The way individual pitches interact when grouped to bring structure to music.

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3
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1answer
176 views

Which category of music theory would the topic of “which scales to play over which chords” fall into?

For example, in blues it's common to play a minor pentatonic scale over a major chord, and in a lot of rock music it is common to play the corresponding major/minor pentatonic scale over a major/minor ...
4
votes
2answers
233 views

How common is it to omit the I in II V I cadences in Jazz?

I was studying the song 'Satin Doll' by Duke Ellington: And basically, there many II V in different tonalities. The same happens in Charles Mingus's 'Nostalgia in Times Square' (bars 9-11): In ...
3
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2answers
85 views

Bartok Mikrokosmos Book 3, no. 70

I have recently been trying to master this piece from Bartok's Mikrokosmos, and at first sight, it appeared daunting due to the fact that the right-hand part is in B major and the left-hand part is in ...
0
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2answers
42 views

Symmetry Instead of Tonaliity

I have read about a different approach to music, the symmetrical approach of analyzing, that was after I listened to a the jazz standard Giant Steps and heard that the technique that is used in the ...
2
votes
3answers
92 views

Filling in a chord with your right hand

I am learning RH chords, playing them along with LH chords. So right now, I'm playing 2 note RH chords. Suppose the measure calls for a C chord, and the melody note is an E note. When playing below ...
0
votes
1answer
60 views

Creating a Harmony that Harmonizes with a Chord

I'm trying to get a harmony that will harmonize with my chord, Am. I want something to harmonize with the A,G,F melody and with Am. Is there any way to do this? This is what I have, I would like to ...
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1answer
49 views

“Spoiled” suspension

What is the theoretical term for the voice-leading phenomenon whereby the note that a suspension is expected to resolve to appears in another voice on the same beat that the suspension begins? You can ...
5
votes
3answers
131 views

“Tritone” intervals in n-tone equal temperament

In 12-tone equal temperament, the tritone interval is made of three whole tones (six semitones) and is considered, if I am not mistaken totally, as the most dissonant interval. I have two questions: ...
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3answers
156 views

Does the rule regarding consecutive octaves/fifths actually hold any weight?

I have a melody in which I am trying to write a chord progression for. One of the rules of thumb is to finish a chord progression on the tonic if it precedes a chord of a 5th, and especially of a ...
2
votes
3answers
126 views

Chord progressions : which note resolves to which note

In the key of C , going from G to C, note B resolves strongly to note C. How should the note D resolve? (To note C or E? I guess it should be to note C, assuming the key note has higher "priority". ...
0
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1answer
64 views

How does one go about harmonizing stepwise melodies?

I possess a whole book dedicated to harmonising. It coverrs perhaps if not all chords and how they can be harmonized with a melody. However, all the examples given so far, is only concerned with ...
2
votes
1answer
92 views

How are keys in the circle of fifths related?

I know this seems like a basic question, and in the traditional sense, I actually know how their related. Though, whilst reading a book titled 'harmony for computer musicians', I've come across a ...
0
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4answers
80 views

Word for the entire chord progression of a song?

What is the word for the entire chord progression of a song? Small sequences of harmonies are call progressions, can we also call the entire sequence of chords in a song a progression, or is there a ...
6
votes
3answers
129 views

Modern Harmonic Movements

I know quite a bit about the progression of harmony during the common practice period and up to basic jazz theory, but anything beyond the early 20th century just drops off for me. I know a little ...
5
votes
1answer
333 views

What is melodic inversion and how to do it?

I understood how to invert the chords (moving the bass note an octave above). When it comes to melodies I have seen many examples on the net but cant seem to understand the idea behind it. This ...
13
votes
1answer
209 views

Locrian Harmony

I like utilizing modes in my the pieces I write, but there is one mode I've never been able to fully grasp and utilize and that is the Locrian mode. The chords that naturally occur in the Locrian ...
0
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0answers
34 views

How create Harmonizer effects

OK I did an pitch shift algorithm, and I would like to know how create an harmonizer effect! I know that to build Harmonizer I need pitch shift the signal in differents ways, my question is how know ...
3
votes
3answers
101 views

Does the bass always have to harmonise with the lead?

