The way individual pitches interact when grouped to bring structure to music.

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4
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3answers
202 views

Does the bass always have to harmonise with the lead?

I have written a half decent lead, at least for my level, and I am now trying to harmonise a bass with it. I am employing one of the most basic kind of methods to achieve this - playing the root note ...
2
votes
3answers
148 views

Harmonic Progression

I'm trying to figure out how to do this harmonic progression thing. What I did so far was write out the scale of all the roots. Now I'm trying to determine the common tones. I don't see any common ...
7
votes
2answers
399 views

How to make C lydian not sound like G ionian?

What are some concrete melodic and harmonic tools to establish the correct tonic center in a lydian melody? The reason for asking about lydian specifically is that there is no minor seventh for the ...
7
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4answers
829 views

What Happens To The Melody When Played In A Different Key

What happens to notation (e.g. a melody line) when a tune is played in a different key than the one it was written in? Do the notes alter in any way or do they always stay the same as originally ...
8
votes
5answers
3k views

D major in a C major Chord progression?

on this site It gives a chord progression in C major by default(C G Am F), and I'm interested in one of the "Alternatives" it offers for the progression: G,D,Em,C the progression is also quoted in ...
0
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2answers
142 views

Score analysis: Beethoven - Menuetto IV in F major (WoO9) at measure 4

I'm new to music and I'm trying to learn analysis, my question is, what chord is represented in the last bar of this excerpt? It has C in bass, so it could be a dominant chord, but rest of the notes ...
2
votes
5answers
426 views

Please help me name this chord

I'm harmonising a tune I've written, in C major, and one chord which resolves to C major consists of B, Db(or C#), F and A. It seems to be a sort of tritone substitution, but I am struggling to come ...
4
votes
1answer
155 views

What is a chord consisting of Root, 9th and 11th called?

I'm playing the following progression: Bm chord, with these notes: from low -bass- to high: B D F# in which: B: Root D: minor 3rd F#: 5th Bm11 chord, with these notes: from low -bass- to high: B ...
2
votes
3answers
838 views

Oasis - Supersonic Harmonic analysis (What modes are played, explaining modulations and pivots function as roman analysis)

Song can be played as: Main Riff: F#m(F#5) A B Bridge: E Riff E C#7 Chorus: D A E F#7, D A E C#7 -> Main Riff Again I am struggling on harmonic functions. I am not sure whether the song ...
8
votes
3answers
2k views

In Jazz, what is an avoid note?

Why are some scale degrees avoided? What is the reasoning behind the avoid notes? Are there avoid notes in all modes? If so, which are the avoid notes of the different modes? Is this pattern widely ...
3
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1answer
211 views

Which category of music theory would the topic of “which scales to play over which chords” fall into?

For example, in blues it's common to play a minor pentatonic scale over a major chord, and in a lot of rock music it is common to play the corresponding major/minor pentatonic scale over a major/minor ...
4
votes
2answers
157 views

Bartok Mikrokosmos Book 3, no. 70

I have recently been trying to master this piece from Bartok's Mikrokosmos, and at first sight, it appeared daunting due to the fact that the right-hand part is in B major and the left-hand part is in ...
14
votes
1answer
338 views

Locrian Harmony

I like utilizing modes in my the pieces I write, but there is one mode I've never been able to fully grasp and utilize and that is the Locrian mode. The chords that naturally occur in the Locrian ...
4
votes
2answers
360 views

How common is it to omit the I in II V I cadences in Jazz?

