Sequences of chords, and the relationship of one chord to the next

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In chord progressions, how can I refer to a chord that's out of the scale?

I'm training a music that is most on the G Major scale.. But then there's a B chord. As B is not on the G Major scale, how can I refer to it when I'm writing the chord progression? EDIT My guess is ...
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7answers
318 views

Why aren't unusual leading tone cadences more common?

As far as I understand, the main reason why an authentic cadence (i.e. V–I) works well and is so common, is that the dominant chord contains the leading tone, which resolves very strongly to the ...
7
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2answers
1k views

“Andalusian cadences”: How are they commonly heard?

The "Andalusian cadence" I-bVII-bVI-V is commonly heard as a repeated figure in Flamenco music as well as many pop songs, e.g. "Hit the Road, Jack": In trying to ...
7
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4answers
345 views

Alternative Analysis for Non-Functioning Secondary Dominants

I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
7
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3answers
357 views

Minor subdominant in a major key

I was listening to the song "go all the way raspberries" in "Dark Shadows." I sorta figured out the song by ear on my guitar and I was a little confused. It is in the key of A and uses D minor. Here's ...
6
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7answers
998 views

Theory behind the change from a major chord to the same in minor

In many songs I hear the change from a major chord to the same, but minor. For example F A Bb Bbm. It sounds really nice to me and I'm wondering if there is a theory behind it. Is there a genre ...
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4answers
1k views

Is there any other blues chord progression?

I've seen many blues songs, with progression: I / / / | I / / / | I / / / | I / / / | IV / / / | IV / / / | IV / / / | IV / / / | V / / / | V / / / | I / / / | I / / / | or I / / / | I ...
6
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4answers
693 views

Why does this progression sound good, even if it not resolve to the root?

I'm trying to learn some music theory. I'm interested in the magic of chord progression, and how little changes can make a dramatic change in the feeling. Anyway, I suppose that a progression moving ...
6
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6answers
897 views

Is there any theory to decide a set of plausible chords per measure where a whole melody of a song is given?

I know my question looks similar to many other questions. But, please be patient with me. I'm writing this question because I can't find any appropriate answer although I have searched for it for a ...
6
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3answers
474 views

How is 12-bar blues harmonically possible?

How is 12-bar blues harmonically possible? Cmaj scale doesn't really have a C7 - F7 - G7. Is it done by borrowing chords from other modes? There seems to be a C7 in C mixolydian, F7 in C dorian and G7 ...
6
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3answers
654 views

Why are four-chord songs (I-V-vi-IV) so prevalent?

Over time, many musicians have experimented with various chord progressions, but none has stood the test of time as the four-chord song. What is it about this progression (and its variations) that ...
6
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4answers
329 views

Is this progression considered to be in A mixolydian?

I have a chord progression that goes: A Bm D A G Other areas of the song also have an A, G, D, A progression. Would this song considered to be in A mixolydian vs A major or D major since the root ...
6
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1answer
255 views

Rules of how the bass should (and should not) move in chord progressions

I've seen questions and answers regarding certain rules how the bass should move and resolve from one chord to another (especially when a chord is in an inversion and the bass note is not the root ...
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5answers
563 views

Playing the Ukulele besides singing

I love the ukulele, and I just bought one. The problem is I cannot sing, and I don't really want to. It seems as though there are not a lot fingerpicking songs and most songs just have the chords. ...
6
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3answers
375 views

modulating by a tritone

I have heard that modulating by diminished fifth/tritone is the hardest of all modulations. Interestingly my non-musician husband has just composed a tune with a smooth tritone modulation (ie. from C ...
6
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2answers
3k views

What does it mean when progression is resolved?

I saw this text inside a very basic piano workbook in which I'm not sure what the author means by using "resolve". Progression #1: C-F-G-F-C NOTE: This 4 bar progression resolves back to C ...
6
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1answer
128 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
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5answers
2k views

I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
6
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3answers
1k views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
6
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1answer
243 views

In jazz, what is a chord family?

In the jazz context, what is a chord family? How is the concept used in improvisation, chord substitution, and re-harmonization? Which are the families and their members? I've seen chords divided in ...
5
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4answers
9k views

What is the I-vi-ii-V Chord Progressions?

Are there any scales that work well over this progression? My Mistake!! I was thinking of the song Breezin' by George Benson!!
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3answers
922 views

Why does the IV - V# - I chord progression work so well?

The song Long Away by Queen does this, but it's a pattern you'll probably find in many songs. Basically, I've noticed that when moving from IV to I, a V# or V#maj7 chord is sometimes used as a ...
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3answers
218 views

Using flatted third in 12 bar blues

I've found that when playing the last four bars of the 12 bar blues (V IV I I) with triads (in a typical 70s rock fashion) that inserting a major triad on the flatted third sounds really good as a ...
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6answers
835 views

Ending a song with a dominant chord

As far as i know, almost all songs end in the tonic chord, because this is the most "stable" condition. On the other hand, a dominant chord at the end of a progression (or song) sounds "incomplete". ...
5
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1answer
397 views

What's so special about III ?

Take a C major scale, and pick each other note, starting from each note C-D-EF-G-A-BC-D-EF I: C E G = C ii: D F A = Dm iii: E G B ...
5
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2answers
236 views

Chord progression if the chords are not part of the scale?

