Sequences of chords, and the relationship of one chord to the next

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4
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3answers
135 views

I made a chord sequence but I'm not sure what key it's in

I'm working on a song (my first ever actually) and I love the chord sequence: Cm - G - Dm - Am I started off working in C-Major, but borrowed Cm from the parallel minor key C-Minor. But really, in ...
3
votes
4answers
92 views

Why do quartal progressions typically not utilize common tones?

Typically chord are built in thirds, but in quartal harmony chords are built in fourths instead. One pattern in quartal harmony I noticed was chords tend to move completely in parallel even if common ...
9
votes
2answers
334 views

Is there a term for a chord progression that chromatically ascends or descends an octave?

I've noticed a pattern in music that is very interesting where a progression will start with one chord and chromatically ascend or descend until the starting chord is reached again. For example: a ...
15
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9answers
1k views

Why do many songs in major keys use a bVII in the chord progression?

Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. So the I, ii, iii, IV, V, vi, ...
5
votes
3answers
201 views

modulating by a tritone

I have heard that modulating by diminished fifth/tritone is the hardest of all modulations. Interestingly my non-musician husband has just composed a tune with a smooth tritone modulation (ie. from C ...
6
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3answers
250 views

Why are four-chord songs (I-V-vi-IV) so prevalent?

Over time, many musicians have experimented with various chord progressions, but none has stood the test of time as the four-chord song. What is it about this progression (and its variations) that ...
3
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3answers
267 views

proper uses of minor seventh chords

Having used dominant seventh chords extensively,I am now trying to incorporate minor seventh chords into my compositions... Based on my [rudimentary] knowledge, minor seventh chords are usually used ...
5
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2answers
633 views

Why does the IV - V# - I chord progression work so well?

The song Long Away by Queen does this, but it's a pattern you'll probably find in many songs. Basically, I've noticed that when moving from IV to I, a V# or V#maj7 chord is sometimes used as a ...
2
votes
2answers
72 views

What ukulele chords would go well in a song with a C-F-G7-C progression?

I am a beginner ukulele/guitar player and although I'm not a great musician I enjoy making up my own songs. I've started improvising a bouncy, twee little tune with a C-F-G7-C progression but not sure ...
4
votes
2answers
70 views

Piano question (walk-ups and downs)

Well I'm trying to write a song and the chord progression is D, Bm, G, A. What I'm not sure about is that I'm trying to do a walk down from B to G with A and G#, but G# isn't in the D scale, so I'm ...
2
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5answers
375 views

Ending a song with a dominant chord

As far as i know, almost all songs end in the tonic chord, because this is the most "stable" condition. On the other hand, a dominant chord at the end of a progression (or song) sounds "incomplete". ...
0
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3answers
157 views

Why is the complete circle of fifth progression more common in minor than major?

In relation to How common is the complete circle of fifths progression? which describes some examples of the complete circle of fifth progression (a consecutive 4-7-3-6-2-5-1 progression), apparently ...
3
votes
1answer
150 views

Rules of how the bass should (and should not) move in chord progressions

I've seen questions and answers regarding certain rules how the bass should move and resolve from one chord to another (especially when a chord is in an inversion and the bass note is not the root ...
1
vote
2answers
117 views

Modulating between minor keys

I wanted to change keys from A minor to B minor. Tried ii-V-i progression (through F# major chord on the way up) but the transition did not sound smooth. Tried Em-F#m- Bm which sounds slightly better ...
0
votes
3answers
107 views

#iv dim leading to I (tonic)

i would expect a #iv dim chord (or vii dim/V) to resolve either to IV or V. But i have noticed a few instances where it leads to I major.(i could mention the song title if it is allowed). Is this ...
3
votes
3answers
375 views

How common is the complete circle of fifths progression?

