The way individual pitches interact when grouped to bring structure to music.

learn more… | top users | synonyms

-3
votes
2answers
59 views

What is the use of 5ths in romantic music?

I sang bass for 3 years in choir, yet I hear the term '5ths' being used for certain types of music, especially romantic ballads. Claude Debussy's Claire de Lune is a favorite of mine, and I hear that ...
1
vote
2answers
46 views

What can a dominant seventh over a submediant chord resolve to?

In this song from Family Guy, a barbershop quartet is singing a song in C major, and they end a phrase on a V7/vi (E7) chord, and proceed to drag that chord out for about one minute (until 1:52), at ...
4
votes
3answers
69 views

Transitive property of harmony feeling

Let a, b, c denote three different musical lines. My question is, would it be true to claim that, If a and b sounds good together and if b and c sounds good together, then a and c sounds good ...
0
votes
2answers
38 views

Can 2 single notes be considered as cadence?

I was studying a tutorial about phrases and cadences. I faced following image : Here [I] means first chord of F Major scale so it's F Major Chord. So is the next note (A) also considered as [I] or ...
0
votes
1answer
70 views

What is the exact usage of harmony?

I have completely studied music theory (even diatonic chords) and have just started harmony but I don't know what I am studying in harmony!!! I have faced 2 specific questions and 2 general question :...
11
votes
3answers
931 views

Dissonant notes extremely panned - what is that I hear?

I was studying the musical theory and an idea came to me - what happens if I play dissonant chords at the same time, but one of them being panned to the extreme left and the other one - to the extreme ...
2
votes
1answer
38 views

How do I use quartal chords on guitar on common chord progressions?

I play rhythm guitar and solo in a four piece band that improvises on traditional folk music. I really like the sound of quartal harmony (building chords on fourths instead of thirds) and I've been ...
0
votes
1answer
68 views

Which books are being taught in famous universities about contemporary harmony [closed]

What are the best books that are being taught about contemporary harmony in universities around the world? Does anyone know about a book that is so famous that is being taught in almost all famous ...
5
votes
6answers
313 views

Tonal harmony: 18th century counterpoint vs. Accessible contemporary harmony and composition

I have a fair amount of knowledge when it comes to "rules" regarding music of the bygone days of the traditional prelude & fugue, the motet, and four voice harmony of the Baroque era. Specifically,...
3
votes
3answers
84 views

Learning to free-form harmonise when singing

Recently I've started trying to harmonise when singing in church, as the only place I regularly sing with a large group of people. I'm finding it really hard and I wondered if anyone can suggest how ...
-1
votes
1answer
79 views

Piano…JS Bach fan…he blows me away [closed]

What are all the available chords for every bass note? I am looking for a way in to use partimenti to supply chords quickly to a given bass line, without figured bass
4
votes
3answers
188 views

Rule of the octave for melody

In thorough bass (where the bass line is written first) there are simple "rules" for ascending and descending scales with different inversions and other rules in "partimenti". They are all based on ...
1
vote
2answers
69 views

Counter-example of counterpoint technique?

I'm trying to fully understand the concept that "Counterpoint" entails... but I can't seem to think any situation in which a counterpoint is not present on a song/piece/whatever. If counterpoint is ...
0
votes
1answer
55 views

Can 2 Trumpet players be in a brass band?

I want to create a brass band with my friends at school. My friend is less experienced than me in playing the trumpet so I am the one who is most likely to do it. But my friend really wants to be part ...
0
votes
1answer
80 views

Key/Chord recognition using a computer

I'm a physics student with a great interest in music. I'm researching (as a kind of hobby) in topics which include math applied to music, acoustics, etc. In the last days I've realized that having a ...
2
votes
2answers
77 views

In a song, what helps people distinguish between the main melody and the harmony?

It seems like people, regardless of their knowledge or "sense" of harmony, can naturally tell which one is the main melody and which is the harmony in a song--even if the melody is never played alone (...
6
votes
1answer
631 views

What is the name of the (I think) Renaissance harmonic device used in choral music that sounds slightly odd today?

