The way individual pitches interact when grouped to bring structure to music.

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1answer
71 views

Piano…JS Bach fan…he blows me away [on hold]

What are all the available chords for every bass note? I am looking for a way in to use partimenti to supply chords quickly to a given bass line, without figured bass
1
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0answers
87 views

Rule of the octave for melody

In thorough bass (where the bass line is written first) there are simple "rules" for ascending and descending scales with different inversions and other rules in "partimenti". They are all based on ...
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2answers
51 views

Counter-example of counterpoint technique?

I'm trying to fully understand the concept that "Counterpoint" entails... but I can't seem to think any situation in which a counterpoint is not present on a song/piece/whatever. If counterpoint is ...
0
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1answer
47 views

Can 2 Trumpet players be in a brass band?

I want to create a brass band with my friends at school. My friend is less experienced than me in playing the trumpet so I am the one who is most likely to do it. But my friend really wants to be part ...
0
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1answer
61 views

Key/Chord recognition using a computer

I'm a physics student with a great interest in music. I'm researching (as a kind of hobby) in topics which include math applied to music, acoustics, etc. In the last days I've realized that having a ...
2
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2answers
49 views

In a song, what helps people distinguish between the main melody and the harmony?

It seems like people, regardless of their knowledge or "sense" of harmony, can naturally tell which one is the main melody and which is the harmony in a song--even if the melody is never played alone ...
6
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1answer
608 views

What is the name of the (I think) Renaissance harmonic device used in choral music that sounds slightly odd today?

I remember in college hearing about people playing minor 'pranks' using this device, however I've forgotten the name and I can't remember the exact details. It has to do with notes (possibly ...
2
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2answers
49 views

How to begin putting chords on variable melody?

One of the things that is mysterious for me is how to put chords on a melody which is so variable. I mean that just a chord is not enough to cover the whole bar. For example it contains (C key) : ...
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3answers
68 views

Secondary dominant of a minor chord?

I understood how to get the secondary dominant of a major chord, but I don't understand how to get the secondary dominant of a minor chord, mainly because I don't know which minor mode (natural, ...
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0answers
54 views

Chord progression analysis

In the song "If You Have To Ask" by the Red Hot Chili Peppers there is this instrumental funk interlude with a bunch of seventh and ninth chords and I want to understand this progression more by ...
3
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3answers
614 views

How to grok 20th-century pop music as evolution of classical harmony

With sufficient training, a student of harmony may build forwards from Bach through Mozart, Beethoven, Chopin, etc... understanding music of a period in terms of what has gone before. But it's going ...
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2answers
70 views

How many (parallel) harmonies can we have in a song without one harmony being an octave apart from another?

I usually can only come up with two separate harmonies for a song, the ones I came up with after that are usually an octave higher or lower than those two harmonies.
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3answers
67 views

Harmonising cadences given the bass line. When and when not to use inversions?

I've been completing practice exams online for Grade 5 theory and I'm struggling with some of the cadence questions. I feel that, without the use of inversions, you reach a dead end. The questions ...
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2answers
52 views

Russell Lydian chromatic (again)

One more question about Russell Lydian theory. Russell uses as an example the Lydian C scale: C-D-E-F#-G-A-B-C comparing it with C maj scale, then he starts to explain his theory as if they belong to ...
2
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1answer
113 views

English name for 3-tone chords that have the bass tone different from the root

I've been studying Croatian music theory with durs and mols and H-s and not English so I don't know English names. I'm encountering one problem while writing the 63 chord in jazz harmony for to play ...
0
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2answers
111 views

Harmonize any scale. Is there a rule?

