relationship between pitches (sounding simultaneously).

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14
votes
3answers
2k views

Why does the following chord progression sound good?

Dmaj Emaj and Bmaj I have looked up the chord progressions of all major and minor scale keys and these three don't fit in any of them?
24
votes
9answers
8k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. Is it possible ...
4
votes
1answer
158 views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
1
vote
0answers
58 views

How to create four-part harmonies? [on hold]

I am struggling with writing a four-part symphonic or choral piece. That is, a piece where SATB are each distinct and present. Example 4-Part Harmony: Handel's Hallelujah Chorus. For others see any ...
8
votes
3answers
1k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
6
votes
1answer
106 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
17
votes
4answers
1k views

Why is bass note so important in harmonic analysis of music?

In any type of harmonic analysis the bass plays big part in determining the function of the harmony. There are even special ways describe what note of the chord is in the bass (known as inversions) ...
3
votes
2answers
75 views

chord progression if the chords are not part of the scale?

I've been learning about harmony, and the harmonisation of major scales. I can recognise simple chord progressions, and I try and practice by listening to popular songs. For a major scale, we ...
0
votes
2answers
45 views

How to determine the key and write melodies for a chromatic chord progression?

I've been playing around with some chromatic chord progressions recently but I am having a hard time analyzing the changes and figuring out the key for melody/soloing purposes. How do you know which ...
8
votes
2answers
462 views

In jazz, what is an upper structure triad?

What is upper structure? Which are the upper structure triads? How are they used?
5
votes
2answers
127 views

When to use inversions in harmonizing a bass line

What exactly is the procedure for harmonizing a bass line? In my class, the teacher introduced inversions of chords, which are not hard to understand per se, but I can't wrap my head around how can I ...
9
votes
1answer
487 views

Is i-V a stronger progression than I-V?

I'm just starting to learn a little music theory (in connection with learning to play the ukelele), and I repeatedly see I-V as basically the strongest chord progression (in whatever sense "strongest" ...
3
votes
3answers
135 views

Are counterpoint and harmony mutually exclusive?

I understand that harmony and counterpoint are more tools than set of rules to follow, the first works vertically, enhancing a single melody line, while the other combines multiple melody lines in a ...
3
votes
4answers
284 views

What could be the key of this chord progression?

I started writing a melody that has the following chord progression: Cm - G - Am - C What key would that be in? I imagine it could be in the key of C or Am if the Cm chord wasn't there. I've just ...
15
votes
3answers
5k views

Do all chords in a progression usually fit within a scale

I am wondering if when writing a chord progression, all the notes fit within a single scale. If not, what is the logic behind chord progressions?
1
vote
3answers
133 views

Why do I need to learn counterpoint if I know harmony?

When I search for differences between harmony and counterpoint I usually read that in the end there's harmony in counterpoint. Can't I learn just harmony and get the same results ?
11
votes
5answers
527 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
11
votes
7answers
1k views

Is Emajor the dominant chord in A minor?

I read somewhere that Emajor is the dominant (V) chord in A minor. Is this correct? If so, why is it not Eminor, since the A minor scale has no sharps or flats in it?
7
votes
3answers
240 views

Are minor sevenths allowed in baroque counterpoint?

Are minor sevenths allowed in baroque counterpoint? I ask because in the first measure of Bach's Invention No. 1 the upper voice and lower voice have an interval of a minor seventh (the upper voice ...
2
votes
3answers
283 views

How to give voice into a chord progression?

Say, I am going to use my vocal into a chrod progression like C Am Dm G (that belongs to C major scale). Since a chord consists of three notes. As I know I can give voice any notes belonging to that ...
5
votes
2answers
115 views

Melodic Minor - Uses

The one problem I have with the Melodic Minor is that I just don't know how and where to use it. From my comprehension, it is the Minor scale when descending and when ascending it has a maj6 and maj7. ...
5
votes
3answers
162 views

How to establish a mode?

