The way individual pitches interact when grouped to bring structure to music.

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6
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3answers
191 views

“Tritone” intervals in n-tone equal temperament

In 12-tone equal temperament, the tritone interval is made of three whole tones (six semitones) and is considered, if I am not mistaken totally, as the most dissonant interval. I have two questions: ...
2
votes
3answers
187 views

Filling in a chord with your right hand

I am learning RH chords, playing them along with LH chords. So right now, I'm playing 2 note RH chords. Suppose the measure calls for a C chord, and the melody note is an E note. When playing below ...
0
votes
1answer
77 views

Creating a Harmony that Harmonizes with a Chord

I'm trying to get a harmony that will harmonize with my chord, Am. I want something to harmonize with the A,G,F melody and with Am. Is there any way to do this? This is what I have, I would like to ...
1
vote
1answer
62 views

“Spoiled” suspension

What is the theoretical term for the voice-leading phenomenon whereby the note that a suspension is expected to resolve to appears in another voice on the same beat that the suspension begins? You can ...
4
votes
1answer
150 views

Is Dudley Moore's Bedazzled in A Phrygian?

This song (YouTube) is one of the strangest pieces of music I've heard, with a long "A" pedal bass and a huge variety of crazy harmonies on top (my transcription), including lots of tritones. Is ...
2
votes
3answers
274 views

Does the rule regarding consecutive octaves/fifths actually hold any weight?

I have a melody in which I am trying to write a chord progression for. One of the rules of thumb is to finish a chord progression on the tonic if it precedes a chord of a 5th, and especially of a ...
2
votes
3answers
358 views

The tonic's seventh

The tonic's seventh is both the seventh of the chord and the leading tone of the scale. So what should happen with this seventh if it needs to be raised or lowered?
3
votes
3answers
218 views

Chord progressions : which note resolves to which note

In the key of C , going from G to C, note B resolves strongly to note C. How should the note D resolve? (To note C or E? I guess it should be to note C, assuming the key note has higher "priority". ...
1
vote
1answer
144 views

How does one go about harmonizing stepwise melodies?

I possess a whole book dedicated to harmonising. It coverrs perhaps if not all chords and how they can be harmonized with a melody. However, all the examples given so far, is only concerned with ...
2
votes
2answers
407 views

Augmented chords and chord substitution?

Say we are in C major; how do we use chords like the Augmented chords, other diminished chords outside the scale (minor to major substitution, dominant 7th substitution, altered chords, chord ...
4
votes
2answers
148 views

Dissonances and harmony

When I listen to Bach, Handel or Vivaldi (especially Baroque composers) every single note seems to fit there perfectly I mean pretty consonant to their location. As I was trying to learn tonal ...
14
votes
3answers
1k views

Beatles - Because: Chord progression

I am currently looking at this tune but I'm a bit confused by a part of the progression. It seems to be using chords built mostly from the C# harmonic minor scale. So, my current understanding ...
1
vote
4answers
107 views

Word for the entire chord progression of a song?

What is the word for the entire chord progression of a song? Small sequences of harmonies are call progressions, can we also call the entire sequence of chords in a song a progression, or is there a ...
6
votes
3answers
2k views

What is a parallel mode?

What is a parallel mode? How are the parallel modes used in composition and/or improvisation?
7
votes
3answers
201 views

Modern Harmonic Movements

I know quite a bit about the progression of harmony during the common practice period and up to basic jazz theory, but anything beyond the early 20th century just drops off for me. I know a little ...
5
votes
1answer
2k views

What is melodic inversion and how to do it?

I understood how to invert the chords (moving the bass note an octave above). When it comes to melodies I have seen many examples on the net but cant seem to understand the idea behind it. This ...
2
votes
1answer
182 views

Which notes to play over a certain chord in a progression?

I know the notes that constitute the given chord sound well simultaneous to the chord, but which other notes can you play over a certain chord to create a melody and a meaning with good sound? Are ...
5
votes
5answers
476 views

Which other chords are considered equivalent or function like a V7?

