The way individual pitches interact when grouped to bring structure to music.

learn more… | top users | synonyms

4
votes
2answers
1k views

Why D sharp not E flat in Turkish March

I'm analyzing Mozart's Turkish March piece for the piano. As I see in measure 18 the harmony is F7 (fourth) with minor seven. Assuming it is a minor seven because the harmony is F7 why they thought ...
4
votes
5answers
742 views

Book recommendations to understand theory and harmony of music. Classical, Jazz, R&B everything :)

Short story: I have started playing piano about 1.5 years ago. I miss only a few days without practise apart from being ill, on holiday, visiting family etc. I practice like crazy. My wife who ...
16
votes
5answers
2k views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
0
votes
3answers
143 views

Tonicisation of Secondary Dominant in D Minor

Okay, so I'm basically just hoping someone can tell me if I'm on the right or wrong track here. I have to implement the technique described in the title in a piece I've written for an assessment. In ...
4
votes
1answer
171 views

What do the terms “pitch relationships” and “vertical dimension” signify in relation to harmony?

I am trying to learn more about the neurological basis of harmony perception. However, I am having a bit of trouble understanding the musical technical terminology being used by the authors in a ...
11
votes
4answers
525 views

Can any diminished chord be used as V anywhere?

I've been playing with diminished chords as 'V' in ii-V-I progressions. I often use one of the three diminished chords in a ii-V-I progression -- I sharpen the 5th note of the scale and hang a ...
5
votes
3answers
761 views

Is two singing voices occasionaly being unison “allowed”?

I was writing a lower harmony to an existing (rock) lead voice with a given chord progression and there is a point in time, where it seems like the two voices need to sing the very same note. The only ...
0
votes
3answers
146 views

Help harmonizing a piece

I came across this question in my theory workbook, (Master Your Theory Grade 4 by Dulcie Holland). I have to harmonize it in four part vocal style. However, the thing is, I can't seem to be able to ...
4
votes
3answers
278 views

Do the notes of a chord form parallel octaves, even when they are not played simultaneously?

Here is an example of what I'm trying to say The sample below is in Bb major. Do the notes of the bass and the alto form parallel octaves? On the alto voice I'm using delayed resolution. On the ...
0
votes
1answer
78 views

Why do certain keys good together? [duplicate]

I am a DJ and the software I dj with just introduced key analyzation (Serato DJ). So now I have the key to every song in my library. Someone invented a way for DJ's to mix music in key without having ...
25
votes
6answers
2k views

How to create Chord progressions that make sense

I've been reading over Walter Piston's Harmony book, and it has been an eye-opener to say the least. I understand concepts like tension and release, voice leading and so forth, but I still don't ...
4
votes
1answer
348 views

How are keys in the circle of fifths related?

I know this seems like a basic question, and in the traditional sense, I actually know how their related. Though, whilst reading a book titled 'harmony for computer musicians', I've come across a ...
17
votes
9answers
3k views

Why do many songs in major keys use a bVII in the chord progression?

Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. So the I, ii, iii, IV, V, vi, ...
1
vote
3answers
115 views

Re-harmonize the chord with the bass?

Hi i'm a bass player and as any other bassist i was looking to improve my bass skills and I've always wondered how I could change the root note of a certain chord to give it a different feel. For ...
-1
votes
1answer
156 views

introducing the 3 main concepts of harmony : chord, tonality, mode

Where is the best example of a 7-8 pages course defining all together the basic concepts of harmony, that would be useful when teaching harmony to an adult who is interested in classical music, jazz/...
3
votes
2answers
65 views

Chord progression in Brangane's warning

I have been interested for quite some time in the harmonic progression in Brangane's warnings in the second act of Wagner's Tristan und Isolde. My question: how can one analyze the chord progression ...
24
votes
9answers
8k views

How to dramatically change the feeling of a song while keeping the melody largely the same?

How to dramatically change the feeling of a song while keeping the melody largely the same? Let's say we have a happy, upbeat pop song and we want to turn it into a sad song (or vice versa). Is it ...
3
votes
3answers
311 views

I, (II), III major chord progression?