A complete circle of fifths progression would go (I)-IV-VII-III-VI-II-V-I, and it's taught that way in textbooks, but it seems to be rare in actual music. Could you give me any examples of songs that ...
3
votes
2answers
88 views

Website that displays chords on a keyboard

Is there a website / online service that displays on a keyboard the keys to use for a chord progression? It's not for me (I know how to play chords, and had some jazz courses before), but it's for a ...
4
votes
3answers
809 views

How to improvise over a C#, B, A chord progression?

I'm looking to improvise a piano solo in over a C# verse that has a C#, B, A chorus. I'm unsure of what scale to use for this, or unsure on how to determine why musically some notes work better than ...
5
votes
4answers
132 views

iii9 - I progression in Bach?

In the last of his 15 Sinfonias (aka Three-Part Inventions), Bach uses quite a daring approach to the tonic chord. Occurring in a sequential progression by downward thirds, it can be described most ...
2
votes
3answers
187 views

Question about analyzing a Dm C A# chord progression

Say I play the chords Dm C A# How would you describe the chord progression? There seems to be a relationship between Dm and A# but I don't understand how to describe it. They aren't a perfect 5th ...
4
votes
2answers
119 views

Once I know the chords, how do I recognize the chord progression?

For example, in the intro to Snow by Red Hot Chili Peppers, the chords played are: G#m - E - B - F# in that order. How do I begin to realize the chord progression? Do I need to find the key first?
3
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4answers
264 views

Non-diatonic chord?

I've done some looking to no avail, so I'm hoping one of you will know the answer to my question. If I'm in a minor key and I play a i, iv, v progression, but later on I change ONLY the i to a major, ...
3
votes
1answer
224 views

How do I determine the chord progression Roman numerals?

Let's say I'm playing the chords D, G, A and Bm. I know that D is my key, which would be roman numeral I. How do I associate the other chords with their proper roman numerals? How would I determine ...
5
votes
3answers
161 views

Using flatted third in 12 bar blues

I've found that when playing the last four bars of the 12 bar blues (V IV I I) with triads (in a typical 70s rock fashion) that inserting a major triad on the flatted third sounds really good as a ...
4
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2answers
129 views

chord progression if the chords are not part of the scale?

I've been learning about harmony, and the harmonisation of major scales. I can recognise simple chord progressions, and I try and practice by listening to popular songs. For a major scale, we ...
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2answers
92 views

How to determine the key and write melodies for a chromatic chord progression?

I've been playing around with some chromatic chord progressions recently but I am having a hard time analyzing the changes and figuring out the key for melody/soloing purposes. How do you know which ...
2
votes
3answers
210 views

How is a chord progression with G#, D#m, F and G possible?

I was analyzing Gone Hollywood by Supertramp, and from around 0:22 a riff starts. The chords in the riff are G#, D#m/F#, F and G. The weird thing is that in the key of G# major the D# minor chord ...
1
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3answers
79 views

Chord progression notation

from here At the top - right under "The perfect authentic cadence. V (dominant) - I (tonic)", in second measure, they have "6 over 4 over V" on first two beats and then "7" on 3rd beat... What ...
4
votes
1answer
358 views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
4
votes
1answer
162 views

How to make your chord progression sound smoother?

I'm just going to use the song I'm teaching myself as an example. I've been learning Rylynn by Andy McKee for months now, and I'm not very far, because I'm trying to get each part perfect. ...
0
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1answer
55 views

Help identifying an harmonic progression [closed]

I keep hearing this 4 chord progression in some songs and I'd like to know what it is called. In one song you can hear it here: ...
15
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3answers
2k views

Why does the following chord progression sound good?

Dmaj Emaj and Bmaj I have looked up the chord progressions of all major and minor scale keys and these three don't fit in any of them?
4
votes
4answers
339 views

What could be the key of this chord progression?

I started writing a melody that has the following chord progression: Cm - G - Am - C What key would that be in? I imagine it could be in the key of C or Am if the Cm chord wasn't there. I've just ...
6
votes
4answers
531 views

Why does this progression sound good, even if it not resolve to the root?

