Sequences of chords, and the relationship of one chord to the next

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61 views

Alternative Analysis for Non-Functioning Secondary Dominants

I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
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1answer
68 views

Colorful sounding chords

There is a music track that has beautiful colorful chords (I think that they include ninths in each one to achieve the good atmosphere, am I right?) I'm sure there are another aspects and factors ...
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2answers
93 views

Chord analysis of Rachmaninoff's Piano Concerto No.2 Movement 1 mm 86

I need help in analyzing the chords of Rachmaninoff's Piano Concerto No.2 measure 86. In the snippet below, the measure is encapsulated by a green box. . Score is from and can be found here. EDIT : ...
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1answer
179 views

What are some commonly used chord progressions in contemporary Musical Theatre styled songs?

Are there any commonly used chord progressions in musical theatre styled pieces? I've been trying to compose a piece in this style for a while now, and I'm having trouble finding appropriate sounding ...
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2answers
99 views

Diminished chord with one raised note

I have no formal training in music theory, so my question might be phrased a bit clumsily. There is a kind of jazzy chord progression I enjoy very much, the one which, from the top of my head, I ...
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1answer
117 views

What chord progressions are used in traditional Celtic music?

What chord progressions are most often used in traditional Celtic music, such as aires, jigs, and reels? For example, harmonies in classical music are dictated by the common practice rules and focus ...
3
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2answers
85 views

Melodic Minor - Uses

The one problem I have with the Melodic Minor is that I just don't know how and where to use it. From my comprehension, it is the Minor scale when descending and when ascending it has a maj6 and maj7. ...
3
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2answers
53 views

How to use bIII in music composition?

From the Borrowed Chords theory, I should be able to use the flat-third major (bIII) in my composition and it should sound good. However, after many trial and errors, I am unable to discover any ...
4
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1answer
74 views

Tritone substitution in a ii-V-I progression and chord names

I'm learning a bit about chord progressions right now and so I stumbled across tritone substitutions. I tried applying those to a ii-V-I progreesion in G-major, but I'm not sure if I did it right, to ...
4
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1answer
88 views

Elements of a horror musical song?

When composing horror music for musical drama in general, what does one need to consider as in harmony, melody and rhythm, etc.? For harmony, I am especially interested in what chords are normally ...
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0answers
32 views

Advice for a compact midi keyboard for practice [closed]

I've played guitar for over 10 years and recently took up the saxophone (LOVE IT!). I'm using an old Casio keyboard as a practice tool, it has a 100 different rhythm "styles" and also plays the chords ...
4
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2answers
105 views

Is there a special name for “I - V - i” or “i - V - I” Modulation?

Recently, while listening to contemporary and pop music, I discovered that many song uses an I - V - i or i - V - I modulation. For example, C major to G major to C minor. I want to know whether there ...
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3answers
282 views

Chord Progressions Including Majors That Should Be Minors

I have been learning a song by John Frusciante that looks like it's in D minor (or maybe F Major, you tell me). The main changes go something like this: Amin -- Bb -- Dmin F -- C -- Gmin -- Dmin C ...
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3answers
171 views

How to chord progress from C major key to A minor key?

How do you chord progress from C major key to A relative minor key? I would do it this way: progress to the III chord (Em), change the III chord to a Dominant 7th form (E7), now the E7 chord will ...
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2answers
161 views

Harmonical analysis of Fm D♭ E♭ B♭

How should I analyse this chord progression: Fm D♭ E♭ B♭ ? Is it (in A♭ major): vi IV V II ?
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2answers
316 views

Is this chord progression III I II III?

I've always been a keen music listener but never paid much attention to music lessons back in high school. Now I've decided to (attempt to) teach myself music theory with the hope of developing some ...
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5answers
101 views

Playing the Ukulele besides singing

I love the ukulele, and I just bought one. The problem is I cannot sing, and I don't really want to. It seems as though there are not a lot fingerpicking songs and most songs just have the chords. ...
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3answers
209 views

Music Theory on guitar chord progression

If you playing in Key C the chord progression can be simple as C-F-G7-C or C-Am-F-G7-C. What are the principles while using chords like Am7,Am6, Cdim7,Csus4,Cdom9,C13,Bflat,Aflat etc (many more which ...
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2answers
135 views

A natural minor and A Phrygian dominant

First of all , thanks everyone for this good web page My question : I compose a track . it is based on A . Track has 3 verses and 1 Brigde. Track Build like that 1.Verse : A Phrygian dominant ...
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4answers
204 views

Can Imaj7(#5) resolve to I?

I am reconsidering the chord progression of a song I wrote. The problem is that the chord progression both begins and ends on a C chord; the first bar and the last two bars (out of sixteen bars) are C ...
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3answers
416 views

How would you describe F G A chord progression?

I like the sound of F G A chords progression on a guitar, three major bar chords. Do these chords fit any scale? Am with an added 3 in it? Does it make it a 6-7-1 progression? When I solo over this ...
6
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4answers
421 views

When to use different scale modes over chord progressions?