I was studying the song 'Satin Doll' by Duke Ellington: And basically, there many II V in different tonalities. The same happens in Charles Mingus's 'Nostalgia in Times Square' (bars 9-11): In ...
0
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2answers
131 views

Symmetry Instead of Tonaliity

I have read about a different approach to music, the symmetrical approach of analyzing, that was after I listened to a the jazz standard Giant Steps and heard that the technique that is used in the ...
14
votes
4answers
4k views

Understanding minor key harmony

A comment discussion under this question from me, clued me in to the fact that I don't really understand how minor keys work very well. So here is what I think I know The natural minor comes from the ...
6
votes
3answers
197 views

“Tritone” intervals in n-tone equal temperament

In 12-tone equal temperament, the tritone interval is made of three whole tones (six semitones) and is considered, if I am not mistaken totally, as the most dissonant interval. I have two questions: ...
2
votes
3answers
202 views

Filling in a chord with your right hand

I am learning RH chords, playing them along with LH chords. So right now, I'm playing 2 note RH chords. Suppose the measure calls for a C chord, and the melody note is an E note. When playing below ...
0
votes
1answer
78 views

Creating a Harmony that Harmonizes with a Chord

I'm trying to get a harmony that will harmonize with my chord, Am. I want something to harmonize with the A,G,F melody and with Am. Is there any way to do this? This is what I have, I would like to ...
1
vote
1answer
65 views

“Spoiled” suspension

What is the theoretical term for the voice-leading phenomenon whereby the note that a suspension is expected to resolve to appears in another voice on the same beat that the suspension begins? You can ...
4
votes
1answer
155 views

Is Dudley Moore's Bedazzled in A Phrygian?

This song (YouTube) is one of the strangest pieces of music I've heard, with a long "A" pedal bass and a huge variety of crazy harmonies on top (my transcription), including lots of tritones. Is ...
2
votes
3answers
285 views

Does the rule regarding consecutive octaves/fifths actually hold any weight?

I have a melody in which I am trying to write a chord progression for. One of the rules of thumb is to finish a chord progression on the tonic if it precedes a chord of a 5th, and especially of a ...
2
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3answers
386 views

The tonic's seventh

The tonic's seventh is both the seventh of the chord and the leading tone of the scale. So what should happen with this seventh if it needs to be raised or lowered?
3
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3answers
229 views

Chord progressions : which note resolves to which note

In the key of C , going from G to C, note B resolves strongly to note C. How should the note D resolve? (To note C or E? I guess it should be to note C, assuming the key note has higher "priority". ...
1
vote
1answer
156 views

How does one go about harmonizing stepwise melodies?

I possess a whole book dedicated to harmonising. It coverrs perhaps if not all chords and how they can be harmonized with a melody. However, all the examples given so far, is only concerned with ...
2
votes
2answers
461 views

Augmented chords and chord substitution?

Say we are in C major; how do we use chords like the Augmented chords, other diminished chords outside the scale (minor to major substitution, dominant 7th substitution, altered chords, chord ...
4
votes
2answers
161 views

Dissonances and harmony

When I listen to Bach, Handel or Vivaldi (especially Baroque composers) every single note seems to fit there perfectly I mean pretty consonant to their location. As I was trying to learn tonal ...
15
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3answers
1k views

Beatles - Because: Chord progression

I am currently looking at this tune but I'm a bit confused by a part of the progression. It seems to be using chords built mostly from the C# harmonic minor scale. So, my current understanding ...
1
vote
4answers
108 views

Word for the entire chord progression of a song?

What is the word for the entire chord progression of a song? Small sequences of harmonies are call progressions, can we also call the entire sequence of chords in a song a progression, or is there a ...
6
votes
3answers
2k views

What is a parallel mode?

What is a parallel mode? How are the parallel modes used in composition and/or improvisation?
7
votes
3answers
213 views

Modern Harmonic Movements

I know quite a bit about the progression of harmony during the common practice period and up to basic jazz theory, but anything beyond the early 20th century just drops off for me. I know a little ...
5
votes
1answer
2k views

What is melodic inversion and how to do it?

I understood how to invert the chords (moving the bass note an octave above). When it comes to melodies I have seen many examples on the net but cant seem to understand the idea behind it. This ...
2
votes
1answer
188 views

Which notes to play over a certain chord in a progression?

