The art and craft of creating new music.

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2answers
73 views

What scales can I play over Maj7 with lowered ninth?

I know that I can play a b2 Dorian scale over a DomSus chord with a lowered ninth, but what about over a major7 b2?
7
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3answers
428 views

Is there some trick for counterpoint beyond 2 voices?

I really suck at chord harmony, so whenever I compose, I tend to use counterpoint a lot. Counterpoint is somewhat easy when you just have two voices. Because I just compose for fun, I generally do ...
10
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5answers
363 views

How to organize/categorize compositions

When composing, my current process results in me stacking a lot of score paper into a folder. This works for now, but I can see that in the long-run, I will want some system of organizing my ...
3
votes
3answers
293 views

Instrument range cheat sheets

I am just beginning to learn composing (lots of fun so far!) and I am beginning to move from compositions for solo instruments (mainly piano) to making scores for groups/orchestras. I have not ...
0
votes
1answer
75 views

Creating a composition that sounds as fusion?

I created a composition recently while experimenting with different instruments (tabla, electric guitar, sitar, choir etc). I send the file to my friend (close one) and he said that the composition ...
6
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6answers
450 views

Sound-to-color synesthesia - a good and helpful thing?

In hearing about sound-to-color synesthesia, or rather Chromesthesia1, I have always been rather jealous, and wanted to experience this unexplainable phenomenon for myself. I have read up a little bit ...
1
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2answers
270 views

What musical scales should I include in my electronic musical composition tool

I am writing an tool to create music on a mobile device. I am going to allow the user to create simple melody and bass lines. I would like the user to be able to change key after they enter their ...
8
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4answers
1k views

Uses for augmented chords in composition

I've been studying for music theory for many years and I enjoy just writing little chord progressions and melodies to see what certain progressions sound like and how interesting I can make them. The ...
6
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6answers
2k views

Want to learn composing and producing music on DAW's. Where To start from?

Well i am basically a computer engineer and passionate music listener. I have been listening to movie score and soundtracks from many years now and it has really inspired me to learn and create ...
8
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1answer
282 views

How would one create music based on the principles of Cubism?

How would one create music based on the principles of Cubism? (e.g., 20th century painters: Pablo Picasso, Georges Braque, Juan Gris, Fernand L├ęger) The basic definition of Cubism calls for the use ...
3
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1answer
171 views

Linux Multimedia Studio Sound Font note fade away

I am currently trying out some sound-fonts I just downloaded, in Linux Multimedia Studio (LMMS). All is going well, besides the fact that I haven't, even after a Google search, found out how to make a ...
5
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1answer
267 views

Natural vs tempered semi-tones

I am reading "Fundamentals of Musical Composition" by Arnold Schoenberg. Chapter XI, page 99, states: Chromaticism is difficult partly because the natural semi-tones differ in size from the ...
4
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8answers
2k views

How to make your own samples?

I'm trying to compose music with Ableton Live 9 and every tutorial I see uses samples. I don't want to use samples since I would like to create my own sounds. How should I create a kick for example ...
4
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3answers
244 views

How to compose a simple “introduction” to a short musical piece?

I would like to add some music to a video clip I made (it lasts about 2 minutes). The video is basically some panoramic view of nature sights, nothing fancy. I am going to play a simple Sor's etude in ...
4
votes
4answers
368 views

How to compose (a starting point)?

I am asking for any idea or starting point in order to learn composition on my own. My goal is to create my music and unlock creativity, but I do not know where to start or how to start. I know some ...
3
votes
2answers
299 views

Tutorials or advice on layering synths

so I have been into some music production for a few weeks, and I feel like I am improving gradually. The problem I am having currently is layering synths. If I listen to a track, I can sort of make ...
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3answers
143 views

What should I write first [closed]

I'm used to the Q/A format on Stack Exchange this is why I don't want opinion based answers even though the question seems like I'm asking for opinion. Based on facts , when composing music, is there ...
1
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3answers
678 views

Where can I find Drum Scores / Sheet Music?

