The way individual pitches interact when grouped to bring structure to music.

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6
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3answers
84 views

Modern Harmonic Movements

I know quite a bit about the progression of harmony during the common practice period and up to basic jazz theory, but anything beyond the early 20th century just drops off for me. I know a little ...
5
votes
1answer
261 views

What is melodic inversion and how to do it?

I understood how to invert the chords (moving the bass note an octave above). When it comes to melodies I have seen many examples on the net but cant seem to understand the idea behind it. This ...
10
votes
1answer
104 views

Locrian Harmony

I like utilizing modes in my the pieces I write, but there is one mode I've never been able to fully grasp and utilize and that is the Locrian mode. The chords that naturally occur in the Locrian ...
0
votes
0answers
28 views

How create Harmonizer effects

OK I did an pitch shift algorithm, and I would like to know how create an harmonizer effect! I know that to build Harmonizer I need pitch shift the signal in differents ways, my question is how know ...
3
votes
3answers
88 views

Does the bass always have to harmonise with the lead?

I have written a half decent lead, at least for my level, and I am now trying to harmonise a bass with it. I am employing one of the most basic kind of methods to achieve this - playing the root note ...
2
votes
0answers
57 views

Is Dudley Moore's Bedazzled in A Phrygian?

This song (YouTube) is one of the strangest pieces of music I've heard, with a long "A" pedal bass and a huge variety of crazy harmonies on top (my transcription), including lots of tritones. Is ...
3
votes
1answer
54 views

Dissonances and harmony

When I listen to Bach, Handel or Vivaldi (especially Baroque composers) every single note seems to fit there perfectly I mean pretty consonant to their location. As I was trying to learn tonal ...
3
votes
1answer
109 views

Great sounding solos without obvious harmony

When I hear a guitar player like Joe Bonamassa on YouTube playing a solo (fast) without any accompaniment and it sounds great , I always wonder how they do it. I can improvise over chord changes and ...
3
votes
1answer
85 views

Is there a collection of pop or jazz standards that include harmonic analysis? [closed]

I'm learning to do harmonic analysis and I'm quite happy with the sources for the theoretic aspects online and in books. But to practice, it would be great to have excercises with solutions ...
4
votes
2answers
189 views

What does this b5 indication refer to?

I've been studying Jazz for some years now, and when I come upon a chord like Abm (b5), I play a diminished chord. But recently, on the classical harmony I'm studying, I came upon this exercise: ...
7
votes
1answer
295 views

How to make C lydian not sound like G ionian?

What are some concrete melodic and harmonic tools to establish the correct tonic center in a lydian melody? The reason for asking about lydian specifically is that there is no minor seventh for the ...
2
votes
3answers
205 views

Is there a name for this phenomenon in the circle of fifths?

I've recently come across some interesting properties of the circle of fifths in relation to diatonic modes. I'm wondering whether this has been noted elsewhere and if so, in what capacity? A name to ...
5
votes
5answers
335 views

Which other chords are considered equivalent or function like a V7?

A dominant seventh chord as the fifth degree of a key (notated V7) is often used to build a cadence back to the tonic. With that function in mind, I've seen people refer to other chords as "it ...
1
vote
4answers
163 views

Book recommendations to understand theory and harmony of music. Classical, Jazz, R&B everything :)

Short story: I have started playing piano about 1.5 years ago. I miss only a few days without practise apart from being ill, on holiday, visiting family etc. I practice like crazy. My wife who ...
4
votes
4answers
436 views

Major Seventh chord with root note as melody : why the dissonance?

In wikipedia page - jazz chords : Major Seventh it is said that "if the melody note is the root of the chord, including a major seventh can frequently cause a harsh dissonance". But since the root ...
4
votes
3answers
205 views

How do you write successive, non-functional chord progressions?

