Sequences of chords, and the relationship of one chord to the next

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2answers
46 views

How to use bIII in music composition?

From the Borrowed Chords theory, I should be able to use the flat-third major (bIII) in my composition and it should sound good. However, after many trial and errors, I am unable to discover any ...
3
votes
1answer
41 views

Tritone substitution in a ii-V-I progression and chord names

I'm learning a bit about chord progressions right now and so I stumbled across tritone substitutions. I tried applying those to a ii-V-I progreesion in G-major, but I'm not sure if I did it right, to ...
3
votes
1answer
57 views

Elements of a horror musical song?

When composing horror music for musical drama in general, what does one need to consider as in harmony, melody and rhythm, etc.? For harmony, I am especially interested in what chords are normally ...
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0answers
30 views

Advice for a compact midi keyboard for practice [closed]

I've played guitar for over 10 years and recently took up the saxophone (LOVE IT!). I'm using an old Casio keyboard as a practice tool, it has a 100 different rhythm "styles" and also plays the chords ...
3
votes
2answers
152 views

Harmonical analysis of Fm D♭ E♭ B♭

How should I analyse this chord progression: Fm D♭ E♭ B♭ ? Is it (in A♭ major): vi IV V II ?
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2answers
97 views

Is there a special name for “I - V - i” or “i - V - I” Modulation?

Recently, while listening to contemporary and pop music, I discovered that many song uses an I - V - i or i - V - I modulation. For example, C major to G major to C minor. I want to know whether there ...
4
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3answers
255 views

Chord Progressions Including Majors That Should Be Minors

I have been learning a song by John Frusciante that looks like it's in D minor (or maybe F Major, you tell me). The main changes go something like this: Amin -- Bb -- Dmin F -- C -- Gmin -- Dmin C ...
4
votes
3answers
139 views

How to chord progress from C major key to A minor key?

How do you chord progress from C major key to A relative minor key? I would do it this way: progress to the III chord (Em), change the III chord to a Dominant 7th form (E7), now the E7 chord will ...
7
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2answers
287 views

Is this chord progression III I II III?

I've always been a keen music listener but never paid much attention to music lessons back in high school. Now I've decided to (attempt to) teach myself music theory with the hope of developing some ...
4
votes
5answers
75 views

Playing the Ukulele besides singing

I love the ukulele, and I just bought one. The problem is I cannot sing, and I don't really want to. It seems as though there are not a lot fingerpicking songs and most songs just have the chords. ...
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2answers
126 views

A natural minor and A Phrygian dominant

First of all , thanks everyone for this good web page My question : I compose a track . it is based on A . Track has 3 verses and 1 Brigde. Track Build like that 1.Verse : A Phrygian dominant ...
6
votes
4answers
204 views

When to use different scale modes over chord progressions?

I know my major/pentatonic/blues scales pretty well, and I can apply it pretty fluently when playing over 1-4-5-min6 chord progressions, but I find that when I try to improvise over more ...
8
votes
4answers
199 views

Can Imaj7(#5) resolve to I?

I am reconsidering the chord progression of a song I wrote. The problem is that the chord progression both begins and ends on a C chord; the first bar and the last two bars (out of sixteen bars) are C ...
12
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6answers
1k views

How to improvise a walking bass line

When improvising or writing a walking bass line the bass note (usually the root of the chord) is played on the chord change, but how do you choose the other notes for a walking bass line? Is there a ...
9
votes
3answers
367 views

How would you describe F G A chord progression?

I like the sound of F G A chords progression on a guitar, three major bar chords. Do these chords fit any scale? Am with an added 3 in it? Does it make it a 6-7-1 progression? When I solo over this ...
13
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1answer
205 views

Help me understand this progression

A friend showed me this progression: G7, F#m7b5, B7, Em7, A7, Dm7, G7, CMaj7, Cm7, Bm7, Bdim7, Am7, Ab7, Bm7, Bb7, Am7, Ab7 For the most part, I understand that at its heart it is built on a I vi ii ...
9
votes
4answers
811 views

How to interpret this chord notation?

How do you interpret this couple of notations? In Bar 2, Fm / Ab, what does the slash do? Do I play either chord or both? In addition, in Bar 3, what does the /9 mean?
2
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2answers
116 views

In 4-part harmony exercise, how to harmonize soprano 1 to 2 with IV6 - V?

I believe this melody well conforms with the harmony, and does not offense my ear and the rules about counterpoint and chord progression. However, when trying to fill in the inner part, I realize the ...
8
votes
2answers
3k views

Ic-V-I perfect cadence progression SATB part writing rules

I am studying Music at AS-level - we have to harmonise a soprano line (in any style we wish I believe) with the alto, tenor and bass parts. One possible perfect cadence I have been taught is the ...
10
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4answers
683 views

What is a secondary dominant chord?

What is a secondary dominant chord? What's the theory behind them? How are they used in composition?
6
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6answers
551 views

Is there any theory to decide a set of plausible chords per measure where a whole melody of a song is given?

