The way individual pitches interact when grouped to bring structure to music.

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1answer
90 views

What is the best way to develop a theoretical approach to practical harmony for guitar?

I am playing guitar approximately ten years but I know only basic harmony and rhythm guitar. I want to develop theoretical and practical harmony. What can I do for this?
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1answer
119 views

Is there a collection of pop or jazz standards that include harmonic analysis? [closed]

I'm learning to do harmonic analysis and I'm quite happy with the sources for the theoretic aspects online and in books. But to practice, it would be great to have excercises with solutions ...
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2answers
315 views

What does this b5 indication refer to?

I've been studying Jazz for some years now, and when I come upon a chord like Abm (b5), I play a diminished chord. But recently, on the classical harmony I'm studying, I came upon this exercise: ...
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11answers
16k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. Is it possible ...
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3answers
337 views

Is there a name for this phenomenon in the circle of fifths?

I've recently come across some interesting properties of the circle of fifths in relation to diatonic modes. I'm wondering whether this has been noted elsewhere and if so, in what capacity? A name to ...
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2answers
258 views

Learning for entry level exam for music school

On Sunday I am going to take a entry level exam in music theory. They didn't give me any sample exam or references to where can I learn this stuff. All I have is a list of what will be in the exam ...
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4answers
647 views

Major Seventh chord with root note as melody : why the dissonance?

In wikipedia page - jazz chords : Major Seventh it is said that "if the melody note is the root of the chord, including a major seventh can frequently cause a harsh dissonance". But since the root ...
5
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3answers
587 views

How do you write successive, non-functional chord progressions?

Elements of non-functional harmony is ubiquitous among contemporary music creations. In most cases, it materializes in the way of non-functional chord progressions, which are characterized by its ...
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1answer
222 views

4 part harmony chords

Suppose I have a tune; in this case "Only you and you alone" by the Platters and we have sheet music in the key of "C", (and we want to stay with that key) there is no 4 part vocal harmony in print or ...
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2answers
97 views

Fifths of #9 chords

It seems like common practice to treat #9 chords as altered chords and, being guitarist, the most common voicing of them I'm familiar with is the Hendrix chord: e|-----| B|--8--| G|--7--| D|--6--| ...
7
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2answers
423 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: [...]but why did ...
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1answer
195 views

Is there a common name for the major II chord found in minor key progressions?

The most common progression for this II chord to be found is the i-II-iv-V or variations as in the following examples: Bossa Dorado Music To Watch Girls By Libertango I could expect something like ...
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3answers
531 views

What does the indication 9 7 mean?

I' m studying classical harmony, and on the chapter with the V9, I came upon this numbered bass: What does 9 7 mean? I know that it includes the 9th, but why is there the 7th there? Does it tell me ...
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2answers
245 views

Why does Fux use F# in his counterpoint to a firmus written in G mixolydian

In the given image below, Fux writes a counterpoint to a cantus firmus given to him as part of his studies by his fictitious teacher Aloysious. A rule that is often emphasised is that one should ...
0
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1answer
129 views

Im6 chord in a minor II-V-I

In a minor II-V-I progression, we usually have a IIm7(b5) chord followed by a V7(b9,b13) chord, resolving into Im7. I always thought the diminished 5th in the II chord (also the minor 9th in the V7 ...
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2answers
97 views

Is there a resource/site that I can use to practice harmonization?

As above. With my theory exam in the distance, I want to brush up on harmonizing a given melody. Are there any sites/resources I could use to do this?
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4answers
313 views

Why do quartal progressions typically not utilize common tones?

Typically chord are built in thirds, but in quartal harmony chords are built in fourths instead. One pattern in quartal harmony I noticed was chords tend to move completely in parallel even if common ...
5
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2answers
489 views

Can chords found in parallel modes of the relative minor of a key (or relative major when in a minor key) be considered borrowed chords?

In the key of C major, take the following progression: C----Em----A----G7----C I------iii------VI----V7-----I In this progression, can the VI chord be analyzed as a borrowed chord from the major ...
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2answers
467 views

What usally follows an Augmented major seventh chord

I don't have a clear understanding of the notation used in the following sentence from the article on Augmented major seventh chord from Wikipedia: As with dominant seventh chords, non-dominant ...
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4answers
770 views

How important is harmony theory?

In what way does matter for the overall sound of the orchestra that everyone is aware of how the chord is placed, more than just knowing their own part in it? I play trombone in what I believe is ...
0
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1answer
93 views

Analyzing a Jazzy ending [closed]

I'm analyzing a jazzy ending and things are getting a little bit complicated. I was listening to this piece and heard the "circular" ending that starts with the first degree and ends with it. My aim ...
3
votes
3answers
853 views

In a song in G major the sound F appears and sounds good. Is there a name for such a phenomenon?

The song "Misty Moisty Morning" by Steeleye Span is in a major key. My knowledge of music theory is fragmentary so I may have gotten it wrong but I believe it's true. I don't remember which key it is ...
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4answers
306 views

Are counterpoint and harmony mutually exclusive?

I understand that harmony and counterpoint are more tools than set of rules to follow, the first works vertically, enhancing a single melody line, while the other combines multiple melody lines in a ...
3
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3answers
153 views

The melody+chords pattern in perspective

Most of us who know the basics of music theory and share the "common" musical culture (western mainstream popular songs, mass media, "classical" music from the common practice period), tend to think ...
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3answers
395 views

Harmonizing a melody for 4 voices… help?

