For questions about the creation of new music and the techniques used to do so.

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5
votes
2answers
373 views

Uses for the Prometheus scale?

I was looking up info on scales today and found this page on scales: http://en.wikipedia.org/wiki/List_of_musical_scales_and_modes Scrolling through the page, I found a few interesting scales, but ...
7
votes
2answers
3k views

(Post)-minimalist compositional techniques

I was wondering if anyone out there knew of any techniques associated with the minimalist tradition. I've been really interested in the philosophical notion of minimalism over the last few months or ...
6
votes
1answer
604 views

Guidelines for piano composition/transcription

I'm a classical guitar student but I always loved the piano. Though I never owned one, most of my musical ideas come to me as harmonies on the keyboard so I often have to translate that into something ...
5
votes
5answers
3k views

What purpose do accidentals serve in music?

I'm having trouble writing music containing accidentals. If the diatonic scale contains 7 related notes, what purpose do accidentals serve? If the accidental notes are not related to the overall ...
2
votes
1answer
105 views

music with frequencies : software editor

I would like to compose some experimental music. For this task, I would like to use any "easy-to-use" software (like garageband, or even a tracker like renoise) but I want to compose my music by ...
1
vote
6answers
171 views

Diminished Intervals

If I go from F# to D# down (F#-D#) is that a diminished third or augmented second interval? I am composing in minor mode and want to know because augmented intervals are forbidden in part writing.
5
votes
3answers
117 views

Composing Music- Interpretation

When writing music, does one: Let the musician interpret the music more (less dynamics, tempo markings, etc.), or Let all musicians follow the same general interpretation (more dynamics, tempo ...
7
votes
4answers
947 views

Why am I always sticking to minor keys?

When I'm improvising on my keyboard, or trying to compose a melody, I always find myself playing in a minor key -- and never a major one. (For keyboard it's usually G minor or D minor, but that I ...
5
votes
2answers
169 views

Suggested text material about Italian baroque composition

As a hobbyist composer who composes in "almost" traditional music styles (baroque-like, classical-like etc.), I am at a stage where I would like to compose authentic music in a specific style. I have ...
9
votes
3answers
355 views

How to give a song this sense of “conclusion”?

Alt-J's first album ends with the song Taro -- a song whose outro leaves a very strong impression on me. The outro sounds like a very fitting ending to any album, because the music simply gives me ...
6
votes
5answers
2k views

How to start making musique concrète?

This is probably one of the more obscure music styles, and some of you may not even consider it as a style of music. Music or not music, it is a form of art that I am interested in making. I am a ...
13
votes
1answer
2k views

What components make military music especially rousing?

If someone were going to compose a piece of military music to especially rousing, what components would they be looking to emphasize? Like is there a certain key or time that military music is often ...
5
votes
2answers
390 views

How does one compose fills and solos for the drumkit?

I keep hearing that rudiments are the building blocks of drumming. How do you create drum fills and solos out of rudiments? They say they're made from rudiments, are they ALL made from nothing but ...
8
votes
2answers
211 views

Why in the study of counterpoint by johan fux are minor sixths allowed but not augmented fifth?

If augmented fifths and minor sixths are enharmonically equivalent why does johan fux in his book study of counterpoint allow minor sixths but not augmented fifths if they sound the same? How does one ...
9
votes
3answers
713 views

Online counterpoint materials

For a long time I've wanted to teach myself counterpoint, but haven't been able to find any materials online. Are there any hidden tutorials anyone knows of, or good books written in English in the ...
14
votes
8answers
15k views

Tips on counting and playing odd time signatures

I'm pretty interested in learning, composing and playing along to songs using odd time signatures (3/4, 5/4, 7/8, ...) and I'd like some advice on how to wrap my head around all this stuff. For ...
3
votes
1answer
126 views

What instruments are asked for in this original Sousa score?

This answer by @NReilingh inspired me to trawl the web looking at Sousa music. Feeling that the clarity of orchestration contributes a significant amount to this music, I was pleased to find this ...
5
votes
3answers
272 views

How can I create loopable bounces for video games?

