The way individual pitches interact when grouped to bring structure to music.

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2
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1answer
23 views

How do I use quartal chords on guitar on common chord progressions?

I play rhythm guitar and solo in a four piece band that improvises on traditional folk music. I really like the sound of quartal harmony (building chords on fourths instead of thirds) and I've been ...
0
votes
1answer
62 views

Which books are being taught in famous universities about contemporary harmony [closed]

What are the best books that are being taught about contemporary harmony in universities around the world? Does anyone know about a book that is so famous that is being taught in almost all famous ...
5
votes
6answers
301 views

Tonal harmony: 18th century counterpoint vs. Accessible contemporary harmony and composition

I have a fair amount of knowledge when it comes to "rules" regarding music of the bygone days of the traditional prelude & fugue, the motet, and four voice harmony of the Baroque era. Specifically,...
3
votes
3answers
81 views

Learning to free-form harmonise when singing

Recently I've started trying to harmonise when singing in church, as the only place I regularly sing with a large group of people. I'm finding it really hard and I wondered if anyone can suggest how ...
-1
votes
1answer
76 views

Piano…JS Bach fan…he blows me away [closed]

What are all the available chords for every bass note? I am looking for a way in to use partimenti to supply chords quickly to a given bass line, without figured bass
4
votes
3answers
163 views

Rule of the octave for melody

In thorough bass (where the bass line is written first) there are simple "rules" for ascending and descending scales with different inversions and other rules in "partimenti". They are all based on ...
1
vote
2answers
67 views

Counter-example of counterpoint technique?

I'm trying to fully understand the concept that "Counterpoint" entails... but I can't seem to think any situation in which a counterpoint is not present on a song/piece/whatever. If counterpoint is ...
0
votes
1answer
51 views

Can 2 Trumpet players be in a brass band?

I want to create a brass band with my friends at school. My friend is less experienced than me in playing the trumpet so I am the one who is most likely to do it. But my friend really wants to be part ...
0
votes
1answer
68 views

Key/Chord recognition using a computer

I'm a physics student with a great interest in music. I'm researching (as a kind of hobby) in topics which include math applied to music, acoustics, etc. In the last days I've realized that having a ...
2
votes
2answers
73 views

In a song, what helps people distinguish between the main melody and the harmony?

It seems like people, regardless of their knowledge or "sense" of harmony, can naturally tell which one is the main melody and which is the harmony in a song--even if the melody is never played alone (...
6
votes
1answer
628 views

What is the name of the (I think) Renaissance harmonic device used in choral music that sounds slightly odd today?

I remember in college hearing about people playing minor 'pranks' using this device, however I've forgotten the name and I can't remember the exact details. It has to do with notes (possibly sevenths?...
2
votes
2answers
52 views

How to begin putting chords on variable melody?

One of the things that is mysterious for me is how to put chords on a melody which is so variable. I mean that just a chord is not enough to cover the whole bar. For example it contains (C key) : ...
1
vote
3answers
71 views

Secondary dominant of a minor chord?

I understood how to get the secondary dominant of a major chord, but I don't understand how to get the secondary dominant of a minor chord, mainly because I don't know which minor mode (natural, ...
0
votes
0answers
59 views

Chord progression analysis

In the song "If You Have To Ask" by the Red Hot Chili Peppers there is this instrumental funk interlude with a bunch of seventh and ninth chords and I want to understand this progression more by ...
3
votes
3answers
618 views

How to grok 20th-century pop music as evolution of classical harmony

With sufficient training, a student of harmony may build forwards from Bach through Mozart, Beethoven, Chopin, etc... understanding music of a period in terms of what has gone before. But it's going ...
1
vote
2answers
92 views

How many (parallel) harmonies can we have in a song without one harmony being an octave apart from another?

I usually can only come up with two separate harmonies for a song, the ones I came up with after that are usually an octave higher or lower than those two harmonies.
1
vote
3answers
72 views

Harmonising cadences given the bass line. When and when not to use inversions?