I remember in college hearing about people playing minor 'pranks' using this device, however I've forgotten the name and I can't remember the exact details. It has to do with notes (possibly sevenths?...
2
votes
2answers
59 views

How to begin putting chords on variable melody?

One of the things that is mysterious for me is how to put chords on a melody which is so variable. I mean that just a chord is not enough to cover the whole bar. For example it contains (C key) : ...
1
vote
3answers
76 views

Secondary dominant of a minor chord?

I understood how to get the secondary dominant of a major chord, but I don't understand how to get the secondary dominant of a minor chord, mainly because I don't know which minor mode (natural, ...
0
votes
0answers
68 views

Chord progression analysis

In the song "If You Have To Ask" by the Red Hot Chili Peppers there is this instrumental funk interlude with a bunch of seventh and ninth chords and I want to understand this progression more by ...
3
votes
3answers
625 views

How to grok 20th-century pop music as evolution of classical harmony

With sufficient training, a student of harmony may build forwards from Bach through Mozart, Beethoven, Chopin, etc... understanding music of a period in terms of what has gone before. But it's going ...
1
vote
2answers
95 views

How many (parallel) harmonies can we have in a song without one harmony being an octave apart from another?

I usually can only come up with two separate harmonies for a song, the ones I came up with after that are usually an octave higher or lower than those two harmonies.
1
vote
3answers
77 views

Harmonising cadences given the bass line. When and when not to use inversions?

I've been completing practice exams online for Grade 5 theory and I'm struggling with some of the cadence questions. I feel that, without the use of inversions, you reach a dead end. The questions ...
0
votes
2answers
55 views

Russell Lydian chromatic (again)

One more question about Russell Lydian theory. Russell uses as an example the Lydian C scale: C-D-E-F#-G-A-B-C comparing it with C maj scale, then he starts to explain his theory as if they belong to ...
2
votes
1answer
121 views

English name for 3-tone chords that have the bass tone different from the root

I've been studying Croatian music theory with durs and mols and H-s and not English so I don't know English names. I'm encountering one problem while writing the 63 chord in jazz harmony for to play ...
0
votes
2answers
141 views

Harmonize any scale. Is there a rule?

A mayor scale is harmonized using triads using the pattern 1-3-5. Is this rule used to harmonize any given scale? Can the bebop scale be harmonized the same way than the major scale? Special scales ...
3
votes
2answers
556 views

Harmonic analysis of “Walk this Way” by Aerosmith

I'm trying to do harmonic analysis of "Walk this Way" by Aerosmith. Verses and choruses uses I to IV progression, but I wonder about the riff in the bridge. It seem to be played in the E key. Joe ...
6
votes
1answer
173 views

Theory of country music vocal harmonies

This is a question that I have overcome simply by harmonising by ear, however I've recently joined this forum and in the time I have been here, I've been amazed by the clear knowledge and talent of ...
3
votes
7answers
1k views

Will a song written in a key only use chords in that key?

When you figure out a key that a song is written in. Will the entire song use the chords in that key? With maybe an accidental?? I've tried several different methods.
3
votes
2answers
370 views

How to analyze a chord from Beethoven sonata no 8 (Pathetique)

Looking at a chord towards the end of the development in measure 169, beat 2, spelled C♯-E-A♭ over the G pedal. How would you analyze this in the context of the harmonic progression at ...
2
votes
2answers
163 views

Are these “power chords” in a classical composition?

I've been trying to figure out the chord progression from the beginning of this Mussorgsky piece (orchestrated by Shostakovich, link below) and I'm just curious if I'm getting things right. The chords ...
1
vote
4answers
421 views

Harmonizing All Music with the I,IV and V Chords?

