Sequences of chords, and the relationship of one chord to the next

learn more… | top users | synonyms

2
votes
2answers
380 views

Chord progression in Phrygian mode

I'm working with a C scale in Phrygian mode. I can create some interesting melody with some character, but I miserably fail in creating pads with this scale. My chord progression has no 'soul', does ...
9
votes
5answers
438 views

Looking for letter-based chord identification algorithms, and related literature

I'm searching for chord recognition algorithms that will assign a chord name(s) to a group of notes, and related literature. Sometimes known as reverse chord identification, where you feed notes to ...
13
votes
4answers
1k views
4
votes
4answers
592 views

I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
5
votes
5answers
788 views

How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
6
votes
3answers
893 views

Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
4
votes
4answers
267 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
2
votes
1answer
370 views

Which scales to use on complex chord progressions?

According to this article, it is possible to make a chord progression by just keeping one tone that remains constant in all chords of the progression. Also, it gives these examples: Cadd9 F6 D G ...
15
votes
4answers
993 views

Why do these progressions sound good?

I have always wondered why these progressions sound so exiting. I don't really know how the I-IV-things work, so I'll just write the chords. An explanation of what's really going on would be much ...
5
votes
2answers
332 views

How is 12-bar blues harmonically possible?

How is 12-bar blues harmonically possible? Cmaj scale doesn't really have a C7 - F7 - G7. Is it done by borrowing chords from other modes? There seems to be a C7 in C mixolydian, F7 in C dorian and G7 ...
17
votes
3answers
998 views
20
votes
3answers
3k views

What are some common jazz chord progressions?

What are some common progressions for Jazz improvisation? I have been playing with ii-V-I and variations -- what are some others? Is the answer here just to really dig through standards until I've ...
7
votes
2answers
765 views

“Andalusian cadences”: How are they commonly heard?

The "Andalusian cadence" I-bVII-bVI-V is commonly heard as a repeated figure in Flamenco music as well as many pop songs, e.g. "Hit the Road, Jack": ...
1
vote
1answer
383 views

Oasis - Supersonic Harmonic analysis (What modes are played, explaining modulations and pivots function as roman analysis)

Song can be played as: Main Riff: F#m(F#5) A B Bridge: E Riff E C#7 Chorus: D A E F#7, D A E C#7 -> Main Riff Again I am struggling on harmonic functions. I am not sure whether the song ...
3
votes
4answers
1k views

What's the theory behind switching modes during a passage?

Look, at the following two chord progressions (or better yet, play them): (1) Dm C Bb Am Gm F Em Am (2) Dm C Bb Am Gm F E A Now, for the first six measures in both (1) and (2), we're just ...
1
vote
3answers
439 views

What is meant by this chord progression description?

Basic question, I understand the ideas of modes and that there are 7 corresponding keys within each major/minor scale, but I'm trying to learn what exactly is meant when the chord progression is ...
3
votes
4answers
264 views

“I-vi” in Major or “III-i” in Minor?

There are some progressions that seem to move back and forth between a major key and its relative minor, like the "I-vi" progression (C, Am for example, two measures each.) Most people would consider ...
0
votes
2answers
448 views

Help me in this chord progression analysis please [closed]

Verse is in G major key Then it comes bridge: Am B7 Em A7 Am D C And then a typical C lydian progression (G major again) for the chorus Id like to understand whhich modulations are occurring in the ...
1
vote
5answers
2k views

Learning how to be a good rhythm guitarist before becoming a lead guitarist, where to start?

I have recently been trying to hone in my improvisational skills. I'm stuck in the first position of the Am pentatonic box and can't move away from it. Whenever I try to move out of it, I randomize ...
2
votes
2answers
342 views

how does the bluegrass major chord built off of the flat 7 “work”?

It's in almost every bluegrass song, but I've never seen an exposition of the theory behind the major chord (minor may also be used, but I don't think I've seen it) built off of the flat 7th of the ...
11
votes
1answer
301 views

What are some good/interesting ways to exit a circle of fifths section?

Circle of 5ths is in tons of chord progressions, sounds nice and 'easy', etc. But if you keep going on it the song can sound unreasonably predictable. What are some good ways to use a little bit of ...
4
votes
2answers
946 views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? By harmony, I of course mean, 'I', 'III, 'IV' etc.. and their connection.
0
votes
3answers
166 views

What left hand technique is being used to create this percussive chord transition sound?