I've been completing practice exams online for Grade 5 theory and I'm struggling with some of the cadence questions. I feel that, without the use of inversions, you reach a dead end. The questions ...
0
votes
2answers
52 views

Russell Lydian chromatic (again)

One more question about Russell Lydian theory. Russell uses as an example the Lydian C scale: C-D-E-F#-G-A-B-C comparing it with C maj scale, then he starts to explain his theory as if they belong to ...
2
votes
1answer
116 views

English name for 3-tone chords that have the bass tone different from the root

I've been studying Croatian music theory with durs and mols and H-s and not English so I don't know English names. I'm encountering one problem while writing the 63 chord in jazz harmony for to play ...
0
votes
2answers
123 views

Harmonize any scale. Is there a rule?

A mayor scale is harmonized using triads using the pattern 1-3-5. Is this rule used to harmonize any given scale? Can the bebop scale be harmonized the same way than the major scale? Special scales ...
3
votes
2answers
548 views

Harmonic analysis of “Walk this Way” by Aerosmith

I'm trying to do harmonic analysis of "Walk this Way" by Aerosmith. Verses and choruses uses I to IV progression, but I wonder about the riff in the bridge. It seem to be played in the E key. Joe ...
6
votes
1answer
155 views

Theory of country music vocal harmonies

This is a question that I have overcome simply by harmonising by ear, however I've recently joined this forum and in the time I have been here, I've been amazed by the clear knowledge and talent of ...
3
votes
7answers
935 views

Will a song written in a key only use chords in that key?

When you figure out a key that a song is written in. Will the entire song use the chords in that key? With maybe an accidental?? I've tried several different methods.
3
votes
2answers
351 views

How to analyze a chord from Beethoven sonata no 8 (Pathetique)

Looking at a chord towards the end of the development in measure 169, beat 2, spelled C♯-E-A♭ over the G pedal. How would you analyze this in the context of the harmonic progression at ...
2
votes
2answers
157 views

Are these “power chords” in a classical composition?

I've been trying to figure out the chord progression from the beginning of this Mussorgsky piece (orchestrated by Shostakovich, link below) and I'm just curious if I'm getting things right. The chords ...
1
vote
4answers
394 views

Harmonizing All Music with the I,IV and V Chords?

I read somewhere that any melody line can be harmonized using the I,IV and V chords of the major scale. The reasoning behind this being that any possible note played in the melody will exist in one ...
0
votes
2answers
120 views

Fauxbourdon in minor - examples from actual compositions

Dimitri Tymoczko has a very nice overview of fauxbourdon harmony in this syllabus. While he gives several example for fauxbourdon in major, he doesn't give examples for minor. I don't know of any ...
2
votes
0answers
96 views

Why is this minor subdominant chord being used in a major key? [closed]

On a nostalgic whim, I was playing around learning this piece of music from Final Fantasy 7, as I was interested in the chord changes that happen (specifically, the first two chords in the tune). ...
9
votes
2answers
424 views

Do capable harmony singers sing in just intonation or tempered tuning?

I understand that the mathematical frequency ratios between certain intervals will correlate with the overtones that are present when a note sounds in a fundamental frequency. Certain predictable ...
5
votes
2answers
406 views

7th chord notation confusion

I simply cannot understand the notation used in this question: I need to express this chord in 4-part, open or closed position; I just can't seem to understand how the notation works. I know that ...
7
votes
3answers
108 views

Harmonic implications of an instrument's timbre

Is there a study of harmonic implications of an instrument's timbre in western music theory? For example: If i use an instrument with a "rich" timbre, with lots of overtones, then isn't the sound ...
4
votes
2answers
1k views

Why D sharp not E flat in Turkish March

I'm analyzing Mozart's Turkish March piece for the piano. As I see in measure 18 the harmony is F7 (fourth) with minor seven. Assuming it is a minor seven because the harmony is F7 why they thought ...
5
votes
3answers
761 views

Is two singing voices occasionaly being unison “allowed”?