I know my question looks similar to many other questions. But, please be patient with me. I'm writing this question because I can't find any appropriate answer although I have searched for it for a ...
9
votes
1answer
379 views

Is i-V a stronger progression than I-V?

I'm just starting to learn a little music theory (in connection with learning to play the ukelele), and I repeatedly see I-V as basically the strongest chord progression (in whatever sense "strongest" ...
8
votes
1answer
177 views

What is the theory behind a chord progression like E, Bm, C#, A#, G and B?

I was playing the chords from Pyramania by The Alan Parsons Project. In the verse from 0:17 the chords are E, Bm7, E, Bm7, C#, A#, G, B. I get the first four chords, E and Bm7 fit in the same scale. ...
10
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4answers
341 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
55
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10answers
2k views

How do professional accompanying musicians (seem to) figure out songs instantly?

Sometimes, when I'm watching any TV show which has a live hired band for accompanying and they have a musician guest, the host will ask for them to sing something on spot (that wasn't really planned), ...
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2answers
57 views

Harmonic Progression

I'm trying to figure out how to do this harmonic progression thing. What I did so far was write out the scale of all the roots. Now I'm trying to determine the common tones. I don't see any common ...
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2answers
113 views

What is this Chord Notation?

I know how to read Roman Numerals for chord progressions. But I've seen something recently I don't understand. I've attached an image below. What are those sub/post-strip's?
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5answers
984 views

Why is IV-iv-I an effective chord sequence in a major key?

An example of this is the song Nobody Home by Pink Floyd. The last line of the intro is, in a C major key: F Fm C % I think this sounds great, and in fact I often use such passages when ...
7
votes
3answers
117 views

Minor subdominant in a major key

I was listening to the song "go all the way raspberries" in "Dark Shadows." I sorta figured out the song by ear on my guitar and I was a little confused. It is in the key of A and uses D minor. Here's ...
3
votes
5answers
241 views

How would you interpret this chord progression?

Ok, To be Specific I'm looking for Key Chord Types With Degree I've included both keyless and how I understand it. My Interpretation so far To me it's obvious that this Key is B, which would ...
5
votes
1answer
326 views

Breakdown of Ray Charles' “swinganova” style?

In the liner notes to Ray Charles' collected country and western recordings, there is a section on how the popularity of bossa nova beats led him to come up with the more soul-accented version in his ...
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votes
4answers
8k views

What are some chord substitutions for a I-IV-V blues progression?

I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any ...
5
votes
1answer
144 views

In jazz, what is a chord family?

In the jazz context, what is a chord family? How is the concept used in improvisation, chord substitution, and re-harmonization? Which are the families and their members? I've seen chords divided in ...
8
votes
4answers
1k views

Uses for augmented chords in composition

I've been studying for music theory for many years and I enjoy just writing little chord progressions and melodies to see what certain progressions sound like and how interesting I can make them. The ...
7
votes
2answers
181 views

Can any diminished chord be used as V anywhere?

I've been playing with diminished chords as 'V' in ii-V-1 progressions. I often use one of the three diminished chords in a ii-V-1 progressions - I sharp the 5th note of the scale and hang a ...
4
votes
1answer
79 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
9
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5answers
2k views

How to make songs with chords that don't belong in a scale?

I've always wondered how come there can be a chord progression with some chord that doesn't belong in the particular scale... Moreover, how can it be possible that this progression is in any key at ...
1
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1answer
84 views

Scales, chords and piano music

Songs have chord progressions - different chords played in a sequence repeatedly [mostly]. These chords don't belong to a single scale [usually]; they belong to different scales. As I gather along, ...
11
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2answers
558 views

How to interpret a switch from Em (Aeolian) to Bm?

I'm self taught, so I know just a few things on scales and modes, some probably wrong. So the other day I was composing a new song. I believe it starts in E minor, as I was playing over the Chords Em ...
2
votes
2answers
555 views

What is a root movement by fourth in chord progression

I'm reading music theory for computer musician and in chapter 18 they talk about chord progression and root movement by fourth, second and third. So it makes sense for the second and third, but for ...
2
votes
2answers
256 views

Chord progression in Phrygian mode

I'm working with a C scale in Phrygian mode. I can create some interesting melody with some character, but I miserably fail in creating pads with this scale. My chord progression has no 'soul', does ...
9
votes
5answers
421 views

Looking for letter-based chord identification algorithms, and related literature

I'm searching for chord recognition algorithms that will assign a chord name(s) to a group of notes, and related literature. Sometimes known as reverse chord identification, where you feed notes to ...
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4answers
1k views
4
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4answers
474 views

I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
2
votes
2answers
291 views

Creating Happy Melodies and Chords

I've been listening to a track, such as this https://soundcloud.com/wave-racer/flight-facilities-stand and it seems to have a very happy vibe about it, to the extent where it's "over happy". But I ...
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votes
5answers
691 views

How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
5
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2answers
507 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
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3answers
790 views

Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
4
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4answers
252 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
2
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1answer
345 views

Which scales to use on complex chord progressions?

According to this article, it is possible to make a chord progression by just keeping one tone that remains constant in all chords of the progression. Also, it gives these examples: Cadd9 F6 D G ...