I know that if I played C and B together they would be very dissonant compared to if I played a G or C one octave up. Is there a quantitative way to describe that sort dissonance? Edit: I understand ...
So, I'm not a scholar of music history, but I have a basic timeline. The evolution of Western music theory had several times in which certain chords and intervals were considered too "jarring" or ...
When I play to keys that form a dissonant interval (for example a major second using C and D) in the lower octave, I perceive the dissonance to be very strong. But, when I move up to higher C's and ...
Lots of recordings were (sometimes intentionally) speed up/slowed down before final mastering, so that, even if the band was tuned to concert pitch, it isn't in the released version. If you have a ...
It's in almost every bluegrass song, but I've never seen an exposition of the theory behind the major chord (minor may also be used, but I don't think I've seen it) built off of the flat 7th of the ...
1) I did some reading saying 2nd, 4th, 6th and 7th note are unstable note. where 7th note tends to move towards the tonic and it is the most unstable note. Is it true? When I play through the scale, i ...
I'm trying to transpose a simple piece, like "Bicycle", so the melody is repeated over 4 octaves. Let me explain this for the first note only. The top and bottom notes are defined (can't be changed) ...
Wikipedia describes dissonance as the quality of sounds that seems "unstable" and has an aural "need" to "resolve" to a "stable" consonance Which basically means it hurts your ears and you want it to ...