In Under the Bridge by Red Hot Chili Peppers, the introduction alternates between D and F# chords, with an E in between as a passing chord in some cases. There is also a g# passing note played over ...
12
votes
5answers
383 views

What are the benefits of determining form before composing?

I've heard time and time again of composers who say "It is better [for beginners] to know your form, and have a general idea of important chord progressions before you begin thinking seriously about ...
14
votes
1answer
707 views

What is a Neapolitan 6th?

In studying music theory I have heard the term Neapolitan 6th quite a few times, but I'm not quite sure what it is. What is a Neapolitan 6th and how is it used in a composition?
22
votes
5answers
2k views

Why is bass note so important in harmonic analysis of music?

In any type of harmonic analysis the bass plays a big part in determining the function of the harmony. There are even special ways to describe what note of the chord is in the bass (known as ...
0
votes
1answer
56 views

Where to start studying Jazz style? [closed]

Recently, I went to a Jazz concert. There was a bassist, a pianist and a drummer. I'm wondering what types of scales and chords they were playing. Is there a good material on the Internet for me to ...
6
votes
1answer
327 views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
12
votes
4answers
3k views

What online resources should I use to learn harmony and musical analysis?

I had some harmony courses and I want to learn some more about it. Ideally, I am looking for is a KhanAcademy-like website about harmony and musical analysis. If that doesn't exist, where else should ...
2
votes
3answers
1k views

Latin jazz: anticipated chord change on last beat

I'm in the process of using a midi sequencer to provide me with simple background (drums, bass line, bare minimum piano harmony) to practice improvising on Spain (Chick Corea). From listening to a ...
1
vote
3answers
104 views

Can you remove harmony from counterpoint?

For example, two melodies at once but one melody is only on the on beats while the other is only on the off beats, does this remove the harmony from counterpoint?
3
votes
3answers
579 views

how to play chords, bass and melody at the same time like Finger pickers and classical guitarists?

For a long time I have been trying to figure out how classical guitarists and finger pickers, play arpeggio, bass line and melody at the same time. Do they use chord shapes 1, 3, 5(for example) and ...
3
votes
2answers
262 views

How to read accidentals in medieval music “modern” notation?

I am writing an instrumental orchestration of De Machaut's Messe de Nostre Dame, Kyrie. I found scores in IMSLP here and here. These scores show accidentals above notes, sometimes in parenthesis. I ...
0
votes
1answer
103 views

Diminished progression

How can you use a progression (like the one below) and have it fit in C major well and support the melody? Do these diminished chords fit in a diatonic scale well, even though they're chromatic? ...
1
vote
1answer
89 views

Substituting all chords with relative minor/major…?

I was mucking around with Oasis' "Don't look back in anger" on the acoustic guitar/vocals. I was using these chords, but on capo 4 as I reworked the song a bit: http://tabs.ultimate-guitar.com/tabs/o/...
2
votes
2answers
168 views

Techniques for Tracking and Panning: Rhythm, Lead and Harmonies? [closed]

I am a super noob with recording just started and want to know, about tracking and panning. I don't know how many tracks I should record and how I should pan the guitars. Let's say you have a chord ...
3
votes
2answers
264 views

Harmonical analysis of Fm D♭ E♭ B♭

How should I analyse this chord progression: Fm D♭ E♭ B♭ ? Is it (in A♭ major): vi IV V II ?
7
votes
3answers
283 views

Dealing with synthesized sounds where only a subset of tones sound good

I created a heavily modulated and filtered bass sound on F-1 but cannot play anything other than the F-1 itself and its # as the rest have too many conflicting frequencies. How can these two keys be ...
5
votes
2answers
554 views

A triad is 3 notes, but on guitar, we strum more than 3 strings?