A dominant seventh chord as the fifth degree of a key (notated V7) is often used to build a cadence back to the tonic. With that function in mind, I've seen people refer to other chords as "it ...
3
votes
1answer
150 views

Great sounding solos without obvious harmony

When I hear a guitar player like Joe Bonamassa on YouTube playing a solo (fast) without any accompaniment and it sounds great , I always wonder how they do it. I can improvise over chord changes and ...
3
votes
2answers
177 views

Website that displays chords on a keyboard

Is there a website / online service that displays on a keyboard the keys to use for a chord progression? It's not for me (I know how to play chords, and had some jazz courses before), but it's for a ...
0
votes
1answer
91 views

What is the best way to develop a theoretical approach to practical harmony for guitar?

I am playing guitar approximately ten years but I know only basic harmony and rhythm guitar. I want to develop theoretical and practical harmony. What can I do for this?
4
votes
1answer
129 views

Is there a collection of pop or jazz standards that include harmonic analysis? [closed]

I'm learning to do harmonic analysis and I'm quite happy with the sources for the theoretic aspects online and in books. But to practice, it would be great to have excercises with solutions ...
4
votes
2answers
351 views

What does this b5 indication refer to?

I've been studying Jazz for some years now, and when I come upon a chord like Abm (b5), I play a diminished chord. But recently, on the classical harmony I'm studying, I came upon this exercise: ...
28
votes
11answers
17k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. Is it possible ...
2
votes
3answers
358 views

Is there a name for this phenomenon in the circle of fifths?

I've recently come across some interesting properties of the circle of fifths in relation to diatonic modes. I'm wondering whether this has been noted elsewhere and if so, in what capacity? A name to ...
1
vote
2answers
261 views

Learning for entry level exam for music school

On Sunday I am going to take a entry level exam in music theory. They didn't give me any sample exam or references to where can I learn this stuff. All I have is a list of what will be in the exam ...
4
votes
4answers
703 views

Major Seventh chord with root note as melody : why the dissonance?

In wikipedia page - jazz chords : Major Seventh it is said that "if the melody note is the root of the chord, including a major seventh can frequently cause a harsh dissonance". But since the root ...
5
votes
3answers
794 views

How do you write successive, non-functional chord progressions?

Elements of non-functional harmony is ubiquitous among contemporary music creations. In most cases, it materializes in the way of non-functional chord progressions, which are characterized by its ...
1
vote
1answer
244 views

4 part harmony chords

Suppose I have a tune; in this case "Only you and you alone" by the Platters and we have sheet music in the key of "C", (and we want to stay with that key) there is no 4 part vocal harmony in print or ...
0
votes
2answers
102 views

Fifths of #9 chords

It seems like common practice to treat #9 chords as altered chords and, being guitarist, the most common voicing of them I'm familiar with is the Hendrix chord: e|-----| B|--8--| G|--7--| D|--6--| ...
7
votes
2answers
443 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: [...]but why did ...
3
votes
1answer
267 views

Is there a common name for the major II chord found in minor key progressions?

The most common progression for this II chord to be found is the i-II-iv-V or variations as in the following examples: Bossa Dorado Music To Watch Girls By Libertango I could expect something like ...
6
votes
3answers
607 views

What does the indication 9 7 mean?

I' m studying classical harmony, and on the chapter with the V9, I came upon this numbered bass: What does 9 7 mean? I know that it includes the 9th, but why is there the 7th there? Does it tell me ...
10
votes
2answers
261 views

Why does Fux use F# in his counterpoint to a firmus written in G mixolydian

In the given image below, Fux writes a counterpoint to a cantus firmus given to him as part of his studies by his fictitious teacher Aloysious. A rule that is often emphasised is that one should ...
0
votes
1answer
150 views

Im6 chord in a minor II-V-I

In a minor II-V-I progression, we usually have a IIm7(b5) chord followed by a V7(b9,b13) chord, resolving into Im7. I always thought the diminished 5th in the II chord (also the minor 9th in the V7 ...
3
votes
2answers
97 views

Is there a resource/site that I can use to practice harmonization?

