3
votes
2answers
65 views

Omitting the 5th in four part counterpoint

When writing four part counterpoint in context of the common practice period it is common to omit the 5th of a chord when in a jam. Is it always ok to omit the 5th and are there times when the 5th of ...
5
votes
3answers
170 views

What is the definition of counterpoint?

We see the concept of counterpoint in many contexts, from classical music composition to jazz improvisation. What is the definition of counterpoint?
1
vote
2answers
150 views

Voice-crossing in First Species Counterpoint

In two-part counterpoint, is it okay for the counterpoint and cantus firmus voices to cross? Transferred from: Few Questions on Counterpoint in the Tradition of Johan Fux
2
votes
1answer
104 views

Diatonic Function of Accidentals in Counterpoint

Why is it in counterpoint that the fourth degree of natural mode "F" lowered to "Bb" instead of remaining as "B"? Why isn't the fourth degree lowered for other modes? Shouldn't the "B" ...
1
vote
1answer
249 views

Meaning of “Battuta” in Counterpoint

What is Battuta and does it only apply to voice leading by contrary motion? For example, in treble clef, if going from "E-G" (major-tenth - that is, the "E" is in the bass and the "G" is ...
6
votes
2answers
244 views

Raised leading tones in Phrygian mode counterpoint

In most cases the penultimate note of the counterpoint will be the leading tone, which must be raised in minor to establish a sense of tonality. But why is the leading tone in the Phrygian mode ...
3
votes
1answer
205 views

Beginning counterpoint above or below a cantus firmus

I have more questions on the Study of Counterpoint: Must the cantus firmus always start on the tonic? If the cantus firmus is in the bass then can the counterpoint start with something other than a ...
4
votes
2answers
234 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's translation of The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: ...
1
vote
1answer
237 views

Can modal counterpoint be studied without studying harmony? Where to start?

I have a background 1 year of harmony study and I'm now taking a non-western modal approach to music (trough Indian Classical Music, which is mainly monophonic and have no concept of harmony). I have ...
4
votes
2answers
1k views

What's the difference between sixteenth century counterpoint and eighteenth century counterpoint?

What's the difference between sixteenth century counterpoint and eighteenth century counterpoint? Is sixteenth century counterpoint melody or modal based (as this answer suggests) and eighteenth ...
4
votes
3answers
226 views

What's “species counterpoint”? Are there any other types of counterpoint?

I believe the title says it all. On Wikipedia it shows the five species but I have the idea that there is another type of counterpoint not based on those species. Is that vague idea of mine correct? I ...
18
votes
9answers
4k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. I mean, is it ...
11
votes
2answers
1k views

Is there any real difference between Counterpoint and Polyphony?

From what I understand, they both kind of refer to the same thing. Why the need for 2 terms?