In music theory, I see that a triad is a chord built with three notes. Take Emaj in example; it is built with E,G#,B. But why when we strum all the six strings of the guitar does the harmony still ...
2
votes
4answers
366 views

Tonal harmony, counting intervals and confusing about Perfect Fifth in C Major

Distance from E to F is a half step because no other notes fall between them. Why are we using the G note as a perfect fifth in C Major chord? Shouldn't be G sharp?
2
votes
2answers
107 views

Modulation via a major chord, then another major chord a half step down

In Nick Cave's "Darker With The Day", there's a modulation at the end of the chorus which sounds very good (to me), but I don't understand why it works. The verse is more or less in G major: GM ...
2
votes
2answers
219 views

Music Theory, Circle of Fifth, Chords that fit, Exceptions and example song “Sultans of Swing”

I am playing guitar for some years now, mostly self-taught. I had never studied that much of music theory, but now as I want to improve my improvisation skill and want to get a broader view I started ...
5
votes
1answer
246 views

Relation of the diminished chord to the circle of fifths?

Within each key there are seven chords. If I understand it correctly the "first" six correspond to the minor and major variants of the current key and its immediate neighbors in the circle of fifths, ...
2
votes
5answers
688 views

Why do I need to learn counterpoint if I know harmony?

When I search for differences between harmony and counterpoint I usually read that in the end there's harmony in counterpoint. Can't I learn just harmony and get the same results ?
5
votes
2answers
228 views

Composition Training (with Hindemith)

I am looking to get back into composition and trying to get some advice on textbooks. By way of background, my biggest liability is my lack of formal training (I have none). During my early teens, I ...
5
votes
2answers
115 views

Role of Dominant 7th chord in particular progressions

Examining this progression in F: | F | A7 | Dm7 | Bb, Bbm | | F, E7 | Gm7, C7 | F, D7 | Gm7, C7 | In the fifth measure I really don't understand what role has the E7 chord because I can't ...
5
votes
2answers
789 views

Name for a group of notes made up of a root, major third, and perfect 4th?

I'm looking at the song One thing leads to another by the Fixx. Throughout the song, the guitarist plays the highest three strings at the 5th fret (giving C E A). Correct me if I am wrong, but the C ...
2
votes
2answers
117 views

Chords derived from uncommon scales

I came across an unusual chord progression in an A minor track: iv-I. Correct me if I'm wrong, but my first guess is that the I is borrowed from the major key. However, after thinking a while, I ...
12
votes
3answers
2k views

How did Mozart know about voice leading rules like consecutive fifths?

What education did Mozart receive in order to know basic harmony rules, like consecutive fifths are bad? And how did he make sure his compositions do not have errors? Did he have to check every voices ...
3
votes
2answers
106 views

In Four Part Writing, is an augmented unison interval in a single voice allowed?

I'm composing a traditional four-part part-writing piece with a soprano, alto, tenor and bass. The song progresses from a F Major chord to an A Major chord. In the former chord, the bass is on C, and ...
8
votes
3answers
1k views

When to use inversions in harmonizing a bass line

What exactly is the procedure for harmonizing a bass line? In my class, the teacher introduced inversions of chords, which are not hard to understand per se, but I can't wrap my head around how can I ...
2
votes
5answers
1k views

How do you write a corresponding bassline for an already written melody?

In my music theory class I have created a 16-measure melody, and have now been instructed by my teacher to create a corresponding bass-line for that melody. (I scored an 88% on my melody, so I assume ...
2
votes
1answer
95 views

Roman Numeral Analysis Algorithm [closed]

I'm working on a Roman Numeral Analyzer, but I have some problems and questions that I'd like to get clarification on. 1) What information is required to determine a chords function? 2) If the ...
6
votes
1answer
546 views

Rules of how the bass should (and should not) move in chord progressions

I've seen questions and answers regarding certain rules how the bass should move and resolve from one chord to another (especially when a chord is in an inversion and the bass note is not the root ...
3
votes
2answers
183 views

Do bass notes basically just accent and/or add notes to the above harmony?

I'm trying to understand how the bass timbre folds into the harmony. I understand doubling more dissonant intervals is generally bad unless creating a cool melody. Is this basically because it's "...