I'm describing native Hawaiian songs as part of a research project. The songs are sung by a single performer without instruments. We transcribed the song into stanzas and now see a number of patterns ...
Why do some intervals sound so good (e.g. a perfect fifth: seven semitones), whereas others sound so awful and diabolical (e.g. an augmented fourth: six semitones)? Is this phenomenon dependant on ...
I need help understanding anacrusis (pickup notes). I'm no musician - I'm more of an anthropologist. I was reading some articles on ethnomusicology, and one of them makes reference to anacrusis in ...
I'm having a hard time finding out about ethno or folk music in the german region (exluding bavaria) and especially about the inner workings of examples of such. I'm especially interested in anything ...
In a purely theoretical space, I noticed some interesting properties of a scale which I determined to be the Magen Abot Scale. The scale I am interested in is: C Db D# E F# G# A B or 1 b2 #2 3 ...
The other day I was watching a video documentary about the discovering of frozen mammoths in the Siberian tundra. At some moment there was a tune in I really enjoyed. It was mainly accordion, rather ...
I would like to write down Shruti music but I wasn't able to find notation software for that. Do you know any? edit: Live Playback would be a great feature.
Apart from Turkey and Greece, I mean. I'm looking for fairly abstract musicological and comparative descriptions, not "how to play"-style information. Particularly interested in departures from the ...
Western music has Scales (major, minor, etc.) while Eastern Music primarily has a large number of Raagas derived from some basic Taaths. Both these groups represent sets of notes on which actual song ...
Oftentimes major keys are called "happy" and minor keys are "sad". Why is this? Is it universal across cultures that use these scales? Do similar connotations exist in other scale systems? (If this ...