I have written a half decent lead, at least for my level, and I am now trying to harmonise a bass with it. I am employing one of the most basic kind of methods to achieve this - playing the root note ...
4
votes
1answer
98 views

Is Dudley Moore's Bedazzled in A Phrygian?

This song (YouTube) is one of the strangest pieces of music I've heard, with a long "A" pedal bass and a huge variety of crazy harmonies on top (my transcription), including lots of tritones. Is ...
4
votes
2answers
90 views

Dissonances and harmony

When I listen to Bach, Handel or Vivaldi (especially Baroque composers) every single note seems to fit there perfectly I mean pretty consonant to their location. As I was trying to learn tonal ...
3
votes
1answer
118 views

Great sounding solos without obvious harmony

When I hear a guitar player like Joe Bonamassa on YouTube playing a solo (fast) without any accompaniment and it sounds great , I always wonder how they do it. I can improvise over chord changes and ...
4
votes
1answer
92 views

Is there a collection of pop or jazz standards that include harmonic analysis? [closed]

I'm learning to do harmonic analysis and I'm quite happy with the sources for the theoretic aspects online and in books. But to practice, it would be great to have excercises with solutions ...
4
votes
2answers
208 views

What does this b5 indication refer to?

I've been studying Jazz for some years now, and when I come upon a chord like Abm (b5), I play a diminished chord. But recently, on the classical harmony I'm studying, I came upon this exercise: ...
7
votes
1answer
308 views

How to make C lydian not sound like G ionian?

What are some concrete melodic and harmonic tools to establish the correct tonic center in a lydian melody? The reason for asking about lydian specifically is that there is no minor seventh for the ...
2
votes
3answers
235 views

Is there a name for this phenomenon in the circle of fifths?

I've recently come across some interesting properties of the circle of fifths in relation to diatonic modes. I'm wondering whether this has been noted elsewhere and if so, in what capacity? A name to ...
5
votes
5answers
360 views

Which other chords are considered equivalent or function like a V7?

A dominant seventh chord as the fifth degree of a key (notated V7) is often used to build a cadence back to the tonic. With that function in mind, I've seen people refer to other chords as "it ...
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vote
4answers
215 views

Book recommendations to understand theory and harmony of music. Classical, Jazz, R&B everything :)

Short story: I have started playing piano about 1.5 years ago. I miss only a few days without practise apart from being ill, on holiday, visiting family etc. I practice like crazy. My wife who ...
4
votes
4answers
486 views

Major Seventh chord with root note as melody : why the dissonance?

In wikipedia page - jazz chords : Major Seventh it is said that "if the melody note is the root of the chord, including a major seventh can frequently cause a harsh dissonance". But since the root ...
4
votes
3answers
248 views

How do you write successive, non-functional chord progressions?

Elements of non-functional harmony is ubiquitous among contemporary music creations. In most cases, it materializes in the way of non-functional chord progressions, which are characterized by its ...
1
vote
1answer
85 views

4 part harmony chords

Suppose I have a tune; in this case "Only you and you alone" by the Platters and we have sheet music in the key of "C", (and we want to stay with that key) there is no 4 part vocal harmony in print or ...
0
votes
2answers
72 views

Fifths of #9 chords

It seems like common practice to treat #9 chords as altered chords and, being guitarist, the most common voicing of them I'm familiar with is the Hendrix chord: e|-----| B|--8--| G|--7--| D|--6--| ...
2
votes
1answer
95 views

Is there a common name for the major II chord found in minor key progressions?

The most common progression for this II chord to be found is the i-II-iv-V or variations as in the following examples: Bossa Dorado Music To Watch Girls By Libertango I could expect something like ...
6
votes
3answers
418 views

What does the indication 9 7 mean?