I know the notes that constitute the given chord sound well simultaneous to the chord, but which other notes can you play over a certain chord to create a melody and a meaning with good sound? Are ...
5
votes
5answers
492 views

Which other chords are considered equivalent or function like a V7?

A dominant seventh chord as the fifth degree of a key (notated V7) is often used to build a cadence back to the tonic. With that function in mind, I've seen people refer to other chords as "it ...
3
votes
1answer
156 views

Great sounding solos without obvious harmony

When I hear a guitar player like Joe Bonamassa on YouTube playing a solo (fast) without any accompaniment and it sounds great , I always wonder how they do it. I can improvise over chord changes and ...
3
votes
2answers
183 views

Website that displays chords on a keyboard

Is there a website / online service that displays on a keyboard the keys to use for a chord progression? It's not for me (I know how to play chords, and had some jazz courses before), but it's for a ...
0
votes
1answer
93 views

What is the best way to develop a theoretical approach to practical harmony for guitar?

I am playing guitar approximately ten years but I know only basic harmony and rhythm guitar. I want to develop theoretical and practical harmony. What can I do for this?
4
votes
1answer
131 views

Is there a collection of pop or jazz standards that include harmonic analysis? [closed]

I'm learning to do harmonic analysis and I'm quite happy with the sources for the theoretic aspects online and in books. But to practice, it would be great to have excercises with solutions (...
4
votes
2answers
385 views

What does this b5 indication refer to?

I've been studying Jazz for some years now, and when I come upon a chord like Abm (b5), I play a diminished chord. But recently, on the classical harmony I'm studying, I came upon this exercise: ...
29
votes
11answers
18k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. Is it possible ...
2
votes
3answers
377 views

Is there a name for this phenomenon in the circle of fifths?

I've recently come across some interesting properties of the circle of fifths in relation to diatonic modes. I'm wondering whether this has been noted elsewhere and if so, in what capacity? A name to ...
1
vote
2answers
262 views

Learning for entry level exam for music school

On Sunday I am going to take a entry level exam in music theory. They didn't give me any sample exam or references to where can I learn this stuff. All I have is a list of what will be in the exam (...
4
votes
4answers
739 views

Major Seventh chord with root note as melody : why the dissonance?

In wikipedia page - jazz chords : Major Seventh it is said that "if the melody note is the root of the chord, including a major seventh can frequently cause a harsh dissonance". But since the root ...
5
votes
3answers
926 views

How do you write successive, non-functional chord progressions?

Elements of non-functional harmony is ubiquitous among contemporary music creations. In most cases, it materializes in the way of non-functional chord progressions, which are characterized by its "...
1
vote
1answer
251 views

4 part harmony chords

Suppose I have a tune; in this case "Only you and you alone" by the Platters and we have sheet music in the key of "C", (and we want to stay with that key) there is no 4 part vocal harmony in print or ...
0
votes
2answers
104 views

Fifths of #9 chords

It seems like common practice to treat #9 chords as altered chords and, being guitarist, the most common voicing of them I'm familiar with is the Hendrix chord: e|-----| B|--8--| G|--7--| D|--6--| A|-...
7
votes
2answers
446 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: [...]but why did ...
3
votes
1answer
308 views

Is there a common name for the major II chord found in minor key progressions?

The most common progression for this II chord to be found is the i-II-iv-V or variations as in the following examples: Bossa Dorado Music To Watch Girls By Libertango I could expect something like ...
6
votes
3answers
633 views

What does the indication 9 7 mean?

I' m studying classical harmony, and on the chapter with the V9, I came upon this numbered bass: What does 9 7 mean? I know that it includes the 9th, but why is there the 7th there? Does it tell me ...
10
votes
2answers
268 views

Why does Fux use F# in his counterpoint to a firmus written in G mixolydian

In the given image below, Fux writes a counterpoint to a cantus firmus given to him as part of his studies by his fictitious teacher Aloysious. A rule that is often emphasised is that one should ...