A mayor scale is harmonized using triads using the pattern 1-3-5. Is this rule used to harmonize any given scale? Can the bebop scale be harmonized the same way than the major scale? Special scales ...
3
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2answers
541 views

Harmonic analysis of “Walk this Way” by Aerosmith

I'm trying to do harmonic analysis of "Walk this Way" by Aerosmith. Verses and choruses uses I to IV progression, but I wonder about the riff in the bridge. It seem to be played in the E key. Joe ...
3
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1answer
131 views

Theory of country music vocal harmonies

This is a question that I have overcome simply by harmonising by ear, however I've recently joined this forum and in the time I have been here, I've been amazed by the clear knowledge and talent of ...
3
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7answers
881 views

Will a song written in a key only use chords in that key?

When you figure out a key that a song is written in. Will the entire song use the chords in that key? With maybe an accidental?? I've tried several different methods.
3
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2answers
335 views

How to analyze a chord from Beethoven sonata no 8 (Pathetique)

Looking at a chord towards the end of the development in measure 169, beat 2, spelled C♯-E-A♭ over the G pedal. How would you analyze this in the context of the harmonic progression at ...
2
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2answers
151 views

Are these “power chords” in a classical composition?

I've been trying to figure out the chord progression from the beginning of this Mussorgsky piece (orchestrated by Shostakovich, link below) and I'm just curious if I'm getting things right. The chords ...
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4answers
377 views

Harmonizing All Music with the I,IV and V Chords?

I read somewhere that any melody line can be harmonized using the I,IV and V chords of the major scale. The reasoning behind this being that any possible note played in the melody will exist in one ...
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2answers
114 views

Fauxbourdon in minor - examples from actual compositions

Dimitri Tymoczko has a very nice overview of fauxbourdon harmony in this syllabus. While he gives several example for fauxbourdon in major, he doesn't give examples for minor. I don't know of any ...
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0answers
96 views

Why is this minor subdominant chord being used in a major key? [closed]

On a nostalgic whim, I was playing around learning this piece of music from Final Fantasy 7, as I was interested in the chord changes that happen (specifically, the first two chords in the tune). ...
9
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2answers
374 views

Do capable harmony singers sing in just intonation or tempered tuning?

I understand that the mathematical frequency ratios between certain intervals will correlate with the overtones that are present when a note sounds in a fundamental frequency. Certain predictable ...
5
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2answers
400 views

7th chord notation confusion

I simply cannot understand the notation used in this question: I need to express this chord in 4-part, open or closed position; I just can't seem to understand how the notation works. I know that ...
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3answers
106 views

Harmonic implications of an instrument's timbre

Is there a study of harmonic implications of an instrument's timbre in western music theory? For example: If i use an instrument with a "rich" timbre, with lots of overtones, then isn't the sound ...
4
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2answers
1k views

Why D sharp not E flat in Turkish March

I'm analyzing Mozart's Turkish March piece for the piano. As I see in measure 18 the harmony is F7 (fourth) with minor seven. Assuming it is a minor seven because the harmony is F7 why they thought ...
5
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3answers
758 views

Is two singing voices occasionaly being unison “allowed”?

I was writing a lower harmony to an existing (rock) lead voice with a given chord progression and there is a point in time, where it seems like the two voices need to sing the very same note. The only ...
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3answers
143 views

Help harmonizing a piece

I came across this question in my theory workbook, (Master Your Theory Grade 4 by Dulcie Holland). I have to harmonize it in four part vocal style. However, the thing is, I can't seem to be able to ...
0
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1answer
74 views

Why do certain keys good together? [duplicate]

I am a DJ and the software I dj with just introduced key analyzation (Serato DJ). So now I have the key to every song in my library. Someone invented a way for DJ's to mix music in key without having ...
4
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3answers
266 views

Do the notes of a chord form parallel octaves, even when they are not played simultaneously?

Here is an example of what I'm trying to say The sample below is in Bb major. Do the notes of the bass and the alto form parallel octaves? On the alto voice I'm using delayed resolution. On the ...
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3answers
115 views

Re-harmonize the chord with the bass?

Hi i'm a bass player and as any other bassist i was looking to improve my bass skills and I've always wondered how I could change the root note of a certain chord to give it a different feel. For ...
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3answers
126 views

Does a dominant seventh chord always have to function as a secondary dominant/cadence?

