Sequences of chords, and the relationship of one chord to the next

learn more… | top users | synonyms

2
votes
1answer
102 views

Is there a common name for the major II chord found in minor key progressions?

The most common progression for this II chord to be found is the i-II-iv-V or variations as in the following examples: Bossa Dorado Music To Watch Girls By Libertango I could expect something like ...
2
votes
1answer
689 views

Simple chord progression question

I am learning the piano online. I am trying to learn chord progressions. In this simple example the chord progression is supposed to be C F G C (I, IV, V, I). However, in the third part (G) the ...
4
votes
4answers
465 views

Chord Progressions Including Majors That Should Be Minors

I have been learning a song by John Frusciante that looks like it's in D minor (or maybe F Major, you tell me). The main changes go something like this: Amin -- Bb -- Dmin F -- C -- Gmin -- Dmin C ...
5
votes
3answers
874 views

Why does the IV - V# - I chord progression work so well?

The song Long Away by Queen does this, but it's a pattern you'll probably find in many songs. Basically, I've noticed that when moving from IV to I, a V# or V#maj7 chord is sometimes used as a ...
0
votes
3answers
92 views

Is there a name for this type ascending inversions of a repeated chord?

I was messing around on one of my guitars one day and stumbled upon this interesting ascending progression. I ended up writing a song using the progression even though I wasn't even sure what the ...
12
votes
10answers
847 views

What key could the progression Cm - G - Dm - Am be in?

I'm working on a song (my first ever actually) and I love the chord sequence: Cm - G - Dm - Am I started off working in C-Major, but borrowed Cm from the parallel minor key C-Minor. But really, in ...
0
votes
1answer
86 views

Im6 chord in a minor II-V-I

In a minor II-V-I progression, we usually have a IIm7(b5) chord followed by a V7(b9,b13) chord, resolving into Im7. I always thought the diminished 5th in the II chord (also the minor 9th in the V7 ...
6
votes
4answers
329 views

Is this progression considered to be in A mixolydian?

I have a chord progression that goes: A Bm D A G Other areas of the song also have an A, G, D, A progression. Would this song considered to be in A mixolydian vs A major or D major since the root ...
1
vote
3answers
362 views

How can you get a Country and Western sound with just a guitar and vocal?

A glimmer of a song idea I have feels like it might fit a C&W style. But I have no idea how that would be achieved and I'm not really a big C&W fan. Is it a musical thing with the ...
4
votes
3answers
301 views

Understanding music with multiple key changes within chord progressions

So this has been bothering me for some time now; I've been making beats for maybe 7-8 years now but my earlier work is heavily-sampled. I just started actually picking up piano, but on my own, ...
6
votes
3answers
560 views

Why are four-chord songs (I-V-vi-IV) so prevalent?

Over time, many musicians have experimented with various chord progressions, but none has stood the test of time as the four-chord song. What is it about this progression (and its variations) that ...
9
votes
2answers
619 views

Is there a term for a chord progression that chromatically ascends or descends an octave?

I've noticed a pattern in music that is very interesting where a progression will start with one chord and chromatically ascend or descend until the starting chord is reached again. For example: a ...
11
votes
6answers
6k views

How to make songs with chords that don't belong in a scale?

I've always wondered how come there can be a chord progression with some chord that doesn't belong in the particular scale... Moreover, how can it be possible that this progression is in any key at ...
3
votes
4answers
199 views

Why do quartal progressions typically not utilize common tones?

Typically chord are built in thirds, but in quartal harmony chords are built in fourths instead. One pattern in quartal harmony I noticed was chords tend to move completely in parallel even if common ...
10
votes
3answers
2k views

Using the Dorian Mode

I've been composing for years but know very little about modes, just stuck to major and minor. If I took a chord progression from Cmajor, ie I - IV - V - I which would be C,F,G,C and then switched ...
16
votes
9answers
2k views

Why do many songs in major keys use a bVII in the chord progression?

Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. So the I, ii, iii, IV, V, vi, ...
3
votes
1answer
216 views

Rules of how the bass should (and should not) move in chord progressions

I've seen questions and answers regarding certain rules how the bass should move and resolve from one chord to another (especially when a chord is in an inversion and the bass note is not the root ...
5
votes
2answers
411 views

Can chords found in parallel modes of the relative minor of a key (or relative major when in a minor key) be considered borrowed chords?

In the key of C major, take the following progression: C----Em----A----G7----C I------iii------VI----V7-----I In this progression, can the VI chord be analyzed as a borrowed chord from the major ...
3
votes
2answers
394 views

What usally follows an Augmented major seventh chord

I don't have a clear understanding of the notation used in the following sentence from the article on Augmented major seventh chord from Wikipedia: As with dominant seventh chords, non-dominant ...
3
votes
3answers
938 views

How common is the complete circle of fifths progression?

A complete circle of fifths progression would go (I)-IV-VII-III-VI-II-V-I, and it's taught that way in textbooks, but it seems to be rare in actual music. Could you give me any examples of songs that ...
6
votes
3answers
343 views

modulating by a tritone

I have heard that modulating by diminished fifth/tritone is the hardest of all modulations. Interestingly my non-musician husband has just composed a tune with a smooth tritone modulation (ie. from C ...
3
votes
3answers
437 views

proper uses of minor seventh chords

Having used dominant seventh chords extensively,I am now trying to incorporate minor seventh chords into my compositions... Based on my [rudimentary] knowledge, minor seventh chords are usually used ...
3
votes
2answers
163 views

What ukulele chords would go well in a song with a C-F-G7-C progression?

