Sequences of chords, and the relationship of one chord to the next

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247 views

Minor subdominant in a major key

I was listening to the song "go all the way raspberries" in "Dark Shadows." I sorta figured out the song by ear on my guitar and I was a little confused. It is in the key of A and uses D minor. Here's ...
6
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4answers
921 views

Is there any other blues chord progression?

I've seen many blues songs, with progression: I / / / | I / / / | I / / / | I / / / | IV / / / | IV / / / | IV / / / | IV / / / | V / / / | V / / / | I / / / | I / / / | or I / / / | I ...
6
votes
4answers
585 views

Why does this progression sound good, even if it not resolve to the root?

I'm trying to learn some music theory. I'm interested in the magic of chord progression, and how little changes can make a dramatic change in the feeling. Anyway, I suppose that a progression moving ...
6
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6answers
777 views

Is there any theory to decide a set of plausible chords per measure where a whole melody of a song is given?

I know my question looks similar to many other questions. But, please be patient with me. I'm writing this question because I can't find any appropriate answer although I have searched for it for a ...
6
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2answers
403 views

How is 12-bar blues harmonically possible?

How is 12-bar blues harmonically possible? Cmaj scale doesn't really have a C7 - F7 - G7. Is it done by borrowing chords from other modes? There seems to be a C7 in C mixolydian, F7 in C dorian and G7 ...
6
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3answers
332 views

Why are four-chord songs (I-V-vi-IV) so prevalent?

Over time, many musicians have experimented with various chord progressions, but none has stood the test of time as the four-chord song. What is it about this progression (and its variations) that ...
6
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4answers
298 views

Is this progression considered to be in A mixolydian?

I have a chord progression that goes: A Bm D A G Other areas of the song also have an A, G, D, A progression. Would this song considered to be in A mixolydian vs A major or D major since the root ...
6
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3answers
263 views

modulating by a tritone

I have heard that modulating by diminished fifth/tritone is the hardest of all modulations. Interestingly my non-musician husband has just composed a tune with a smooth tritone modulation (ie. from C ...
6
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2answers
2k views

What does it mean when progression is resolved?

I saw this text inside a very basic piano workbook in which I'm not sure what the author means by using "resolve". Progression #1: C-F-G-F-C NOTE: This 4 bar progression resolves back to C ...
6
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1answer
118 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
6
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5answers
1k views

I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
6
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3answers
1k views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
6
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1answer
227 views

In jazz, what is a chord family?

In the jazz context, what is a chord family? How is the concept used in improvisation, chord substitution, and re-harmonization? Which are the families and their members? I've seen chords divided in ...
5
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3answers
8k views

What is the I-vi-ii-V Chord Progressions?

Are there any scales that work well over this progression? My Mistake!! I was thinking of the song Breezin' by George Benson!!
5
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3answers
723 views

Why does the IV - V# - I chord progression work so well?

The song Long Away by Queen does this, but it's a pattern you'll probably find in many songs. Basically, I've noticed that when moving from IV to I, a V# or V#maj7 chord is sometimes used as a ...
5
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3answers
189 views

Using flatted third in 12 bar blues

I've found that when playing the last four bars of the 12 bar blues (V IV I I) with triads (in a typical 70s rock fashion) that inserting a major triad on the flatted third sounds really good as a ...
5
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1answer
389 views

What's so special about III ?

Take a C major scale, and pick each other note, starting from each note C-D-EF-G-A-BC-D-EF I: C E G = C ii: D F A = Dm iii: E G B ...
5
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3answers
623 views

How to chord progress from C major key to A minor key?

How do you chord progress from C major key to A relative minor key? I would do it this way: progress to the III chord (Em), change the III chord to a Dominant 7th form (E7), now the E7 chord will ...
5
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3answers
292 views

Composing a song in Cm with major chord substitutes

I am composing a song in Cm with a very basic chord progression of I-IV-I. So, normally, in Cm, that would be Cm7-Fm7-Cm7, but I am actually playing Cm7-F7-Cm7. First of all, why does this work? This ...
5
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2answers
1k views

What is this chord (spelled 2nd, 4th, 5th) and how is it used?

For the piano/composers: I compose music for the piano in my spare time, and one particular chord that has caught my attention (as one that I like a lot) is the D-F-G chord in C Major. I have seen ...
5
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6answers
1k views

How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
5
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4answers
159 views

iii9 - I progression in Bach?

In the last of his 15 Sinfonias (aka Three-Part Inventions), Bach uses quite a daring approach to the tonic chord. Occurring in a sequential progression by downward thirds, it can be described most ...
5
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1answer
537 views

What are some commonly used chord progressions in contemporary Musical Theatre styled songs?

Are there any commonly used chord progressions in musical theatre styled pieces? I've been trying to compose a piece in this style for a while now, and I'm having trouble finding appropriate sounding ...
5
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2answers
958 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
5
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1answer
352 views

Breakdown of Ray Charles' “swinganova” style?

In the liner notes to Ray Charles' collected country and western recordings, there is a section on how the popularity of bossa nova beats led him to come up with the more soul-accented version in his ...
5
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2answers
361 views

Can chords found in parallel modes of the relative minor of a key (or relative major when in a minor key) be considered borrowed chords?