Does a dominant seventh chord always have to function as a secondary dominant/cadence? In "I Wanna Hold Your Hand" they play a B7-C and a B7-G instead of resolving to an E. Does this just work as a ...
2
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2answers
62 views

Chord progression in Brangane's warning

I have been interested for quite some time in the harmonic progression in Brangane's warnings in the second act of Wagner's Tristan und Isolde. My question: how can one analyze the chord progression ...
3
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3answers
307 views

I, (II), III major chord progression?

In Under the Bridge by Red Hot Chili Peppers, the introduction alternates between D and F# chords, with an E in between as a passing chord in some cases. There is also a g# passing note played over ...
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3answers
141 views

Tonicisation of Secondary Dominant in D Minor

Okay, so I'm basically just hoping someone can tell me if I'm on the right or wrong track here. I have to implement the technique described in the title in a piece I've written for an assessment. In ...
0
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1answer
55 views

Where to start studying Jazz style? [closed]

Recently, I went to a Jazz concert. There was a bassist, a pianist and a drummer. I'm wondering what types of scales and chords they were playing. Is there a good material on the Internet for me to ...
6
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1answer
296 views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
4
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1answer
196 views

History of “jazz minor/melodic minor” harmony

I'm curious about the development of modern (post-bop-ish) jazz harmony. In Mark Levine's Jazz Theory Book, he shows how modes of the melodic minor scale can be used to form and improvise over chords ...
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3answers
99 views

Can you remove harmony from counterpoint?

For example, two melodies at once but one melody is only on the on beats while the other is only on the off beats, does this remove the harmony from counterpoint?
3
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3answers
519 views

how to play chords, bass and melody at the same time like Finger pickers and classical guitarists?

For a long time I have been trying to figure out how classical guitarists and finger pickers, play arpeggio, bass line and melody at the same time. Do they use chord shapes 1, 3, 5(for example) and ...
3
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2answers
262 views

How to read accidentals in medieval music “modern” notation?

I am writing an instrumental orchestration of De Machaut's Messe de Nostre Dame, Kyrie. I found scores in IMSLP here and here. These scores show accidentals above notes, sometimes in parenthesis. I ...
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1answer
85 views

Substituting all chords with relative minor/major…?

I was mucking around with Oasis' "Don't look back in anger" on the acoustic guitar/vocals. I was using these chords, but on capo 4 as I reworked the song a bit: ...
2
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2answers
158 views

Techniques for Tracking and Panning: Rhythm, Lead and Harmonies? [closed]

I am a super noob with recording just started and want to know, about tracking and panning. I don't know how many tracks I should record and how I should pan the guitars. Let's say you have a chord ...
2
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4answers
358 views

Tonal harmony, counting intervals and confusing about Perfect Fifth in C Major

Distance from E to F is a half step because no other notes fall between them. Why are we using the G note as a perfect fifth in C Major chord? Shouldn't be G sharp?
5
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2answers
538 views

A triad is 3 notes, but on guitar, we strum more than 3 strings?

In music theory, I see that a triad is a chord built with three notes. Take Emaj in example; it is built with E,G#,B. But why when we strum all the six strings of the guitar does the harmony still ...
2
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2answers
106 views

Modulation via a major chord, then another major chord a half step down

In Nick Cave's "Darker With The Day", there's a modulation at the end of the chorus which sounds very good (to me), but I don't understand why it works. The verse is more or less in G major: GM ...
2
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2answers
210 views

Music Theory, Circle of Fifth, Chords that fit, Exceptions and example song “Sultans of Swing”

I am playing guitar for some years now, mostly self-taught. I had never studied that much of music theory, but now as I want to improve my improvisation skill and want to get a broader view I started ...
3
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3answers
809 views

Open/Close Position Chords: What I am missing?

Working through Hindemith's harmony I encountered the following diagram of all the valid positions for a C-Major chord in strict four-part writing. I am befuddled as to why the third chord in the ...