation of what's really going on would be much ...
2
votes
2answers
799 views

Playing the “fail” sound effect on a guitar?

I have looked around for the notes or chords to play the typical three note (wah wah wah) fail sound effect. I believe it's typically played on a trombone which gives it that great slide effect. In ...
3
votes
4answers
968 views

What's the theory behind switching modes during a passage?

Look, at the following two chord progressions (or better yet, play them): (1) Dm C Bb Am Gm F Em Am (2) Dm C Bb Am Gm F E A Now, for the first six measures in both (1) and (2), we're just ...
4
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2answers
768 views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? By harmony, I of course mean, 'I', 'III, 'IV' etc.. and their connection.
7
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3answers
651 views

Why does this key change work?

In the song 'Respect' by Aretha Franklin which is a fairly simple progression in Bb major the saxophone solo part of the song seems to make a key change to the key of Em. I don't understand why this ...
5
votes
1answer
315 views

Breakdown of Ray Charles' “swinganova” style?

In the liner notes to Ray Charles' collected country and western recordings, there is a section on how the popularity of bossa nova beats led him to come up with the more soul-accented version in his ...
5
votes
3answers
264 views

Composing a song in Cm with major chord substitutes

I am composing a song in Cm with a very basic chord progression of I-IV-I. So, normally, in Cm, that would be Cm7-Fm7-Cm7, but I am actually playing Cm7-F7-Cm7. First of all, why does this work? This ...