In the key of C major, take the following progression: C----Em----A----G7----C I------iii------VI----V7-----I In this progression, can the VI chord be analyzed as a borrowed chord from the major ...
4
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4answers
446 views

Chord Progressions Including Majors That Should Be Minors

I have been learning a song by John Frusciante that looks like it's in D minor (or maybe F Major, you tell me). The main changes go something like this: Amin -- Bb -- Dmin F -- C -- Gmin -- Dmin C ...
4
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4answers
548 views

Music Theory on guitar chord progression

If you are playing in the Key C major, a chord progression can be as simple as C-F-G7-C or C-Am-F-G7-C. What are the principles while using chords like Am7,Am6, Cdim7,Csus4,Cdom9,C13,Bflat,Aflat etc ...
4
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3answers
964 views

How to improvise over a C#, B, A chord progression?

I'm looking to improvise a piano solo in over a C# verse that has a C#, B, A chorus. I'm unsure of what scale to use for this, or unsure on how to determine why musically some notes work better than ...
4
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3answers
558 views

Musical Harmony: When to use more than three chords

I understand that I, IV, and V chords in both major and minor keys are common chords that make up a good progression. I understand that those 3 chords cover all the notes diatonic to the key that we ...
4
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1answer
384 views

Elements of a horror musical song?

When composing horror music for musical drama in general, what does one need to consider as in harmony, melody and rhythm, etc.? For harmony, I am especially interested in what chords are normally ...
4
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5answers
360 views

Playing the Ukulele besides singing

I love the ukulele, and I just bought one. The problem is I cannot sing, and I don't really want to. It seems as though there are not a lot fingerpicking songs and most songs just have the chords. ...
4
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4answers
347 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
4
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2answers
143 views

Is there a special name for “I - V - i” or “i - V - I” Modulation?

Recently, while listening to contemporary and pop music, I discovered that many song uses an I - V - i or i - V - I modulation. For example, C major to G major to C minor. I want to know whether there ...
4
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3answers
169 views

How do you write successive, non-functional chord progressions?

Elements of non-functional harmony is ubiquitous among contemporary music creations. In most cases, it materializes in the way of non-functional chord progressions, which are characterized by its ...
4
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3answers
114 views

Understanding music with multiple key changes within chord progressions

So this has been bothering me for some time now; I've been making beats for maybe 7-8 years now but my earlier work is heavily-sampled. I just started actually picking up piano, but on my own, ...
4
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2answers
155 views

chord progression if the chords are not part of the scale?

I've been learning about harmony, and the harmonisation of major scales. I can recognise simple chord progressions, and I try and practice by listening to popular songs. For a major scale, we ...
4
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2answers
82 views

Piano question (walk-ups and downs)

Well I'm trying to write a song and the chord progression is D, Bm, G, A. What I'm not sure about is that I'm trying to do a walk down from B to G with A and G#, but G# isn't in the D scale, so I'm ...
4
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3answers
164 views

Diminished chord with one raised note

I have no formal training in music theory, so my question might be phrased a bit clumsily. There is a kind of jazzy chord progression I enjoy very much, the one which, from the top of my head, I ...
4
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1answer
542 views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
4
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2answers
136 views

How to use bIII in music composition?

From the Borrowed Chords theory, I should be able to use the flat-third major (bIII) in my composition and it should sound good. However, after many trial and errors, I am unable to discover any ...
4
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2answers
133 views

Once I know the chords, how do I recognize the chord progression?

For example, in the intro to Snow by Red Hot Chili Peppers, the chords played are: G#m - E - B - F# in that order. How do I begin to realize the chord progression? Do I need to find the key first?
4
votes
1answer
196 views

How to make your chord progression sound smoother?

I'm just going to use the song I'm teaching myself as an example. I've been learning Rylynn by Andy McKee for months now, and I'm not very far, because I'm trying to get each part perfect. ...
4
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1answer
150 views

Tritone substitution in a ii-V-I progression and chord names

I'm learning a bit about chord progressions right now and so I stumbled across tritone substitutions. I tried applying those to a ii-V-I progreesion in G-major, but I'm not sure if I did it right, to ...
3
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5answers
279 views

How would you interpret this chord progression?

Ok, To be Specific I'm looking for Key Chord Types With Degree I've included both keyless and how I understand it. My Interpretation so far To me it's obvious that this Key is B, which would ...
3
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4answers
126 views

Why do quartal progressions typically not utilize common tones?

Typically chord are built in thirds, but in quartal harmony chords are built in fourths instead. One pattern in quartal harmony I noticed was chords tend to move completely in parallel even if common ...
3
votes
3answers
564 views

How common is the complete circle of fifths progression?

A complete circle of fifths progression would go (I)-IV-VII-III-VI-II-V-I, and it's taught that way in textbooks, but it seems to be rare in actual music. Could you give me any examples of songs that ...
3
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4answers
305 views

Non-diatonic chord?

I've done some looking to no avail, so I'm hoping one of you will know the answer to my question. If I'm in a minor key and I play a i, iv, v progression, but later on I change ONLY the i to a major, ...
3
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3answers
313 views

proper uses of minor seventh chords

Having used dominant seventh chords extensively,I am now trying to incorporate minor seventh chords into my compositions... Based on my [rudimentary] knowledge, minor seventh chords are usually used ...
3
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4answers
406 views

What could be the key of this chord progression?

I started writing a melody that has the following chord progression: Cm - G - Am - C What key would that be in? I imagine it could be in the key of C or Am if the Cm chord wasn't there. I've just ...