I was writing a lower harmony to an existing (rock) lead voice with a given chord progression and there is a point in time, where it seems like the two voices need to sing the very same note. The only ...
0
votes
3answers
146 views

Help harmonizing a piece

I came across this question in my theory workbook, (Master Your Theory Grade 4 by Dulcie Holland). I have to harmonize it in four part vocal style. However, the thing is, I can't seem to be able to ...
0
votes
1answer
78 views

Why do certain keys good together? [duplicate]

I am a DJ and the software I dj with just introduced key analyzation (Serato DJ). So now I have the key to every song in my library. Someone invented a way for DJ's to mix music in key without having ...
4
votes
3answers
278 views

Do the notes of a chord form parallel octaves, even when they are not played simultaneously?

Here is an example of what I'm trying to say The sample below is in Bb major. Do the notes of the bass and the alto form parallel octaves? On the alto voice I'm using delayed resolution. On the ...
1
vote
3answers
115 views

Re-harmonize the chord with the bass?

Hi i'm a bass player and as any other bassist i was looking to improve my bass skills and I've always wondered how I could change the root note of a certain chord to give it a different feel. For ...
1
vote
3answers
130 views

Does a dominant seventh chord always have to function as a secondary dominant/cadence?

Does a dominant seventh chord always have to function as a secondary dominant/cadence? In "I Wanna Hold Your Hand" they play a B7-C and a B7-G instead of resolving to an E. Does this just work as a ...
3
votes
2answers
65 views

Chord progression in Brangane's warning

I have been interested for quite some time in the harmonic progression in Brangane's warnings in the second act of Wagner's Tristan und Isolde. My question: how can one analyze the chord progression ...
3
votes
3answers
311 views

I, (II), III major chord progression?

In Under the Bridge by Red Hot Chili Peppers, the introduction alternates between D and F# chords, with an E in between as a passing chord in some cases. There is also a g# passing note played over ...
0
votes
3answers
143 views

Tonicisation of Secondary Dominant in D Minor

Okay, so I'm basically just hoping someone can tell me if I'm on the right or wrong track here. I have to implement the technique described in the title in a piece I've written for an assessment. In ...
0
votes
1answer
56 views

Where to start studying Jazz style? [closed]

Recently, I went to a Jazz concert. There was a bassist, a pianist and a drummer. I'm wondering what types of scales and chords they were playing. Is there a good material on the Internet for me to ...
6
votes
1answer
327 views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
4
votes
1answer
209 views

History of “jazz minor/melodic minor” harmony

I'm curious about the development of modern (post-bop-ish) jazz harmony. In Mark Levine's Jazz Theory Book, he shows how modes of the melodic minor scale can be used to form and improvise over chords ...
1
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3answers
104 views

Can you remove harmony from counterpoint?

For example, two melodies at once but one melody is only on the on beats while the other is only on the off beats, does this remove the harmony from counterpoint?
3
votes
3answers
579 views

how to play chords, bass and melody at the same time like Finger pickers and classical guitarists?

For a long time I have been trying to figure out how classical guitarists and finger pickers, play arpeggio, bass line and melody at the same time. Do they use chord shapes 1, 3, 5(for example) and ...
3
votes
2answers
262 views

How to read accidentals in medieval music “modern” notation?

I am writing an instrumental orchestration of De Machaut's Messe de Nostre Dame, Kyrie. I found scores in IMSLP here and here. These scores show accidentals above notes, sometimes in parenthesis. I ...
1
vote
1answer
89 views

Substituting all chords with relative minor/major…?

I was mucking around with Oasis' "Don't look back in anger" on the acoustic guitar/vocals. I was using these chords, but on capo 4 as I reworked the song a bit: http://tabs.ultimate-guitar.com/tabs/o/...
2
votes
2answers
169 views

Techniques for Tracking and Panning: Rhythm, Lead and Harmonies? [closed]

I am a super noob with recording just started and want to know, about tracking and panning. I don't know how many tracks I should record and how I should pan the guitars. Let's say you have a chord ...
2
votes
4answers
366 views

Tonal harmony, counting intervals and confusing about Perfect Fifth in C Major

Distance from E to F is a half step because no other notes fall between them. Why are we using the G note as a perfect fifth in C Major chord? Shouldn't be G sharp?