As above. With my theory exam in the distance, I want to brush up on harmonizing a given melody. Are there any sites/resources I could use to do this?
3
votes
4answers
376 views

Why do quartal progressions typically not utilize common tones?

Typically chord are built in thirds, but in quartal harmony chords are built in fourths instead. One pattern in quartal harmony I noticed was chords tend to move completely in parallel even if common ...
5
votes
2answers
510 views

Can chords found in parallel modes of the relative minor of a key (or relative major when in a minor key) be considered borrowed chords?

In the key of C major, take the following progression: C----Em----A----G7----C I------iii------VI----V7-----I In this progression, can the VI chord be analyzed as a borrowed chord from the major ...
3
votes
2answers
501 views

What usally follows an Augmented major seventh chord

I don't have a clear understanding of the notation used in the following sentence from the article on Augmented major seventh chord from Wikipedia: As with dominant seventh chords, non-dominant ...
5
votes
4answers
829 views

How important is harmony theory?

In what way does matter for the overall sound of the orchestra that everyone is aware of how the chord is placed, more than just knowing their own part in it? I play trombone in what I believe is ...
0
votes
1answer
94 views

Analyzing a Jazzy ending [closed]

I'm analyzing a jazzy ending and things are getting a little bit complicated. I was listening to this piece and heard the "circular" ending that starts with the first degree and ends with it. My aim ...
3
votes
3answers
877 views

In a song in G major the sound F appears and sounds good. Is there a name for such a phenomenon?

The song "Misty Moisty Morning" by Steeleye Span is in a major key. My knowledge of music theory is fragmentary so I may have gotten it wrong but I believe it's true. I don't remember which key it is ...
3
votes
4answers
324 views

Are counterpoint and harmony mutually exclusive?

I understand that harmony and counterpoint are more tools than set of rules to follow, the first works vertically, enhancing a single melody line, while the other combines multiple melody lines in a ...
3
votes
3answers
166 views

The melody+chords pattern in perspective

Most of us who know the basics of music theory and share the "common" musical culture (western mainstream popular songs, mass media, "classical" music from the common practice period), tend to think ...
2
votes
3answers
486 views

Harmonizing a melody for 4 voices… help?

Recently I've started encountering a multitude of questions that ask for me to harmonize a melody. I've never really seen a question like that before, so I've been a bit lost as to where to start. I ...
7
votes
2answers
4k views

Parallel octaves vs doubled octaves

I've read this Wikipedia article on parallel fifths, which also touched on parallel octaves. However, I'm having difficulty understanding the difference between doubled and parallel octaves. I think I ...
0
votes
6answers
631 views

AMEB Grade 4 Theory question - harmonising cadence points in a melody?

So i've started doing Grade 4 theory, and came across this question. Normally, i would have no problem if they gave me the bass, but in this case, I'm slightly confused. How are you supposed to go ...
1
vote
3answers
142 views

Trying to understand a nice harmonic end

The more I learn music and harmony theory the more I understand that I don't know anything yet . As for jazz I was listening for a fly me to the moon performance on the piano : the song is in Am and ...
0
votes
2answers
84 views

Modulation in the violin solo Bach's Laudamus Te

I'm trying to decide the key changes in the Laudamus Te of the Mass in B minor (J.-S. Bach). I think the key in the 8th measure is B minor (the Laudamus Te is in A Major), but I'm not sure what ...
1
vote
3answers
165 views

Chord Roles/Reputations

Does there exist literature examining the particular psychological/emotional role/reputation of each chord in a movement? (For example, I am currently infatuated with IVmaj7, which is to say I find ...