What Websites offer quality Drum Scores /Sheet Music (not Tabs)?
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2answers
111 views

Musical composition that has multiple orchestras “talking” to each other? [closed]

A long time ago i listened to a very special musical piece. It was composed in such a way that when you listened to it, you have the feeling there were actually 3 orchestras arguing. Essentially ...
5
votes
5answers
1k views

What purpose do accidentals serve in music?

I'm having trouble writing music containing accidentals. If the diatonic scale contains 7 related notes, what purpose do accidentals serve? If the accidental notes are not related to the overall ...
6
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3answers
305 views

In 12-tone music, how frequently do composers allow themselves to alternate between adjacent notes of the tone row?

In Vi Hart's video on twelve-tone nursery rhymes, she says that one of the rules of twelve-tone composition is that you're allowed to alternate between adjacent notes in the tone row as much as you ...
-3
votes
2answers
69 views

In the fourth etude of Guano Guiliani there is a diminished fifth? Is that a mistake? [closed]

I am playing the fourth etude by Guano Guiliani for classical guitar and he seems to take the liberty of using diminished fifths in his music. What principles did Guiliani follow in his composing-- ...
6
votes
5answers
372 views

How to start making musique concrète?

This is probably one of the more obscure music styles, and some of you may not even consider it as a style of music. Music or not music, it is a form of art that I am interested in making. I am a ...
4
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2answers
298 views

Why do so many pieces written in a minor key sharp the 7th?

I've been going through several pieces (mostly of Bach, but also others) and I noticed that very commonly, the 7th is sharped when played coming down from the tonic. Examples: Little Fugue, Toccata ...
1
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1answer
419 views

Recording a song in the right rhythm

I wrote a few songs and I try to record them since nearly one week. I play on an electric guitar and I record my voice for vocals. I only have one mic (cheap karaoke mic for 20$) so I record both, the ...
6
votes
2answers
590 views

Selling arrangements online

This summer, I want to earn money to buy sequencing software. I really enjoy arranging songs (as well as writing them) so I thought it would make sense for me to try to sell some online. Can I do that ...
15
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10answers
1k views

Where do musicians draw their melodies from?

It has been in my head for so long. I am a visual artist, animator, I do motion graphics, 3D artwork and most of my work is done visually. I am puzzled by this question. Visual artists, they draw ...
1
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2answers
437 views

Writing a song based on the harmonic minor

I'm writing my friend a horn solo (with piano accompaniment) and I asked her what her favorite scale was and she said harmonic minor, "because it sounds Egyptian". If I was trying to write a ...
1
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2answers
178 views

Voice-crossing in First Species Counterpoint

In two-part counterpoint, is it okay for the counterpoint and cantus firmus voices to cross? Transferred from: Few Questions on Counterpoint in the Tradition of Johan Fux
2
votes
1answer
130 views

Diatonic Function of Accidentals in Counterpoint

Why is it in counterpoint that the fourth degree of natural mode "F" lowered to "Bb" instead of remaining as "B"? Why isn't the fourth degree lowered for other modes? Shouldn't the "B" ...
2
votes
1answer
349 views

Meaning of “Battuta” in Counterpoint

What is Battuta and does it only apply to voice leading by contrary motion? For example, in treble clef, if going from "E-G" (major-tenth - that is, the "E" is in the bass and the "G" is ...
8
votes
3answers
302 views

Raised leading tones in Phrygian mode counterpoint

In most cases the penultimate note of the counterpoint will be the leading tone, which must be raised in minor to establish a sense of tonality. But why is the leading tone in the Phrygian mode ...
5
votes
2answers
528 views

What scales can I play over a A 13 flat ninth chord?

Okay, so I have been studying the music of Joe Pass and he loves to substitute minor seventh chords for dominant seventh chords. For example take a typical vi-ii-V-I progression on C, instead of ...
1
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1answer
129 views

Can sequences in music be modified rhythmically?