Recently I've started encountering a multitude of questions that ask for me to harmonize a melody. I've never really seen a question like that before, so I've been a bit lost as to where to start. I ...
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2answers
4k views

Parallel octaves vs doubled octaves

I've read this Wikipedia article on parallel fifths, which also touched on parallel octaves. However, I'm having difficulty understanding the difference between doubled and parallel octaves. I think I ...
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6answers
543 views

AMEB Grade 4 Theory question - harmonising cadence points in a melody?

So i've started doing Grade 4 theory, and came across this question. Normally, i would have no problem if they gave me the bass, but in this case, I'm slightly confused. How are you supposed to go ...
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3answers
136 views

Trying to understand a nice harmonic end

The more I learn music and harmony theory the more I understand that I don't know anything yet . As for jazz I was listening for a fly me to the moon performance on the piano : the song is in Am and ...
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2answers
67 views

Modulation in the violin solo Bach's Laudamus Te

I'm trying to decide the key changes in the Laudamus Te of the Mass in B minor (J.-S. Bach). I think the key in the 8th measure is B minor (the Laudamus Te is in A Major), but I'm not sure what ...
8
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2answers
299 views

Melodic Minor - Uses

The one problem I have with the Melodic Minor is that I just don't know how and where to use it. From my comprehension, it is the Minor scale when descending and when ascending it has a maj6 and maj7. ...
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3answers
150 views

Chord Roles/Reputations

Does there exist literature examining the particular psychological/emotional role/reputation of each chord in a movement? (For example, I am currently infatuated with IVmaj7, which is to say I find ...
5
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3answers
273 views

Using flatted third in 12 bar blues

I've found that when playing the last four bars of the 12 bar blues (V IV I I) with triads (in a typical 70s rock fashion) that inserting a major triad on the flatted third sounds really good as a ...
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4answers
6k views

What is the best way to learn to sing harmony?

I am quite capable of singing the lead vocal but have a difficult time finding the 3rd or 5th harmony in order to harmonize with someone else. Is there a method of learning to hear or find the ...
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2answers
270 views

How to determine the key and write melodies for a chromatic chord progression?

I've been playing around with some chromatic chord progressions recently but I am having a hard time analyzing the changes and figuring out the key for melody/soloing purposes. How do you know which ...
15
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3answers
2k views

Why does the following chord progression sound good?

Dmaj Emaj and Bmaj I have looked up the chord progressions of all major and minor scale keys and these three don't fit in any of them?
4
votes
1answer
1k views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
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0answers
280 views

How to create four-part harmonies? [closed]

I am struggling with writing a four-part symphonic or choral piece. That is, a piece where SATB are each distinct and present. Example 4-Part Harmony: Handel's Hallelujah Chorus. For others see any ...
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3answers
2k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
6
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1answer
136 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
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2answers
2k views

In jazz, what is an upper structure triad?

What is upper structure? Which are the upper structure triads? How are they used?
9
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1answer
535 views

Is i-V a stronger progression than I-V?

I'm just starting to learn a little music theory (in connection with learning to play the ukelele), and I repeatedly see I-V as basically the strongest chord progression (in whatever sense "strongest" ...
3
votes
4answers
493 views

What could be the key of this chord progression?

I started writing a melody that has the following chord progression: Cm - G - Am - C What key would that be in? I imagine it could be in the key of C or Am if the Cm chord wasn't there. I've just ...
15
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3answers
10k views

Do all chords in a progression usually fit within a scale

I am wondering if when writing a chord progression, all the notes fit within a single scale. If not, what is the logic behind chord progressions?
8
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3answers
293 views

Are minor sevenths allowed in baroque counterpoint?

Are minor sevenths allowed in baroque counterpoint? I ask because in the first measure of Bach's Invention No. 1 the upper voice and lower voice have an interval of a minor seventh (the upper voice ...
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3answers
790 views

How to give voice into a chord progression?

Say, I am going to use my vocal into a chrod progression like C Am Dm G (that belongs to C major scale). Since a chord consists of three notes. As I know I can give voice any notes belonging to that ...
8
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3answers
271 views

How to establish a mode?

I would like to learn about the art of establishing a mode. For example, how to make A minor sound like A minor instead of C major.
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4answers
1k views

Identifying Vocal Harmonies

I have been trying to improve my songwriting, and have hit a block when it comes to vocal harmonies. To train myself in this regard I have been listening to a lot of Beatles tunes and other rock ...
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3answers
673 views

Why is bII 7(b5) considered a dominant?

I am using Ear Master for ear training and at the Chord Progression exercises, there is an exercise called "Various dominant-tonic combinations". These are the chord progressions that are being ...
10
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2answers
453 views

Correct terminology for chord inversions

I am confused with what I've read in various sources concerning chord notations. Is there a standard notation for chord inversions? As far as I understand, a chord inversion is determined from the ...
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1answer
232 views

Colorful sounding chords

There is a music track that has beautiful colorful chords. I think that they include ninths in each one to achieve the good atmosphere. I'm sure there are another aspects and factors like the chord ...