Elements of non-functional harmony is ubiquitous among contemporary music creations. In most cases, it materializes in the way of non-functional chord progressions, which are characterized by its ...
1
vote
1answer
52 views

4 part harmony chords

Suppose I have a tune; in this case "Only you and you alone" by the Platters and we have sheet music in the key of "C", (and we want to stay with that key) there is no 4 part vocal harmony in print or ...
0
votes
3answers
58 views

Fifths of #9 chords

It seems like common practice to treat #9 chords as altered chords and, being guitarist, the most common voicing of them I'm familiar with is the Hendrix chord: e|-----| B|--8--| G|--7--| D|--6--| ...
2
votes
1answer
85 views

Is there a common name for the major II chord found in minor key progressions?

The most common progression for this II chord to be found is the i-II-iv-V or variations as in the following examples: Bossa Dorado Music To Watch Girls By Libertango I could expect something like ...
6
votes
3answers
399 views

What does the indication 9 7 mean?

I' m studying classical harmony, and on the chapter with the V9, I came upon this numbered bass: What does 9 7 mean? I know that it includes the 9th, but why is there the 7th there? Does it tell me ...
0
votes
1answer
71 views

Im6 chord in a minor II-V-I

In a minor II-V-I progression, we usually have a IIm7(b5) chord followed by a V7(b9,b13) chord, resolving into Im7. I always thought the diminished 5th in the II chord (also the minor 9th in the V7 ...
0
votes
1answer
63 views

Diminished progression

How can you use a progression (like the one below) and have it fit in C major well and support the melody? Please help me with some tips. Do these diminished chords fit in a diatonic scale well, ...
3
votes
4answers
158 views

Why do quartal progressions typically not utilize common tones?

Typically chord are built in thirds, but in quartal harmony chords are built in fourths instead. One pattern in quartal harmony I noticed was chords tend to move completely in parallel even if common ...
0
votes
1answer
76 views

What is the best way to develop a theoretical approach to practical harmony for guitar?

I am playing guitar approximately ten years but I know only basic harmony and rhythm guitar. I want to develop theoretical and practical harmony. What can I do for this?
16
votes
9answers
1k views

Why do many songs in major keys use a bVII in the chord progression?

Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. So the I, ii, iii, IV, V, vi, ...
0
votes
1answer
90 views

Analyzing a Jazzy ending [closed]

I'm analyzing a jazzy ending and things are getting a little bit complicated. I was listening to this piece and heard the "circular" ending that starts with the first degree and ends with it. My aim ...
1
vote
1answer
82 views

Do bass notes basically just accent and/or add notes to the above harmony?

I'm trying to understand how the bass timbre folds into the harmony. I understand doubling more dissonant intervals is generally bad unless creating a cool melody. Is this basically because it's ...
3
votes
3answers
101 views

The melody+chords pattern in perspective

Most of us who know the basics of music theory and share the "common" musical culture (western mainstream popular songs, mass media, "classical" music from the common practice period), tend to think ...
3
votes
2answers
110 views

Website that displays chords on a keyboard

Is there a website / online service that displays on a keyboard the keys to use for a chord progression? It's not for me (I know how to play chords, and had some jazz courses before), but it's for a ...
2
votes
3answers
212 views

Harmonizing a melody for 4 voices… help?

Recently I've started encountering a multitude of questions that ask for me to harmonize a melody. I've never really seen a question like that before, so I've been a bit lost as to where to start. I ...
3
votes
2answers
93 views

Is there a resource/site that I can use to practice harmonization?