I read somewhere that any melody line can be harmonized using the I,IV and V chords of the major scale. The reasoning behind this being that any possible note played in the melody will exist in one ...
0
votes
2answers
121 views

Fauxbourdon in minor - examples from actual compositions

Dimitri Tymoczko has a very nice overview of fauxbourdon harmony in this syllabus. While he gives several example for fauxbourdon in major, he doesn't give examples for minor. I don't know of any ...
2
votes
0answers
97 views

Why is this minor subdominant chord being used in a major key? [closed]

On a nostalgic whim, I was playing around learning this piece of music from Final Fantasy 7, as I was interested in the chord changes that happen (specifically, the first two chords in the tune). ...
9
votes
2answers
482 views

Do capable harmony singers sing in just intonation or tempered tuning?

I understand that the mathematical frequency ratios between certain intervals will correlate with the overtones that are present when a note sounds in a fundamental frequency. Certain predictable ...
5
votes
2answers
406 views

7th chord notation confusion

I simply cannot understand the notation used in this question: I need to express this chord in 4-part, open or closed position; I just can't seem to understand how the notation works. I know that ...
8
votes
3answers
113 views

Harmonic implications of an instrument's timbre

Is there a study of harmonic implications of an instrument's timbre in western music theory? For example: If i use an instrument with a "rich" timbre, with lots of overtones, then isn't the sound ...
4
votes
2answers
1k views

Why D sharp not E flat in Turkish March

I'm analyzing Mozart's Turkish March piece for the piano. As I see in measure 18 the harmony is F7 (fourth) with minor seven. Assuming it is a minor seven because the harmony is F7 why they thought ...
5
votes
3answers
771 views

Is two singing voices occasionaly being unison “allowed”?

I was writing a lower harmony to an existing (rock) lead voice with a given chord progression and there is a point in time, where it seems like the two voices need to sing the very same note. The only ...
0
votes
3answers
151 views

Help harmonizing a piece

I came across this question in my theory workbook, (Master Your Theory Grade 4 by Dulcie Holland). I have to harmonize it in four part vocal style. However, the thing is, I can't seem to be able to ...
0
votes
1answer
83 views

Why do certain keys good together? [duplicate]

I am a DJ and the software I dj with just introduced key analyzation (Serato DJ). So now I have the key to every song in my library. Someone invented a way for DJ's to mix music in key without having ...
4
votes
3answers
282 views

Do the notes of a chord form parallel octaves, even when they are not played simultaneously?

Here is an example of what I'm trying to say The sample below is in Bb major. Do the notes of the bass and the alto form parallel octaves? On the alto voice I'm using delayed resolution. On the ...
1
vote
3answers
115 views

Re-harmonize the chord with the bass?

Hi i'm a bass player and as any other bassist i was looking to improve my bass skills and I've always wondered how I could change the root note of a certain chord to give it a different feel. For ...
1
vote
3answers
134 views

Does a dominant seventh chord always have to function as a secondary dominant/cadence?

Does a dominant seventh chord always have to function as a secondary dominant/cadence? In "I Wanna Hold Your Hand" they play a B7-C and a B7-G instead of resolving to an E. Does this just work as a ...
3
votes
2answers
67 views

Chord progression in Brangane's warning

I have been interested for quite some time in the harmonic progression in Brangane's warnings in the second act of Wagner's Tristan und Isolde. My question: how can one analyze the chord progression ...
3
votes
3answers
320 views

I, (II), III major chord progression?

In Under the Bridge by Red Hot Chili Peppers, the introduction alternates between D and F# chords, with an E in between as a passing chord in some cases. There is also a g# passing note played over ...
0
votes
3answers
145 views

Tonicisation of Secondary Dominant in D Minor

Okay, so I'm basically just hoping someone can tell me if I'm on the right or wrong track here. I have to implement the technique described in the title in a piece I've written for an assessment. In ...
0
votes
1answer
57 views

Where to start studying Jazz style? [closed]

Recently, I went to a Jazz concert. There was a bassist, a pianist and a drummer. I'm wondering what types of scales and chords they were playing. Is there a good material on the Internet for me to ...
6
votes
1answer
352 views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
4
votes
1answer
216 views

History of “jazz minor/melodic minor” harmony

I'm curious about the development of modern (post-bop-ish) jazz harmony. In Mark Levine's Jazz Theory Book, he shows how modes of the melodic minor scale can be used to form and improvise over chords ...