I'm writing the music for a video game. Much of the music is going to be looped indefinitely. How can I arrange my music and bounce audio files that can be looped effectively? A naïve technique is to ...
14
votes
4answers
721 views

How to choose a key signature for a song that modulates often?

In jazz, let's say, how would one choose a key signature for writing a lead sheet for a song where keys change every few measures or faster? Is writing the key changes explicitly going to be helpful ...
6
votes
1answer
288 views

Does a taste in music reflect an understanding of that music?

It has been my experience that often times I will not like a song the first time I hear it, but the more I hear it the more I begin to like it. I think it has something to do with understanding the ...
7
votes
2answers
380 views

What's so off about the intro to Prokofiev's Dance of the Knights?

Now this question is by no means an attack on any conductor or orchestra, nor Prokofiev himself, but why does it seem that it's hard for everyone to get right into time with one another with this ...
3
votes
1answer
199 views

The Swan of Tuonela: Sibelius, Wagner, and Smetana

I was very much impressed by the clarity of expression and romantic beauty of Jean Sibelius' 1893 The Swan of Tuonela as performed by the Gothenburg Symphony under Neeme Järvi and as featured on ...
5
votes
1answer
1k views

Examples of acoustic instruments producing sounds very close to pure square, triangle or sawtooth waves

I've been able to find plenty of info about acoustic instruments that create sounds close to sine-waves, and I understand that sounds approximating square, triangle and sawtooth waves are produced by ...
2
votes
1answer
358 views

What is a “second generation tracker”? (or first or third)

I'm looking at the MilkyTracker application description and it claims that "MilkyTracker is and will stay a 2nd generation tracker. There are already several good 3rd generation trackers out there" ...
1
vote
1answer
139 views

Easiest way to create more than two simultaneous, aligned click tracks with different tempi?

I'm interested in working on writing a piece (for live performance) using simultaneous independent click tracks, in order to easily create complex rhythmic relationships. For instance, having four ...
2
votes
3answers
1k views

How to know what beat & rhythm to play for add-on to songs

Theres this famous drummer on YouTube named Copper who takes existing songs, removes the drums, and then plays live drums along with the other investments. How does he know what beats & rhythm to ...
11
votes
1answer
1k views

Can someone explain the rhythm of a Mazurka?

While perusing some Chopin and Liszt sheets, I tried to play a Mazurka or two. But, I simply don't understand how the rhythm works. It feels awkward and unbalanced when I try and I just don't get it, ...
6
votes
5answers
420 views

Some fear of composing?

I'm not sure if this problem is unique onto to those who start composing or even just me, but I seem to sometimes have a fear that if I tilt towards certain chord progressions while composing ...
4
votes
8answers
7k views

How to make your own samples?

I'm trying to compose music with Ableton Live 9 and every tutorial I see uses samples. I don't want to use samples since I would like to create my own sounds. How should I create a kick for example ...
1
vote
5answers
362 views

Should the key of a song composition be chosen based on the type of song? [duplicate]

I am beginner at playing the piano and I want to write my own songs. I know that a song should in some key. My question is - What key should be chosen when writing a particular type of song. What kind ...
2
votes
1answer
117 views

Why a composition is made in a certain key [duplicate]

Why a composer would decide to write certain work in let's say D flat rather than D? If some of the elements have certain limits in their pitch, especially singers, it may justify even a semitone of ...
5
votes
4answers
328 views

What chord is this and when is it the dominant?

For a song I've written I do a chromatic descending climb with the bass note in a Cm chord and end up with my fingers like this: First of all I'd like to know what chord this is, my guess is an A ...
12
votes
3answers
3k views

Composing For Drums as a Non-drummer

As an instrumentalist I am primarily a guitarist, but as a composer I write for a range of instruments. The one thing I am particularly struggling with is writing for drums. Although I've managed to ...
3
votes
1answer
88 views

Licensing for digital compositions?

