relationship between pitches (sounding simultaneously).

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9
votes
1answer
131 views

Why does Fux use F# in his counterpoint to a firmus written in G mixolydian

In the given image below, Fux writes a counterpoint to a cantus firmus given to him as part of his studies by his fictitious teacher Aloysious. A rule that is often emphasised is that one should ...
2
votes
2answers
304 views

In 4-part harmony exercise, how to harmonize soprano 1 to 2 with IV6 - V?

I believe this melody well conforms with the harmony, and does not offense my ear and the rules about counterpoint and chord progression. However, when trying to fill in the inner part, I realize the ...
6
votes
3answers
512 views

What is a parallel mode?

What is a parallel mode? How are the parallel modes used in composition and/or improvisation?
6
votes
4answers
845 views

Is there any other blues chord progression?

I've seen many blues songs, with progression: I / / / | I / / / | I / / / | I / / / | IV / / / | IV / / / | IV / / / | IV / / / | V / / / | V / / / | I / / / | I / / / | or I / / / | I ...
6
votes
2answers
152 views

Notation used for harmonic context

Could someone please explain what it means to say, "the harmonic context of V/V-V-I". How should one read this? It would be nice if you could also give two or three examples if you think it would ...
10
votes
1answer
425 views

In jazz, what is diatonic substitution?

What is diatonic substitution? How is it used in improvisation?
8
votes
2answers
553 views

In jazz, what is an upper structure triad?

What is upper structure? Which are the upper structure triads? How are they used?
8
votes
2answers
647 views

In Jazz, what is an avoid note?

Why are some scale degrees avoided? What is the reasoning behind the avoid notes? Are there avoid notes in all modes? If so, which are the avoid notes of the different modes? Is this pattern widely ...
6
votes
2answers
183 views

Voice-leading with three chords in first inversion?

Hey guys just keeping my part writing skills sharp (not flat) for the long summer. I got this out of Assignment 9.4 of Robert W. Ottman's "Elementary Harmony." It's in G♭ major. I was already given ...
9
votes
3answers
495 views

Why is bII 7(b5) considered a dominant?

I am using Ear Master for ear training and at the Chord Progression exercises, there is an exercise called "Various dominant-tonic combinations". These are the chord progressions that are being ...
4
votes
2answers
551 views

Name for a group of notes made up of a root, major third, and perfect 4th?

I'm looking at the song "One thing leads to another" by the Fixx. Throughout the song, the guitarist plays the highest three strings at the 5th fret (giving C E A). Correct me if I am wrong, but the ...
6
votes
1answer
108 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
3
votes
3answers
222 views

How can I practice harmony?

I know some basic stuff about harmony, but I do not know have to advance any further.I finished my harmony lessons for this year and I'm going to start again in the autumn. Is there any way I can ...
11
votes
3answers
921 views

Pentatonic scale with a sharpened 2nd note, any name?

I was messing with the A minor pentatonic scale and discovered that if I sharpen the 2nd note of the scale, it sounds very interesting to my ears, even more than the original scale. Does this already ...
12
votes
3answers
349 views

Interval of a 4th above the bass

As I was studying music theory (harmonizing a melody in particular) I got confused with the statement: The interval of a 4th above the bass is considered dissonant and must resolve down by ...
2
votes
1answer
296 views

Guitars playing in harmony

I wonder if guitars playing in harmony is as simple as this: Let's say you want to play a solo part in Am with the minor scale. If you would play the 3 notes on each of the 3 highest strings (G, B ...
2
votes
2answers
129 views

Are there any VSTs for removing harmonic content from audio?

Are there are any VSTs that automatically remove the main harmonic content from an audio source? For example: if I have a simple sine wave this VST would return absolutely nothing, silence. If the ...
2
votes
1answer
235 views

How do you construct a musical motive?

I was wondering if I could get a second opinion on methods for constructing a musical motive. I have been creating melodies for quite some time, mainly without taking harmonic progression into ...
11
votes
4answers
204 views

What are the benefits of determining form before composing?

I've heard time and time again of composers who say "It is better [for beginners] to know your form, and have a general idea of important chord progressions before you begin thinking seriously about ...
19
votes
4answers
1k views

Chord progressions

I know these kinds of question are asked a thousand different ways in every forum, but I've read many of them and they seem to be lacking in certain respects, so I'll cross my fingers and hope for the ...
9
votes
4answers
6k views

How do I practice harmonizing in singing?

I'm not good at singing harmonies. In my mind to harmonize, you can just sing an alternate melody and that usually sounds good with the main melody. I don't think to myself that I have to sing a 5th ...
4
votes
5answers
489 views

How to identify a pop tune that has vocal harmonization that does not move in parallel motion

I was trying to find an example of a pop tune that had vocal harmonization AND that it also does not move in parallel motion. I need help on what to look for to identify such patterns. I thought of ...
13
votes
4answers
1k views

C#m in Am chord progression

I was listening to this song; ...
13
votes
1answer
267 views

Should the dominant-seventh chord in just intonation use 9:5 for its seventh, or rather 16:9?

