Sequences of chords, and the relationship of one chord to the next

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How to chord progress from C major key to A minor key?

How do you chord progress from C major key to A relative minor key? I would do it this way: progress to the III chord (Em), change the III chord to a Dominant 7th form (E7), now the E7 chord will ...
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2answers
192 views

Harmonical analysis of Fm D♭ E♭ B♭

How should I analyse this chord progression: Fm D♭ E♭ B♭ ? Is it (in A♭ major): vi IV V II ?
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2answers
481 views

Is this chord progression III I II III?

I've always been a keen music listener but never paid much attention to music lessons back in high school. Now I've decided to (attempt to) teach myself music theory with the hope of developing some ...
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5answers
273 views

Playing the Ukulele besides singing

I love the ukulele, and I just bought one. The problem is I cannot sing, and I don't really want to. It seems as though there are not a lot fingerpicking songs and most songs just have the chords. ...
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425 views

Music Theory on guitar chord progression

If you playing in Key C the chord progression can be simple as C-F-G7-C or C-Am-F-G7-C. What are the principles while using chords like Am7,Am6, Cdim7,Csus4,Cdom9,C13,Bflat,Aflat etc (many more which ...
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A natural minor and A Phrygian dominant

First of all , thanks everyone for this good web page My question : I compose a track . it is based on A . Track has 3 verses and 1 Brigde. Track Build like that 1.Verse : A Phrygian dominant ...
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4answers
233 views

Can Imaj7(#5) resolve to I?

I am reconsidering the chord progression of a song I wrote. The problem is that the chord progression both begins and ends on a C chord; the first bar and the last two bars (out of sixteen bars) are C ...
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3answers
618 views

How would you describe F G A chord progression?

I like the sound of F G A chords progression on a guitar, three major bar chords. Do these chords fit any scale? Am with an added 3 in it? Does it make it a 6-7-1 progression? When I solo over this ...
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When to use different scale modes over chord progressions?

I know my major/pentatonic/blues scales pretty well, and I can apply it pretty fluently when playing over 1-4-5-min6 chord progressions, but I find that when I try to improvise over more ...
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6answers
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How to improvise a walking bass line

When improvising or writing a walking bass line the bass note (usually the root of the chord) is played on the chord change, but how do you choose the other notes for a walking bass line? Is there a ...
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4k views

What is a secondary dominant chord?

What is a secondary dominant chord? What's the theory behind them? How are they used in composition?
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1answer
505 views

Is i-V a stronger progression than I-V?

I'm just starting to learn a little music theory (in connection with learning to play the ukelele), and I repeatedly see I-V as basically the strongest chord progression (in whatever sense "strongest" ...
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1answer
290 views

What is the theory behind a chord progression like E, Bm, C#, A#, G and B?

I was playing the chords from Pyramania by The Alan Parsons Project. In the verse from 0:17 the chords are E, Bm7, E, Bm7, C#, A#, G, B. I get the first four chords, E and Bm7 fit in the same scale. ...
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2answers
144 views

What is this Chord Notation?

I know how to read Roman Numerals for chord progressions. But I've seen something recently I don't understand. I've attached an image below. What are those sub/post-strip's?
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69 views

Harmonic Progression

I'm trying to figure out how to do this harmonic progression thing. What I did so far was write out the scale of all the roots. Now I'm trying to determine the common tones. I don't see any common ...
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5answers
1k views

Why is IV-iv-I an effective chord sequence in a major key?

An example of this is the song Nobody Home by Pink Floyd. The last line of the intro is, in a C major key: F Fm C % I think this sounds great, and in fact I often use such passages when ...
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3answers
194 views

Minor subdominant in a major key

I was listening to the song "go all the way raspberries" in "Dark Shadows." I sorta figured out the song by ear on my guitar and I was a little confused. It is in the key of A and uses D minor. Here's ...
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2answers
324 views

In 4-part harmony exercise, how to harmonize soprano 1 to 2 with IV6 - V?

I believe this melody well conforms with the harmony, and does not offense my ear and the rules about counterpoint and chord progression. However, when trying to fill in the inner part, I realize the ...
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4answers
870 views

Is there any other blues chord progression?

I've seen many blues songs, with progression: I / / / | I / / / | I / / / | I / / / | IV / / / | IV / / / | IV / / / | IV / / / | V / / / | V / / / | I / / / | I / / / | or I / / / | I ...
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1answer
205 views

In jazz, what is a chord family?

In the jazz context, what is a chord family? How is the concept used in improvisation, chord substitution, and re-harmonization? Which are the families and their members? I've seen chords divided in ...
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2answers
232 views

Can any diminished chord be used as V anywhere?

