8
votes
1answer
150 views

What is the theory behind a chord progression like E, Bm, C#, A#, G and B?

I was playing the chords from Pyramania by The Alan Parsons Project. In the verse from 0:17 the chords are E, Bm7, E, Bm7, C#, A#, G, B. I get the first four chords, E and Bm7 fit in the same scale. ...
2
votes
3answers
178 views

Pentatonic scale chords

The pentatonic scale often has chords that are 4 or 5 semitones apart (CEA, GCE, etc.). How do you describe these chords? Is the only way to describe them as major/minor chords but with a different ...
11
votes
5answers
3k views

Melody improvisation over chords

My question deals with what scale to play over a given chord progression. For example, consider a progression containing I,II,IV,V in C. I.e., the rhythm guitar is playing C, Dmin, F, and G... My ...
14
votes
2answers
769 views

Scale modification in sus2 and sus4 chords

I've recently been looking at what makes chords what, and hence my first target for this was looking at major, minor, sus2, and sus4 chords. I know major chords are made up of the first, the third, ...