Tagged Questions

relationship between pitches (sounding simultaneously).

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2
votes
2answers
102 views

Are there any VSTs for removing harmonic content from audio?

Are there are any VSTs that automatically remove the main harmonic content from an audio source? For example: if I have a simple sine wave this VST would return absolutely nothing, silence. If the ...
2
votes
1answer
178 views

How do you construct a musical motive?

I was wondering if I could get a second opinion on methods for constructing a musical motive. I have been creating melodies for quite some time, mainly without taking harmonic progression into ...
11
votes
4answers
192 views

What are the benefits of determining form before composing?

I've heard time and time again of composers who say "It is better [for beginners] to know your form, and have a general idea of important chord progressions before you begin thinking seriously about ...
19
votes
4answers
1k views

Chord progressions

I know these kinds of question are asked a thousand different ways in every forum, but I've read many of them and they seem to be lacking in certain respects, so I'll cross my fingers and hope for the ...
8
votes
4answers
3k views

How do I practice harmonizing in singing?

I'm not good at singing harmonies. In my mind to harmonize, you can just sing an alternate melody and that usually sounds good with the main melody. I don't think to myself that I have to sing a 5th ...
4
votes
5answers
374 views

How to identify a pop tune that has vocal harmonization that does not move in parallel motion

I was trying to find an example of a pop tune that had vocal harmonization AND that it also does not move in parallel motion. I need help on what to look for to identify such patterns. I thought of ...
13
votes
4answers
1k views

C#m in Am chord progression

I was listening to this song; ...
13
votes
1answer
242 views

Should the dominant-seventh chord in just intonation use 9:5 for its seventh, or rather 16:9?

It may be just out of habit, what with the 12-edo temperament all around us, but anyway: I find the dominant-seventh rendition 20:25:30:36 sounds extremely harsh. In particular, the tritone from the ...
9
votes
3answers
912 views

Understanding minor key harmony

A comment discussion under this question from me, clued me in to the fact that I don't really understand how minor keys work very well. So here is what I think I know The natural minor comes from the ...
3
votes
3answers
257 views

How do I learn to detect chord voicing by ear?

When I hear music what I can consciously detect is the top melody note and the chord as a whole, for eg "that is a C sung over an A min". However, I am unable to detect how the chord is voiced, as in ...
5
votes
3answers
571 views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
0
votes
1answer
80 views

Harmonic Transpose [closed]

I once had a useful music software from Voyetra which could harmonically transpose a piece of music. However, after a crash I lost the software. Now I know how to transpose to another key, but I don't ...
5
votes
2answers
431 views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
18
votes
9answers
2k views

In blues, country blues, why don't songwriters get sued for aping the same progressions/tempos/scales as other established blues songs?

Thought: As a guitar player, you can play the blues in pretty much any scale, A for instance with stock rhythms and endings. Example: You write a song in that scale you may even use the same solo ...
2
votes
3answers
265 views

How to give voice into a chord progression?

Say, I am going to use my vocal into a chrod progression like C Am Dm G (that belongs to C major scale). Since a chord consists of three notes. As I know I can give voice any notes belonging to that ...
11
votes
5answers
485 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
4
votes
3answers
246 views

Finding advanced chords for melody

I can find basic chords for most of the "normal" melodies by ear, but I can't find right "Jazz" chords like 7th chords..(advanced chords). Well,I'm not bad in chord theory. what do I need to study in ...
5
votes
2answers
640 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
13
votes
1answer
862 views

What is harmonic mixing / mix in key?

I'm currently learning how to become a DJ. One of the concepts that caught my attention was "harmonic mixing". I know some very basic music theory, and I'm having some trouble understanding it. What ...
2
votes
4answers
182 views

Progressing from a C Minor 9th

If I am playing a C Minor 9th chord what are the next chords up that work with a C Minor 9th? Am I able to follow the C Minor scale and create a 9th from each note in the scale? A bit confused on ...
5
votes
3answers
157 views

How to establish a mode?

I would like to learn about the art of establishing a mode. For example, how to make A minor sound like A minor instead of C major.
4
votes
4answers
282 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
15
votes
4answers
503 views

Why do melodies have harmonies?

It seems to me that every melody can be assigned chords. Although different people may assign different chords, in many cases, only certain chords (a small subset of all possible chord choices) seem ...
9
votes
2answers
290 views

Correct terminology for chord inversions

I am confused with what I've read in various sources concerning chord notations. Is there a standard notation for chord inversions? As far as I understand, a chord inversion is determined from the ...
1
vote
2answers
141 views

How are pitch and tempo related to harmony

Currently I am trying to write a program to create harmony. From an input wav file (human voice) , I used some signal processing to get tempo and pitch. My next step is to create harmony based on the ...
3
votes
1answer
65 views

A synthetic modulation is described as?

The same synthetic scale is moved from one tonal centre to another A change of synthetic scale whilst the tonal centre remains the same Two or more synthetic scales on the same tonal centre The same ...
3
votes
3answers
147 views

Chords triads in any scale

Sorry for the very basic question, but my only experience comes from using DAW software. The rule I use to create a triade chord is playng three notes at {0,4,7} semitones for a major cord and {0,3,7} ...
7
votes
3answers
554 views

Is there some trick for counterpoint beyond 2 voices?