As above. With my theory exam in the distance, I want to brush up on harmonizing a given melody. Are there any sites/resources I could use to do this?
0
votes
2answers
55 views

Modulation in the violin solo Bach's Laudamus Te

I'm trying to decide the key changes in the Laudamus Te of the Mass in B minor (J.-S. Bach). I think the key in the 8th measure is B minor (the Laudamus Te is in A Major), but I'm not sure what ...
1
vote
3answers
118 views

Trying to understand a nice harmonic end

The more I learn music and harmony theory the more I understand that I don't know anything yet . As for jazz I was listening for a fly me to the moon performance on the piano : the song is in Am and ...
5
votes
3answers
194 views

Using flatted third in 12 bar blues

I've found that when playing the last four bars of the 12 bar blues (V IV I I) with triads (in a typical 70s rock fashion) that inserting a major triad on the flatted third sounds really good as a ...
1
vote
3answers
119 views

Chord Roles/Reputations

Does there exist literature examining the particular psychological/emotional role/reputation of each chord in a movement? (For example, I am currently infatuated with IVmaj7, which is to say I find ...
0
votes
6answers
182 views

AMEB Grade 4 Theory question - harmonising cadence points in a melody?

So i've started doing Grade 4 theory, and came across this question. Normally, i would have no problem if they gave me the bass, but in this case, I'm slightly confused. How are you supposed to go ...
7
votes
4answers
775 views

What is the best way to learn to sing harmony?

I am quite capable of singing the lead vocal but have a difficult time finding the 3rd or 5th harmony in order to harmonize with someone else. Is there a method of learning to hear or find the ...
1
vote
0answers
146 views

How to create four-part harmonies? [closed]

I am struggling with writing a four-part symphonic or choral piece. That is, a piece where SATB are each distinct and present. Example 4-Part Harmony: Handel's Hallelujah Chorus. For others see any ...
4
votes
2answers
171 views

chord progression if the chords are not part of the scale?

I've been learning about harmony, and the harmonisation of major scales. I can recognise simple chord progressions, and I try and practice by listening to popular songs. For a major scale, we ...
1
vote
2answers
166 views

How to determine the key and write melodies for a chromatic chord progression?

I've been playing around with some chromatic chord progressions recently but I am having a hard time analyzing the changes and figuring out the key for melody/soloing purposes. How do you know which ...
18
votes
4answers
1k views

Why is bass note so important in harmonic analysis of music?

In any type of harmonic analysis the bass plays big part in determining the function of the harmony. There are even special ways describe what note of the chord is in the bass (known as inversions) ...
4
votes
1answer
618 views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
6
votes
2answers
320 views

When to use inversions in harmonizing a bass line

What exactly is the procedure for harmonizing a bass line? In my class, the teacher introduced inversions of chords, which are not hard to understand per se, but I can't wrap my head around how can I ...
3
votes
4answers
219 views

Are counterpoint and harmony mutually exclusive?

I understand that harmony and counterpoint are more tools than set of rules to follow, the first works vertically, enhancing a single melody line, while the other combines multiple melody lines in a ...
15
votes
3answers
2k views

Why does the following chord progression sound good?

Dmaj Emaj and Bmaj I have looked up the chord progressions of all major and minor scale keys and these three don't fit in any of them?
3
votes
4answers
418 views

What could be the key of this chord progression?

I started writing a melody that has the following chord progression: Cm - G - Am - C What key would that be in? I imagine it could be in the key of C or Am if the Cm chord wasn't there. I've just ...
1
vote
3answers
234 views

Why do I need to learn counterpoint if I know harmony?

When I search for differences between harmony and counterpoint I usually read that in the end there's harmony in counterpoint. Can't I learn just harmony and get the same results ?
12
votes
7answers
2k views

Is Emajor the dominant chord in A minor?

I read somewhere that Emajor is the dominant (V) chord in A minor. Is this correct? If so, why is it not Eminor, since the A minor scale has no sharps or flats in it?
8
votes
4answers
2k views

D major in a C major Chord progression?

on this site It gives a chord progression in C major by default(C G Am F), and I'm interested in one of the "Alternatives" it offers for the progression: G,D,Em,C the progression is also quoted in ...
2
votes
5answers
377 views

Please help me name this chord

I'm harmonising a tune I've written, in C major, and one chord which resolves to C major consists of B, Db(or C#), F and A. It seems to be a sort of tritone substitution, but I am struggling to come ...