It may be just out of habit, what with the 12-edo temperament all around us, but anyway: I find the dominant-seventh rendition 20:25:30:36 sounds extremely harsh. In particular, the tritone from the ...
10
votes
3answers
1k views

Understanding minor key harmony

A comment discussion under this question from me, clued me in to the fact that I don't really understand how minor keys work very well. So here is what I think I know The natural minor comes from the ...
5
votes
3answers
283 views

How do I learn to detect chord voicing by ear?

When I hear music what I can consciously detect is the top melody note and the chord as a whole, for eg "that is a C sung over an A min". However, I am unable to detect how the chord is voiced, as in ...
6
votes
3answers
786 views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
0
votes
1answer
85 views

Harmonic Transpose [closed]

I once had a useful music software from Voyetra which could harmonically transpose a piece of music. However, after a crash I lost the software. Now I know how to transpose to another key, but I don't ...
5
votes
2answers
468 views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
18
votes
9answers
2k views

In blues, country blues, why don't songwriters get sued for aping the same progressions/tempos/scales as other established blues songs?

Thought: As a guitar player, you can play the blues in pretty much any scale, A for instance with stock rhythms and endings. Example: You write a song in that scale you may even use the same solo ...
2
votes
3answers
333 views

How to give voice into a chord progression?

Say, I am going to use my vocal into a chrod progression like C Am Dm G (that belongs to C major scale). Since a chord consists of three notes. As I know I can give voice any notes belonging to that ...
11
votes
5answers
576 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
4
votes
3answers
269 views

Finding advanced chords for melody

I can find basic chords for most of the "normal" melodies by ear, but I can't find right "Jazz" chords like 7th chords..(advanced chords). Well,I'm not bad in chord theory. what do I need to study in ...
5
votes
2answers
748 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
13
votes
1answer
979 views

What is harmonic mixing / mix in key?

I'm currently learning how to become a DJ. One of the concepts that caught my attention was "harmonic mixing". I know some very basic music theory, and I'm having some trouble understanding it. What ...
2
votes
4answers
217 views

Progressing from a C Minor 9th

If I am playing a C Minor 9th chord what are the next chords up that work with a C Minor 9th? Am I able to follow the C Minor scale and create a 9th from each note in the scale? A bit confused on ...
6
votes
3answers
180 views

How to establish a mode?

I would like to learn about the art of establishing a mode. For example, how to make A minor sound like A minor instead of C major.
4
votes
4answers
304 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
15
votes
4answers
574 views

Why do melodies have harmonies?

It seems to me that every melody can be assigned chords. Although different people may assign different chords, in many cases, only certain chords (a small subset of all possible chord choices) seem ...
9
votes
2answers
311 views

Correct terminology for chord inversions

I am confused with what I've read in various sources concerning chord notations. Is there a standard notation for chord inversions? As far as I understand, a chord inversion is determined from the ...
1
vote
2answers
146 views

How are pitch and tempo related to harmony

Currently I am trying to write a program to create harmony. From an input wav file (human voice) , I used some signal processing to get tempo and pitch. My next step is to create harmony based on the ...
3
votes
1answer
66 views

A synthetic modulation is described as?

The same synthetic scale is moved from one tonal centre to another A change of synthetic scale whilst the tonal centre remains the same Two or more synthetic scales on the same tonal centre The same ...
3
votes
3answers
158 views

Chords triads in any scale

Sorry for the very basic question, but my only experience comes from using DAW software. The rule I use to create a triade chord is playng three notes at {0,4,7} semitones for a major cord and {0,3,7} ...
7
votes
3answers
656 views

Is there some trick for counterpoint beyond 2 voices?

I really suck at chord harmony, so whenever I compose, I tend to use counterpoint a lot. Counterpoint is somewhat easy when you just have two voices. Because I just compose for fun, I generally do ...
5
votes
3answers
177 views

Max Payne theme scale

There is something weird about the Max Payne theme in that although technically it's in C minor, it's using B-natural prominently. What is this called, where is it coming from?
0
votes
2answers
142 views

Which notes to play over a certain chord in a progression?

I know the notes that constitute the given chord sound well simultaneous to the chord but... which other notes to play over a certain chord to create a melody and a meaning with good sound... the ...
0
votes
3answers
175 views

Song structures and tonality

It has to be prety basic but I never understood how it is conventionally explained. Usually a pop song has a fixed key like in: Cmajor: Verse: C-Am-F-G Bridge: Am-G, Am-G Chorus: F-G-Am How is ...
1
vote
1answer
448 views

Oasis - Supersonic Harmonic analysis (What modes are played, explaining modulations and pivots function as roman analysis)

Song can be played as: Main Riff: F#m(F#5) A B Bridge: E Riff E C#7 Chorus: D A E F#7, D A E C#7 -> Main Riff Again I am struggling on harmonic functions. I am not sure whether the song ...
7
votes
2answers
335 views

How far do the supporting chords contribute to the tonality of Vi Hart's “Twinkle Twinkle Little Star”, and if they do, how?

Vi Hart, a mathemusician (cool eh!) at the Khan Academy posted an excellent video explaining 12 Tone music. She first explains the rules thus: You have to use all twelve chromatic pitches in some ...
4
votes
2answers
296 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's translation of The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: ...