I've been playing with diminished chords as 'V' in ii-V-1 progressions. I often use one of the three diminished chords in a ii-V-1 progressions - I sharp the 5th note of the scale and hang a ...
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515 views

Why is bII 7(b5) considered a dominant?

I am using Ear Master for ear training and at the Chord Progression exercises, there is an exercise called "Various dominant-tonic combinations". These are the chord progressions that are being ...
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1answer
114 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
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1answer
99 views

Scales, chords and piano music

Songs have chord progressions - different chords played in a sequence repeatedly [mostly]. These chords don't belong to a single scale [usually]; they belong to different scales. As I gather along, ...
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2answers
615 views

How to interpret a switch from Em (Aeolian) to Bm?

I'm self taught, so I know just a few things on scales and modes, some probably wrong. So the other day I was composing a new song. I believe it starts in E minor, as I was playing over the Chords Em ...
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2answers
915 views

Chord progression in Phrygian mode

I'm working with a C scale in Phrygian mode. I can create some interesting melody with some character, but I miserably fail in creating pads with this scale. My chord progression has no 'soul', does ...
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6answers
716 views

Is there any theory to decide a set of plausible chords per measure where a whole melody of a song is given?

I know my question looks similar to many other questions. But, please be patient with me. I'm writing this question because I can't find any appropriate answer although I have searched for it for a ...
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4answers
1k views

Chord progressions

I know these kinds of question are asked a thousand different ways in every forum, but I've read many of them and they seem to be lacking in certain respects, so I'll cross my fingers and hope for the ...
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4answers
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C#m in Am chord progression

I was listening to this song; ...
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3answers
860 views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
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I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
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3answers
862 views

Using the Dorian Mode

I've been composing for years but know very little about modes, just stuck to major and minor. If I took a chord progression from Cmajor, ie I - IV - V - I which would be C,F,G,C and then switched ...
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481 views

Creating Happy Melodies and Chords

I've been listening to a track, such as this https://soundcloud.com/wave-racer/flight-facilities-stand and it seems to have a very happy vibe about it, to the extent where it's "over happy". But I ...
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How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
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3answers
374 views

How to give voice into a chord progression?

Say, I am going to use my vocal into a chrod progression like C Am Dm G (that belongs to C major scale). Since a chord consists of three notes. As I know I can give voice any notes belonging to that ...
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3answers
506 views

Melody within a chord progression

How do I add vocal melody in a guitar chord progression? Are there any rules I must follow such as only using certain notes in the melody for each chord throughout the chord progression?If so how do I ...
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5answers
618 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
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4answers
1k views

How to interpret this chord notation?

How do you interpret this couple of notations? In Bar 2, Fm / Ab, what does the slash do? Do I play either chord or both? In addition, in Bar 3, what does the /9 mean?
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827 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
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Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
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4answers
320 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
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1answer
459 views

Which scales to use on complex chord progressions?

According to this article, it is possible to make a chord progression by just keeping one tone that remains constant in all chords of the progression. Also, it gives these examples: Cadd9 F6 D G ...
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2answers
381 views

How is 12-bar blues harmonically possible?

How is 12-bar blues harmonically possible? Cmaj scale doesn't really have a C7 - F7 - G7. Is it done by borrowing chords from other modes? There seems to be a C7 in C mixolydian, F7 in C dorian and G7 ...
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6answers
4k views

How to make songs with chords that don't belong in a scale?

I've always wondered how come there can be a chord progression with some chord that doesn't belong in the particular scale... Moreover, how can it be possible that this progression is in any key at ...
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5answers
517 views

Looking for letter-based chord identification algorithms, and related literature

I'm searching for chord recognition algorithms that will assign a chord name(s) to a group of notes, and related literature. Sometimes known as reverse chord identification, where you feed notes to ...
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4answers
3k views

Uses for augmented chords in composition

I've been studying for music theory for many years and I enjoy just writing little chord progressions and melodies to see what certain progressions sound like and how interesting I can make them. The ...
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1k views

How to algorithmically find a chord progression for an infinite arbitrary melody?

My question is primarily about this piano performance: ...
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272 views

How would you interpret this chord progression?

Ok, To be Specific I'm looking for Key Chord Types With Degree I've included both keyless and how I understand it. My Interpretation so far To me it's obvious that this Key is B, which would ...
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3answers
523 views

What is meant by this chord progression description?

Basic question, I understand the ideas of modes and that there are 7 corresponding keys within each major/minor scale, but I'm trying to learn what exactly is meant when the chord progression is ...
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1answer
464 views

Oasis - Supersonic Harmonic analysis (What modes are played, explaining modulations and pivots function as roman analysis)

Song can be played as: Main Riff: F#m(F#5) A B Bridge: E Riff E C#7 Chorus: D A E F#7, D A E C#7 -> Main Riff Again I am struggling on harmonic functions. I am not sure whether the song ...