I've been learning about harmony, and the harmonisation of major scales. I can recognise simple chord progressions, and I try and practice by listening to popular songs. For a major scale, we ...
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3answers
920 views

How to make a chord progress go from the key of C major to the key of A minor?

How do you chord progress go from the key of C major to the key of A minor? I would do it this way: progress to the III chord (Em), change the III chord to a Dominant 7th form (E7), now the E7 chord ...
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3answers
303 views

Composing a song in Cm with major chord substitutes

I am composing a song in Cm with a very basic chord progression of I-IV-I. So, normally, in Cm, that would be Cm7-Fm7-Cm7, but I am actually playing Cm7-F7-Cm7. First of all, why does this work? This ...
5
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2answers
1k views

What is this chord (spelled 2nd, 4th, 5th) and how is it used?

For the piano/composers: I compose music for the piano in my spare time, and one particular chord that has caught my attention (as one that I like a lot) is the D-F-G chord in C Major. I have seen ...
5
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6answers
2k views

How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
5
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2answers
983 views

How do I determine the chord progression Roman numerals?

Let's say I'm playing the chords D, G, A and Bm. I know that D is my key, which would be roman numeral I. How do I associate the other chords with their proper roman numerals? How would I determine ...
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2answers
1k views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
5
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4answers
218 views

iii9 - I progression in Bach?

In the last of his 15 Sinfonias (aka Three-Part Inventions), Bach uses quite a daring approach to the tonic chord. Occurring in a sequential progression by downward thirds, it can be described most ...
5
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1answer
767 views

What are some commonly used chord progressions in contemporary Musical Theatre styled songs?

Are there any commonly used chord progressions in musical theatre styled pieces? I've been trying to compose a piece in this style for a while now, and I'm having trouble finding appropriate sounding ...
5
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1answer
1k views

Knowing what chord to play next?

This is a question I've had for a long time but I've never really found the answer other than following some suggestions on chord sequences like 1,3,2,5 and 1,4,5, but I'm sure there must be another ...
5
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1answer
370 views

Breakdown of Ray Charles' “swinganova” style?

In the liner notes to Ray Charles' collected country and western recordings, there is a section on how the popularity of bossa nova beats led him to come up with the more soul-accented version in his ...
5
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2answers
420 views

Can chords found in parallel modes of the relative minor of a key (or relative major when in a minor key) be considered borrowed chords?

In the key of C major, take the following progression: C----Em----A----G7----C I------iii------VI----V7-----I In this progression, can the VI chord be analyzed as a borrowed chord from the major ...
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4answers
474 views

Chord Progressions Including Majors That Should Be Minors

I have been learning a song by John Frusciante that looks like it's in D minor (or maybe F Major, you tell me). The main changes go something like this: Amin -- Bb -- Dmin F -- C -- Gmin -- Dmin C ...
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4answers
781 views

Music Theory on guitar chord progression

If you are playing in the Key C major, a chord progression can be as simple as C-F-G7-C or C-Am-F-G7-C. What are the principles while using chords like Am7,Am6, Cdim7,Csus4,Cdom9,C13,Bflat,Aflat etc ...
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3answers
1k views

How to improvise over a C#, B, A chord progression?

I'm looking to improvise a piano solo in over a C# verse that has a C#, B, A chorus. I'm unsure of what scale to use for this, or unsure on how to determine why musically some notes work better than ...
4
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7answers
205 views

How to practice chord changes into B major?

I am struggling to play some barre chords, especially this B major one: E --2-- B --4-- G --4-- D --4-- A --2-- E --x-- I try placing my barring finger (1) on the second fret, and then adding the ...
4
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6answers
317 views

Normal chords are boring, I want more!

Playing for example, pop songs can be boring, max 6 chords are used. When I listen to pro players, they add more weird, dissonant chords while transiting from one of that 6 chords to another. Now, ...
4
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3answers
582 views

Musical Harmony: When to use more than three chords

I understand that I, IV, and V chords in both major and minor keys are common chords that make up a good progression. I understand that those 3 chords cover all the notes diatonic to the key that we ...
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1answer
638 views

Elements of a horror musical song?

When composing horror music for musical drama in general, what does one need to consider as in harmony, melody and rhythm, etc.? For harmony, I am especially interested in what chords are normally ...
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4answers
387 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
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3answers
287 views

How to make a song with chords and scales?

I play acoustic guitar and have been learning a bunch of chords and scales. I can play many progressions already, and I am starting to write music. I am wondering how you would bridge chord ...
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2answers
120 views

Piano question (walk-ups and downs)

Well I'm trying to write a song and the chord progression is D, Bm, G, A. What I'm not sure about is that I'm trying to do a walk down from B to G with A and G#, but G# isn't in the D scale, so I'm ...
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2answers
158 views

Is there a special name for “I - V - i” or “i - V - I” Modulation?

Recently, while listening to contemporary and pop music, I discovered that many song uses an I - V - i or i - V - I modulation. For example, C major to G major to C minor. I want to know whether there ...
4
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2answers
133 views

How would you go about writing a a chord progression properly using the circle of fifths in the phrygian mode?

My question is: How would you go about writing a a chord progression properly using the circle of fifths in the Phrygian mode? I have seen many discuss the circle of fifths using Majors and minors but ...
4
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3answers
325 views

How do you write successive, non-functional chord progressions?

Elements of non-functional harmony is ubiquitous among contemporary music creations. In most cases, it materializes in the way of non-functional chord progressions, which are characterized by its ...