I am looking for a route to get a license to resell digital music compositions. But in a format where I can parse the details, such as MusicXML, LilyPond or anything else. Not PDF! Is there a name ...
4
votes
2answers
345 views

Who can remix a song?

I'm thinking of trying to learn how to remix songs with GarageBand and similar applications. So far I'm a total noob, and I'm just wondering who is allowed remix what songs? Is anyone allowed to remix ...
16
votes
4answers
790 views

Why do melodies have harmonies?

It seems to me that every melody can be assigned chords. Although different people may assign different chords, in many cases, only certain chords (a small subset of all possible chord choices) seem ...
4
votes
2answers
1k views

What scales can I play over a A 13 flat ninth chord?

Okay, so I have been studying the music of Joe Pass and he loves to substitute minor seventh chords for dominant seventh chords. For example take a typical vi-ii-V-I progression on C, instead of ...
3
votes
1answer
3k views

Figuring out the difference between major and relative minor scales?

I always seem have difficulty determining whether a song is in a major scale, or the relative minor. (the 3rd note back into it, but minor) Lets use the Pokemon theme song for example. As I ...
5
votes
1answer
204 views

How can we discern the melody of a piece of music in variations of that piece?

Example: Mozart's Twelve Variations on "Ah vous dirai-je, Maman" ("Twinkle, Twinkle, Little Star") Even though each version sounds drastically different, you can ...
10
votes
5answers
780 views

How to organize/categorize compositions

When composing, my current process results in me stacking a lot of score paper into a folder. This works for now, but I can see that in the long-run, I will want some system of organizing my ...
0
votes
1answer
132 views

Creating a composition that sounds as fusion?

I created a composition recently while experimenting with different instruments (tabla, electric guitar, sitar, choir etc). I send the file to my friend (close one) and he said that the composition ...
1
vote
2answers
642 views

What musical scales should I include in my electronic musical composition tool

I am writing an tool to create music on a mobile device. I am going to allow the user to create simple melody and bass lines. I would like the user to be able to change key after they enter their ...
8
votes
1answer
1k views

How would one create music based on the principles of Cubism?

How would one create music based on the principles of Cubism? (e.g., 20th century painters: Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger) The basic definition of Cubism calls for the use ...
22
votes
8answers
1k views

Is there any way to improve composing?

Beside playing drums I'm toying with software to create music. The problem is when I need to advance further. I may have some good, let's say "riffs" (or pieces, or melodies, or ideas), and I'm pretty ...
3
votes
1answer
321 views

Linux Multimedia Studio Sound Font note fade away

I am currently trying out some sound-fonts I just downloaded, in Linux Multimedia Studio (LMMS). All is going well, besides the fact that I haven't, even after a Google search, found out how to make a ...
5
votes
1answer
610 views

Natural vs tempered semi-tones

I am reading "Fundamentals of Musical Composition" by Arnold Schoenberg. Chapter XI, page 99, states: Chromaticism is difficult partly because the natural semi-tones differ in size from the ...
4
votes
4answers
519 views

How to compose (a starting point)?

I am asking for any idea or starting point in order to learn composition on my own. My goal is to create my music and unlock creativity, but I do not know where to start or how to start. I know some ...
4
votes
3answers
504 views

How to compose a simple “introduction” to a short musical piece?

I would like to add some music to a video clip I made (it lasts about 2 minutes). The video is basically some panoramic view of nature sights, nothing fancy. I am going to play a simple Sor's etude in ...
10
votes
4answers
407 views

Composition of music suitable for concentration

What are the parameters of music to consider so that the resulting composition is suitable as a background music when reading, studying or doing some mental work? I'm interested in parameters like ...
6
votes
3answers
606 views

In 12-tone music, how frequently do composers allow themselves to alternate between adjacent notes of the tone row?

In Vi Hart's video on twelve-tone nursery rhymes, she says that one of the rules of twelve-tone composition is that you're allowed to alternate between adjacent notes in the tone row as much as you ...