I know my major/pentatonic/blues scales pretty well, and I can apply it pretty fluently when playing over 1-4-5-min6 chord progressions, but I find that when I try to improvise over more ...
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6answers
1k views

How to improvise a walking bass line

When improvising or writing a walking bass line the bass note (usually the root of the chord) is played on the chord change, but how do you choose the other notes for a walking bass line? Is there a ...
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4answers
1k views

What is a secondary dominant chord?

What is a secondary dominant chord? What's the theory behind them? How are they used in composition?
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1answer
389 views

Is i-V a stronger progression than I-V?

I'm just starting to learn a little music theory (in connection with learning to play the ukelele), and I repeatedly see I-V as basically the strongest chord progression (in whatever sense "strongest" ...
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1answer
209 views

What is the theory behind a chord progression like E, Bm, C#, A#, G and B?

I was playing the chords from Pyramania by The Alan Parsons Project. In the verse from 0:17 the chords are E, Bm7, E, Bm7, C#, A#, G, B. I get the first four chords, E and Bm7 fit in the same scale. ...
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2answers
120 views

What is this Chord Notation?

I know how to read Roman Numerals for chord progressions. But I've seen something recently I don't understand. I've attached an image below. What are those sub/post-strip's?
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2answers
59 views

Harmonic Progression

I'm trying to figure out how to do this harmonic progression thing. What I did so far was write out the scale of all the roots. Now I'm trying to determine the common tones. I don't see any common ...
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5answers
1k views

Why is IV-iv-I an effective chord sequence in a major key?

An example of this is the song Nobody Home by Pink Floyd. The last line of the intro is, in a C major key: F Fm C % I think this sounds great, and in fact I often use such passages when ...
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3answers
132 views

Minor subdominant in a major key

I was listening to the song "go all the way raspberries" in "Dark Shadows." I sorta figured out the song by ear on my guitar and I was a little confused. It is in the key of A and uses D minor. Here's ...
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2answers
160 views

In 4-part harmony exercise, how to harmonize soprano 1 to 2 with IV6 - V?

I believe this melody well conforms with the harmony, and does not offense my ear and the rules about counterpoint and chord progression. However, when trying to fill in the inner part, I realize the ...
5
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1answer
155 views

In jazz, what is a chord family?

In the jazz context, what is a chord family? How is the concept used in improvisation, chord substitution, and re-harmonization? Which are the families and their members? I've seen chords divided in ...
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2answers
192 views

Can any diminished chord be used as V anywhere?

I've been playing with diminished chords as 'V' in ii-V-1 progressions. I often use one of the three diminished chords in a ii-V-1 progressions - I sharp the 5th note of the scale and hang a ...
4
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1answer
83 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
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1answer
92 views

Scales, chords and piano music

Songs have chord progressions - different chords played in a sequence repeatedly [mostly]. These chords don't belong to a single scale [usually]; they belong to different scales. As I gather along, ...
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2answers
573 views

How to interpret a switch from Em (Aeolian) to Bm?

I'm self taught, so I know just a few things on scales and modes, some probably wrong. So the other day I was composing a new song. I believe it starts in E minor, as I was playing over the Chords Em ...
2
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2answers
391 views

Chord progression in Phrygian mode

I'm working with a C scale in Phrygian mode. I can create some interesting melody with some character, but I miserably fail in creating pads with this scale. My chord progression has no 'soul', does ...
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6answers
579 views

Is there any theory to decide a set of plausible chords per measure where a whole melody of a song is given?

I know my question looks similar to many other questions. But, please be patient with me. I'm writing this question because I can't find any appropriate answer although I have searched for it for a ...
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4answers
1k views

C#m in Am chord progression

I was listening to this song; ...
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4answers
618 views

I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
3
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3answers
355 views

Creating Happy Melodies and Chords

I've been listening to a track, such as this https://soundcloud.com/wave-racer/flight-facilities-stand and it seems to have a very happy vibe about it, to the extent where it's "over happy". But I ...
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5answers
806 views

How long should each chord in a chord progression be played?

For example I am making a 16 bar chord progression for a verse of a song and choose to use the I , IV , V chords of a major scale.. How can I put these chords in a nice rythm so they sound good and ...
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4answers
372 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
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4answers
847 views

How to interpret this chord notation?

How do you interpret this couple of notations? In Bar 2, Fm / Ab, what does the slash do? Do I play either chord or both? In addition, in Bar 3, what does the /9 mean?
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2answers
583 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
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3answers
911 views

Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
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4answers
270 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
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1answer
374 views

Which scales to use on complex chord progressions?

According to this article, it is possible to make a chord progression by just keeping one tone that remains constant in all chords of the progression. Also, it gives these examples: Cadd9 F6 D G ...
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2answers
334 views

How is 12-bar blues harmonically possible?

How is 12-bar blues harmonically possible? Cmaj scale doesn't really have a C7 - F7 - G7. Is it done by borrowing chords from other modes? There seems to be a C7 in C mixolydian, F7 in C dorian and G7 ...
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5answers
2k views

How to make songs with chords that don't belong in a scale?

I've always wondered how come there can be a chord progression with some chord that doesn't belong in the particular scale... Moreover, how can it be possible that this progression is in any key at ...