Can a sequence still be considered a sequence if the rhythm is changed? For example: Beethoven's Piano Sonata Op.13, II, in the left hand: The phrase beginning on the upbeat of 1 in the 3rd ...
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1answer
72 views

Accidentals in First Species Counterpoint (continued) [closed]

From this answer given by @jjmusicnotes: 2.) The term "diatonic" refers to what naturally occurs in the scale. In major keys, each degree of the scale corresponds to a different mode - even the root ...
2
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0answers
230 views

When did Bach diverge from the style of Palestrina? [closed]

It's interesting to note that Bach did follow many of the rules espoused in The Study of Counterpoint. Fux used the music of Palestrina as his basis for his theory. Yet, the music of Bach is separate ...
2
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1answer
305 views

Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach)

The piece I am asking about is the well-known minuet that was originally attributed to J.S. Bach but has since been re-attributed to lesser-known composer, Christian Petzold. My question concerns ...
0
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1answer
186 views

Few Questions on Counterpoint in the Tradition of Johan Fux [closed]

Question 1. I understand why in most cases the penultimate note of the counterpoint will be the leading tone, which must be raised in minor to establish a sense of tonality. But why is the leading ...
2
votes
1answer
91 views

Octave apart voicing

Strictly speaking, can adjacent voices (aside from tenor and bass) be an octave apart from each other? They can't be more than an octave apart but is it a violation of principle to make them an octave ...
8
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2answers
149 views

Why in the study of counterpoint by johan fux are minor sixths allowed but not augmented fifth?

If augmented fifths and minor sixths are enharmonically equivalent why does johan fux in his book study of counterpoint allow minor sixths but not augmented fifths if they sound the same? How does one ...
1
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0answers
38 views

Confusing passage from The Study of Counterpoint [duplicate]

Here is the passage: Joseph: I wanted to write a sixth here. But when I studied singing, I learned that fa leads down and mi leads up. Since the progression moves upward from the sixth into a third I ...
3
votes
1answer
79 views

Older Hexachordal Systems referred to in The Study of Counterpoint

What are the hexachordal systems discussed in The Study of Counterpoint? I would like an explanation of them and how they relate to the modal first species exercises written out by Joseph. The ...
4
votes
2answers
264 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's translation of The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: ...
3
votes
1answer
1k views

Figuring out the difference between major and relative minor scales?

I always seem have difficulty determining whether a song is in a major scale, or the relative minor. (the 3rd note back into it, but minor) Lets use the Pokemon theme song for example. As I ...
3
votes
2answers
212 views

Cadential Six Four Chord

Must the V chord always immediately follow the I 6-4 in a cadential six-four or can there be maybe a passing six-four in between like in measure seven of beethoven's piano concerto no.1 op.15, I? ...
1
vote
6answers
150 views

Diminished Intervals

If I go from F# to D# down (F#-D#) is that a diminished third or augmented second interval? I am composing in minor mode and want to know because augmented intervals are forbidden in part writing.
1
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1answer
120 views

Diminished Intervals in Voice Leading

I know that augmented intervals within part writing in both minor and major keys is forbidden but what about diminished intervals? For example if I we're in e minor and in 3/4 time and I'm writing a ...
19
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4answers
2k views

As a composer, should I be composing music for an instrument I don't play?

I wanted to know if composing music for a specific instrument demands that you know how to at least play the instrument. I'm sure if you know how the instrument sounds by itself as well as within an ...
2
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2answers
305 views

What is this 4 bar part of music called?

In the song Amie by Pure Prairie League there is a repeated section of muisc that is about 4 bars long(or 2 depending on how you count it). It occurs between every section of music except near the end ...
8
votes
2answers
375 views

Finding the “Starting point” when creating a composition or score

This is a fairly simple one, and hopefully not too wide-open to be permitted here: what approaches are available when sitting at a fresh screen or sheet of paper, or at your instrument, to create the ...