I' m studying classical harmony, and on the chapter with the V9, I came upon this numbered bass: What does 9 7 mean? I know that it includes the 9th, but why is there the 7th there? Does it tell me ...
0
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1answer
82 views

Im6 chord in a minor II-V-I

In a minor II-V-I progression, we usually have a IIm7(b5) chord followed by a V7(b9,b13) chord, resolving into Im7. I always thought the diminished 5th in the II chord (also the minor 9th in the V7 ...
0
votes
1answer
64 views

Diminished progression

How can you use a progression (like the one below) and have it fit in C major well and support the melody? Please help me with some tips. Do these diminished chords fit in a diatonic scale well, ...
2
votes
2answers
109 views

Augmented chords and chord substitution?

Say we are in C major; how do we use chords like the Augmented chords, other diminished chords outside the scale (minor to major substitution, dominant 7th substitution, altered chords, chord ...
3
votes
4answers
183 views

Why do quartal progressions typically not utilize common tones?

Typically chord are built in thirds, but in quartal harmony chords are built in fourths instead. One pattern in quartal harmony I noticed was chords tend to move completely in parallel even if common ...
0
votes
1answer
78 views

What is the best way to develop a theoretical approach to practical harmony for guitar?

I am playing guitar approximately ten years but I know only basic harmony and rhythm guitar. I want to develop theoretical and practical harmony. What can I do for this?
16
votes
9answers
2k views

Why do many songs in major keys use a bVII in the chord progression?

Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. So the I, ii, iii, IV, V, vi, ...
0
votes
1answer
92 views

Analyzing a Jazzy ending [closed]

I'm analyzing a jazzy ending and things are getting a little bit complicated. I was listening to this piece and heard the "circular" ending that starts with the first degree and ends with it. My aim ...
1
vote
1answer
88 views

Do bass notes basically just accent and/or add notes to the above harmony?

I'm trying to understand how the bass timbre folds into the harmony. I understand doubling more dissonant intervals is generally bad unless creating a cool melody. Is this basically because it's ...
3
votes
3answers
115 views

The melody+chords pattern in perspective

Most of us who know the basics of music theory and share the "common" musical culture (western mainstream popular songs, mass media, "classical" music from the common practice period), tend to think ...
3
votes
2answers
122 views

Website that displays chords on a keyboard

Is there a website / online service that displays on a keyboard the keys to use for a chord progression? It's not for me (I know how to play chords, and had some jazz courses before), but it's for a ...
2
votes
3answers
234 views

Harmonizing a melody for 4 voices… help?

Recently I've started encountering a multitude of questions that ask for me to harmonize a melody. I've never really seen a question like that before, so I've been a bit lost as to where to start. I ...
3
votes
2answers
94 views

Is there a resource/site that I can use to practice harmonization?

As above. With my theory exam in the distance, I want to brush up on harmonizing a given melody. Are there any sites/resources I could use to do this?
0
votes
2answers
57 views

Modulation in the violin solo Bach's Laudamus Te

I'm trying to decide the key changes in the Laudamus Te of the Mass in B minor (J.-S. Bach). I think the key in the 8th measure is B minor (the Laudamus Te is in A Major), but I'm not sure what ...
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3answers
124 views

Trying to understand a nice harmonic end

The more I learn music and harmony theory the more I understand that I don't know anything yet . As for jazz I was listening for a fly me to the moon performance on the piano : the song is in Am and ...
5
votes
3answers
208 views

Using flatted third in 12 bar blues

I've found that when playing the last four bars of the 12 bar blues (V IV I I) with triads (in a typical 70s rock fashion) that inserting a major triad on the flatted third sounds really good as a ...
1
vote
3answers
124 views

Chord Roles/Reputations

Does there exist literature examining the particular psychological/emotional role/reputation of each chord in a movement? (For example, I am currently infatuated with IVmaj7, which is to say I find ...
0
votes
6answers
259 views

AMEB Grade 4 Theory question - harmonising cadence points in a melody?

So i've started doing Grade 4 theory, and came across this question. Normally, i would have no problem if they gave me the bass, but in this case, I'm slightly confused. How are you supposed to go ...