5
votes
3answers
1k views

Classical music theory notation for chord inversions

In classical music harmony analysis, we see the chord inversions notated like I6/4, I6, V4/3. Examples: What are those numbers? How do they define the inversion? What's the theory behind using ...
3
votes
2answers
220 views

Classical music example for seamless transition from one section to other with changing keys

As a search for specific questions for this broad question (Changing key in a song convincingly), I am asking for "mainstream" classical music examples (pre-modern era and movie scores can be ...
3
votes
1answer
138 views

What is texture, according to classical music theory?

Texture in a sound-design, acoustic, and sound engineering context refers to the harmonic content of a sound, its timbre. Now that I'm starting to dive into classical music theory, it seems that ...
5
votes
2answers
208 views

Placement of F# on Alto Clef

For the past four or so years now, I have been playing the Viola. Y'all know what that means: Alto clef. Up until just a few weeks ago, I have always seen an F# displayed in a key signature like this: ...
15
votes
10answers
1k views

Where do musicians draw their melodies from?

It has been in my head for so long. I am a visual artist, animator, I do motion graphics, 3D artwork and most of my work is done visually. I am puzzled by this question. Visual artists, they draw ...
2
votes
3answers
282 views

Looking for advice on my self-taught music education

Until a year ago, I had absolutely no music education, and I decided to change that around this period, well more exactly I picked up on (acoustic) guitar as a hobby and from there gained interest in ...
4
votes
1answer
479 views

Is there such a thing as “pop music theory”?

There is large body of work describing the theory of Western classical music; I'm unaware of the state of analysis of popular music forms. Are the differences between, say post-50's American ...
18
votes
3answers
5k views

How do classical composers write music?

I am starting to learn about music theory and today it hit me how do classical composers such as Mozart and Beethoven are able to write music for instruments they don't play, such as (for example ...