I really suck at chord harmony, so whenever I compose, I tend to use counterpoint a lot. Counterpoint is somewhat easy when you just have two voices. Because I just compose for fun, I generally do ...
5
votes
3answers
171 views

Max Payne theme scale

There is something weird about the Max Payne theme in that although technically it's in C minor, it's using B-natural prominently. What is this called, where is it coming from?
0
votes
2answers
138 views

Which notes to play over a certain chord in a progression?

I know the notes that constitute the given chord sound well simultaneous to the chord but... which other notes to play over a certain chord to create a melody and a meaning with good sound... the ...
0
votes
3answers
163 views

Song structures and tonality

It has to be prety basic but I never understood how it is conventionally explained. Usually a pop song has a fixed key like in: Cmajor: Verse: C-Am-F-G Bridge: Am-G, Am-G Chorus: F-G-Am How is ...
1
vote
1answer
406 views

Oasis - Supersonic Harmonic analysis (What modes are played, explaining modulations and pivots function as roman analysis)

Song can be played as: Main Riff: F#m(F#5) A B Bridge: E Riff E C#7 Chorus: D A E F#7, D A E C#7 -> Main Riff Again I am struggling on harmonic functions. I am not sure whether the song ...
6
votes
2answers
310 views

How far do the supporting chords contribute to the tonality of Vi Hart's “Twinkle Twinkle Little Star”, and if they do, how?

Vi Hart, a mathemusician (cool eh!) at the Khan Academy posted an excellent video explaining 12 Tone music. She first explains the rules thus: You have to use all twelve chromatic pitches in some ...
4
votes
2answers
279 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's translation of The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: ...
7
votes
3answers
233 views

Are minor sevenths allowed in baroque counterpoint?

Are minor sevenths allowed in baroque counterpoint? I ask because in the first measure of Bach's Invention No. 1 the upper voice and lower voice have an interval of a minor seventh (the upper voice ...
1
vote
2answers
196 views

Harmonizing melody exercise question with specific parameters

I'm reading the book Harmony for the computer musician and there's an exercise where you need to harmonize 3 notes of a melody in D major, parameters are: you must use the same note length as the ...
7
votes
2answers
2k views

Parallel octaves vs doubled octaves

I've read this Wikipedia article on parallel fifths, which also touched on parallel octaves. However, I'm having difficulty understanding the difference between doubled and parallel octaves. I think I ...
4
votes
3answers
478 views

How important is harmony theory?

In what way does matter for the overall sound of the orchestra that everyone is aware of how the chord is placed, more than just knowing their own part in it? I play trombone in what I believe is ...
5
votes
2answers
197 views

Roman Analysis of “Ab B G” chord

I am currently analyzing a bit of music for homework which consists of four voices (string quartet). It is in the key of G Major, but the chord that it ends on, is a Ab on the cello, B on the Viola, ...
7
votes
2answers
2k views

Using modes and static harmony

Edit: i know what modes are and how they are related to major scale..etc. question is about modal harmony and chord progression in modal harmony. not what is a mode and name of other modes..etc What ...
0
votes
3answers
284 views

Repeating a melody over 4 octaves

I'm trying to transpose a simple piece, like "Bicycle", so the melody is repeated over 4 octaves. Let me explain this for the first note only. The top and bottom notes are defined (can't be changed) ...
3
votes
3answers
604 views

How to Harmonize uncommon scales?

How do you harmonize scales like C C# F F# Bb Whole tone scale : C D E F# Ab Bb ? (The scales above are just examples.) Scales like these do not seem to bias to Major or Minor harmony, ...
1
vote
2answers
1k views

What scale is used in the Morrowind theme?

Do you know the name of this scale? C D E♭ F G A♭ B It's used in the Morrowind theme: ...
1
vote
2answers
730 views

Latin jazz: anticipated chord change on last beat

I'm in the process of using a midi sequencer to provide me with simple background (drums, bass line, bare minimum piano harmony) to practice improvising on Spain (Chick Corea). From listening to a ...
4
votes
2answers
1k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? By harmony, I of course mean, 'I', 'III, 'IV' etc.. and their connection.
2
votes
1answer
980 views

A good source to learn the theory of chords in an accordion

I have been learning to play accordion for a few months and I can play 15-20 songs with their chords now. I know the physics behind the musical notes (such as I can understand what one implies by ...
10
votes
4answers
803 views

Why does this key change work?

In the song 'Respect' by Aretha Franklin which is a fairly simple progression in Bb major the saxophone solo part of the song seems to make a key change to the key of Em. I don't understand why this ...
9
votes
5answers
2k views

Understanding the elements of harmony in “honky-tonk” or ragtime style piano

I enjoy improvising piano in what I call (perhaps incorrectly) a "honky-tonk" or "ragtime" style, usually involving a steady stride or two-step in the left hand, and playing over that with lots of ...
3
votes
2answers
513 views

In a song in G major the sound F appears and sounds good. Is there a name for such a phenomenon?

The song "Misty Moisty Morning" by Steeleye Span is in a major key. My knowledge of music theory is fragmentary so I may have gotten it wrong but I believe it's true. I don't remember which key it is ...
15
votes
3answers
5k views

Do all chords in a progression usually fit within a scale

I am wondering if when writing a chord progression, all the notes fit within a single scale. If not, what is the logic behind chord progressions?