There is a strange chord transition that I cannot figure out how to play near the beginning of this acoustic guitar song: ...
14
votes
3answers
2k views

How can I generate nice-sounding random chord progressions?

I'm trying to write a computer program to generate simple random chord progressions. Is there a way of ranking chords based on how nice they will sound after the previous ones? Any advice would be ...
6
votes
2answers
2k views

What does it mean when progression is resolved?

I saw this text inside a very basic piano workbook in which I'm not sure what the author means by using "resolve". Progression #1: C-F-G-F-C NOTE: This 4 bar progression resolves back to C ...
8
votes
2answers
975 views

Why play out of scale notes as part of a chord?

So, I'm learning 'Stray Cat Strut' right now and came across something I'm not sure I understood. I have to say, I've only just begun to learn theory, so maybe that's why. Anyway, as far as I can ...
8
votes
1answer
625 views

What is this called? Why is it allowed?

"Golden Train" by Justin Nozuka (YouTube link below) is in the key of Ab major. However he uses a Cb major chord throughout the song, which is not in the key of Ab major. It sounds good and works ...
4
votes
3answers
454 views

Musical Harmony: When to use more than three chords

I understand that I, IV, and V chords in both major and minor keys are common chords that make up a good progression. I understand that those 3 chords cover all the notes diatonic to the key that we ...
5
votes
2answers
895 views

What is this chord (spelled 2nd, 4th, 5th) and how is it used?

For the piano/composers: I compose music for the piano in my spare time, and one particular chord that has caught my attention (as one that I like a lot) is the D-F-G chord in C Major. I have seen ...
2
votes
2answers
913 views

Playing the “fail” sound effect on a guitar?

I have looked around for the notes or chords to play the typical three note (wah wah wah) fail sound effect. I believe it's typically played on a trombone which gives it that great slide effect. In ...
5
votes
3answers
273 views

Composing a song in Cm with major chord substitutes

I am composing a song in Cm with a very basic chord progression of I-IV-I. So, normally, in Cm, that would be Cm7-Fm7-Cm7, but I am actually playing Cm7-F7-Cm7. First of all, why does this work? This ...
12
votes
6answers
502 views

My ear is not very well trained - what can I look for as easy hints when trying to identify a ii-V-I progression in blues music?

I'm looking to learn how to better analyze music I am listening to, and I'm having problems identifying ii-V-I progressions, especially when they're the basis for improvisation. What are some hints or ...
7
votes
2answers
286 views

In chord progressions, how can I refer to a chord that's out of the scale?

I'm training a music that is most on the G Major scale.. But then there's a B chord. As B is not on the G Major scale, how can I refer to it when I'm writing the chord progression? EDIT My guess is ...
3
votes
1answer
177 views

What is this chord progression? (youtube inside)

We are trying to cover this classic 1996 Eminem track "313" but for the life of me I cannot figure out this chord progression. I'm hoping someone can help! ...
8
votes
1answer
278 views

When was the deceptive cadence introduced?

Bach used the Deceptive Cadence as early as his Passacaglia and Fugue in C minor, BWV 582, which dates to the early 18th century. Are there earlier uses? A definitive answer may be impossible, but I ...
4
votes
1answer
367 views

What's so special about III ?

Take a C major scale, and pick each other note, starting from each note C-D-EF-G-A-BC-D-EF I: C E G = C ii: D F A = Dm iii: E G B ...
0
votes
2answers
648 views

bass chord progressions in “Killing me softly”

This is kind of a follow up question to this question I have trancribes the bass line: The chords are: G7(no 3) - G - C - F- Dm - G - Am - A(single note) Which in roman numeral (if the scale is A ...
17
votes
1answer
681 views

Are there any machine-readable databases of chord progressions available?

I'm interested in doing some linguistics-inspired computational musicology on chord progressions and am wondering if there are any freely available databases of chord progressions. Obviously, I could ...
3
votes
1answer
510 views

Does the three chord trick always end a chord progression on the third chord?

It seems almost a redundant question, but the meat of it is this: If one is using the three chord trick, is it stylistically required by rules of theory and phrasing to end the progression on the ...