I'm trying to learn some music theory. I'm interested in the magic of chord progression, and how little changes can make a dramatic change in the feeling. Anyway, I suppose that a progression moving ...
3
votes
1answer
153 views

What kind of chord progressions am I using?

I taught myself music theory mostly by playing with chord progressions and writing music based on what I like. (I've since learned music theory proper.) As a result, I prefer to use some chord ...
8
votes
4answers
1k views

D major in a C major Chord progression?

on this site It gives a chord progression in C major by default(C G Am F), and I'm interested in one of the "Alternatives" it offers for the progression: G,D,Em,C the progression is also quoted in ...
5
votes
2answers
259 views

Can chords found in parallel modes of the relative minor of a key (or relative major when in a minor key) be considered borrowed chords?

In the key of C major, take the following progression: C----Em----A----G7----C I------iii------VI----V7-----I In this progression, can the VI chord be analyzed as a borrowed chord from the major ...
7
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4answers
234 views

Alternative Analysis for Non-Functioning Secondary Dominants

I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
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1answer
158 views

Colorful sounding chords

There is a music track that has beautiful colorful chords. I think that they include ninths in each one to achieve the good atmosphere. I'm sure there are another aspects and factors like the chord ...
1
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2answers
308 views

Chord analysis of Rachmaninoff's Piano Concerto No.2 Movement 1 mm 86

I need help in analyzing the chords of Rachmaninoff's Piano Concerto No.2 measure 86. In the snippet below, the measure is encapsulated by a green box. . Score is from and can be found here. EDIT : ...
5
votes
1answer
435 views

What are some commonly used chord progressions in contemporary Musical Theatre styled songs?

Are there any commonly used chord progressions in musical theatre styled pieces? I've been trying to compose a piece in this style for a while now, and I'm having trouble finding appropriate sounding ...
4
votes
3answers
145 views

Diminished chord with one raised note

I have no formal training in music theory, so my question might be phrased a bit clumsily. There is a kind of jazzy chord progression I enjoy very much, the one which, from the top of my head, I ...
8
votes
1answer
386 views

What chord progressions are used in traditional Celtic music?

What chord progressions are most often used in traditional Celtic music, such as aires, jigs, and reels? For example, harmonies in classical music are dictated by the common practice rules and focus ...
7
votes
2answers
212 views

Melodic Minor - Uses

The one problem I have with the Melodic Minor is that I just don't know how and where to use it. From my comprehension, it is the Minor scale when descending and when ascending it has a maj6 and maj7. ...
3
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2answers
92 views

How to use bIII in music composition?

From the Borrowed Chords theory, I should be able to use the flat-third major (bIII) in my composition and it should sound good. However, after many trial and errors, I am unable to discover any ...
4
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1answer
129 views

Tritone substitution in a ii-V-I progression and chord names

I'm learning a bit about chord progressions right now and so I stumbled across tritone substitutions. I tried applying those to a ii-V-I progreesion in G-major, but I'm not sure if I did it right, to ...
4
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1answer
255 views

Elements of a horror musical song?

When composing horror music for musical drama in general, what does one need to consider as in harmony, melody and rhythm, etc.? For harmony, I am especially interested in what chords are normally ...
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0answers
45 views

Advice for a compact midi keyboard for practice [closed]

I've played guitar for over 10 years and recently took up the saxophone (LOVE IT!). I'm using an old Casio keyboard as a practice tool, it has a 100 different rhythm "styles" and also plays the chords ...
4
votes
2answers
139 views

Is there a special name for “I - V - i” or “i - V - I” Modulation?

Recently, while listening to contemporary and pop music, I discovered that many song uses an I - V - i or i - V - I modulation. For example, C major to G major to C minor. I want to know whether there ...
4
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3answers
393 views

Chord Progressions Including Majors That Should Be Minors

I have been learning a song by John Frusciante that looks like it's in D minor (or maybe F Major, you tell me). The main changes go something like this: Amin -- Bb -- Dmin F -- C -- Gmin -- Dmin C ...