I am a beginner ukulele/guitar player and although I'm not a great musician I enjoy making up my own songs. I've started improvising a bouncy, twee little tune with a C-F-G7-C progression but not sure ...
2
votes
3answers
819 views

Melody within a chord progression

How do I add vocal melody in a guitar chord progression? Are there any rules I must follow such as only using certain notes in the melody for each chord throughout the chord progression?If so how do I ...
1
vote
2answers
272 views

Modulating between minor keys

I wanted to change keys from A minor to B minor. Tried ii-V-i progression (through F# major chord on the way up) but the transition did not sound smooth. Tried Em-F#m- Bm which sounds slightly better ...
7
votes
4answers
323 views

Alternative Analysis for Non-Functioning Secondary Dominants

I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
12
votes
3answers
408 views

What are some good/interesting ways to exit a circle of fifths section?

Circle of 5ths is in tons of chord progressions, sounds nice and 'easy', etc. But if you keep going on it the song can sound unreasonably predictable. What are some good ways to use a little bit of ...
1
vote
3answers
145 views

#iv dim leading to I (tonic)

i would expect a #iv dim chord (or vii dim/V) to resolve either to IV or V. But i have noticed a few instances where it leads to I major.(i could mention the song title if it is allowed). Is this ...
5
votes
6answers
2k views

How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
3
votes
4answers
373 views

Non-diatonic chord?

I've done some looking to no avail, so I'm hoping one of you will know the answer to my question. If I'm in a minor key and I play a i, iv, v progression, but later on I change ONLY the i to a major, ...
7
votes
2answers
249 views

Melodic Minor - Uses

The one problem I have with the Melodic Minor is that I just don't know how and where to use it. From my comprehension, it is the Minor scale when descending and when ascending it has a maj6 and maj7. ...
4
votes
3answers
1k views

How to improvise over a C#, B, A chord progression?

I'm looking to improvise a piano solo in over a C# verse that has a C#, B, A chorus. I'm unsure of what scale to use for this, or unsure on how to determine why musically some notes work better than ...
5
votes
4answers
207 views

iii9 - I progression in Bach?

In the last of his 15 Sinfonias (aka Three-Part Inventions), Bach uses quite a daring approach to the tonic chord. Occurring in a sequential progression by downward thirds, it can be described most ...
2
votes
3answers
230 views

Question about analyzing a Dm C A# chord progression

Say I play the chords Dm C A# How would you describe the chord progression? There seems to be a relationship between Dm and A# but I don't understand how to describe it. They aren't a perfect 5th ...
2
votes
3answers
282 views

How is a chord progression with G#, D#m, F and G possible?

I was analyzing Gone Hollywood by Supertramp, and from around 0:22 a riff starts. The chords in the riff are G#, D#m/F#, F and G. The weird thing is that in the key of G# major the D# minor chord ...
4
votes
2answers
148 views

Once I know the chords, how do I recognize the chord progression?

For example, in the intro to Snow by Red Hot Chili Peppers, the chords played are: G#m - E - B - F# in that order. How do I begin to realize the chord progression? Do I need to find the key first?
5
votes
3answers
212 views

Using flatted third in 12 bar blues

I've found that when playing the last four bars of the 12 bar blues (V IV I I) with triads (in a typical 70s rock fashion) that inserting a major triad on the flatted third sounds really good as a ...
6
votes
4answers
661 views

Why does this progression sound good, even if it not resolve to the root?

I'm trying to learn some music theory. I'm interested in the magic of chord progression, and how little changes can make a dramatic change in the feeling. Anyway, I suppose that a progression moving ...
1
vote
2answers
193 views

How to determine the key and write melodies for a chromatic chord progression?

I've been playing around with some chromatic chord progressions recently but I am having a hard time analyzing the changes and figuring out the key for melody/soloing purposes. How do you know which ...
15
votes
3answers
2k views

Why does the following chord progression sound good?

Dmaj Emaj and Bmaj I have looked up the chord progressions of all major and minor scale keys and these three don't fit in any of them?
4
votes
1answer
716 views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
8
votes
3answers
2k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
6
votes
1answer
127 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
14
votes
4answers
1k views

How to interpret this chord notation?

How do you interpret this couple of notations? In Bar 2, Fm / Ab, what does the slash do? Do I play either chord or both? In addition, in Bar 3, what does the /9 mean?
1
vote
3answers
88 views

Chord progression notation

from here At the top - right under "The perfect authentic cadence. V (dominant) - I (tonic)", in second measure, they have "6 over 4 over V" on first two beats and then "7" on 3rd beat... What ...
4
votes
1answer
268 views

How to make your chord progression sound smoother?

I'm just going to use the song I'm teaching myself as an example. I've been learning Rylynn by Andy McKee for months now, and I'm not very far, because I'm trying to get each part perfect. ...
9
votes
1answer
518 views

Is i-V a stronger progression than I-V?

I'm just starting to learn a little music theory (in connection with learning to play the ukelele), and I repeatedly see I-V as basically the strongest chord progression (in whatever sense "strongest" ...
3
votes
4answers
451 views

What could be the key of this chord progression?

I started writing a melody that has the following chord progression: Cm - G - Am - C What key would that be in? I imagine it could be in the key of C or Am if the Cm chord wasn't there. I've just ...
15
votes
3answers
8k views

Do all chords in a progression usually fit within a scale

I am wondering if when writing a chord progression, all the notes fit within a single scale. If not, what is the logic behind chord progressions?
0
votes
1answer
74 views

Help identifying an harmonic progression [closed]

I keep hearing this 4 chord progression in some songs and I'd like to know what it is called. In one song you can hear it here: If I'm not mistaken it goes F - G - ...