I would like to learn about the art of establishing a mode. For example, how to make A minor sound like A minor instead of C major.
8
votes
4answers
1k views

D major in a C major Chord progression?

on this site It gives a chord progression in C major by default(C G Am F), and I'm interested in one of the "Alternatives" it offers for the progression: G,D,Em,C the progression is also quoted in ...
4
votes
4answers
134 views

Identifying Vocal Harmonies

I have been trying to improve my songwriting, and have hit a block when it comes to vocal harmonies. To train myself in this regard I have been listening to a lot of Beatles tunes and other rock ...
2
votes
5answers
364 views

Please help me name this chord

I'm harmonising a tune I've written, in C major, and one chord which resolves to C major consists of B, Db(or C#), F and A. It seems to be a sort of tritone substitution, but I am struggling to come ...
9
votes
3answers
481 views

Why is bII 7(b5) considered a dominant?

I am using Ear Master for ear training and at the Chord Progression exercises, there is an exercise called "Various dominant-tonic combinations". These are the chord progressions that are being ...
9
votes
2answers
296 views

Correct terminology for chord inversions

I am confused with what I've read in various sources concerning chord notations. Is there a standard notation for chord inversions? As far as I understand, a chord inversion is determined from the ...
1
vote
1answer
134 views

Colorful sounding chords

There is a music track that has beautiful colorful chords. I think that they include ninths in each one to achieve the good atmosphere. I'm sure there are another aspects and factors like the chord ...
5
votes
1answer
154 views

Can chords found in parallel modes of the relative minor of a key (or relative major when in a minor key) be considered borrowed chords?

In the key of C major, take the following progression: C----Em----A----G7----C I------iii------VI----V7-----I In this progression, can the VI chord be analyzed as a borrowed chord from the major ...
5
votes
2answers
201 views

Roman Analysis of “Ab B G” chord

I am currently analyzing a bit of music for homework which consists of four voices (string quartet). It is in the key of G Major, but the chord that it ends on, is a Ab on the cello, B on the Viola, ...
3
votes
3answers
152 views

Chords triads in any scale

Sorry for the very basic question, but my only experience comes from using DAW software. The rule I use to create a triade chord is playng three notes at {0,4,7} semitones for a major cord and {0,3,7} ...
9
votes
3answers
403 views

What is tritone substitution?

What is tritone substitution? How can this device be applied to improvisation and composition?
6
votes
4answers
809 views

Is there any other blues chord progression?

I've seen many blues songs, with progression: I / / / | I / / / | I / / / | I / / / | IV / / / | IV / / / | IV / / / | IV / / / | V / / / | V / / / | I / / / | I / / / | or I / / / | I ...
19
votes
4answers
1k views

Chord progressions

I know these kinds of question are asked a thousand different ways in every forum, but I've read many of them and they seem to be lacking in certain respects, so I'll cross my fingers and hope for the ...
6
votes
3answers
650 views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
3
votes
3answers
618 views

How to Harmonize uncommon scales?

How do you harmonize scales like C C# F F# Bb Whole tone scale : C D E F# Ab Bb ? (The scales above are just examples.) Scales like these do not seem to bias to Major or Minor harmony, ...
2
votes
2answers
113 views

Are there any VSTs for removing harmonic content from audio?

Are there are any VSTs that automatically remove the main harmonic content from an audio source? For example: if I have a simple sine wave this VST would return absolutely nothing, silence. If the ...
10
votes
1answer
288 views

What is Debussy's influence on bebop?

It has been said that Claude Debussy invented jazz harmonic theory. But is there any evidence that Thelonious Monk and Charlie Parker, the inventors of bebop, were aware of Debussy's harmonic ...
2
votes
4answers
191 views

Progressing from a C Minor 9th

If I am playing a C Minor 9th chord what are the next chords up that work with a C Minor 9th? Am I able to follow the C Minor scale and create a 9th from each note in the scale? A bit confused on ...
9
votes
3answers
1k views

Understanding minor key harmony

A comment discussion under this question from me, clued me in to the fact that I don't really understand how minor keys work very well. So here is what I think I know The natural minor comes from the ...
1
vote
1answer
94 views

In traditional (tonal) harmony, how is the word “sonority” used?

In traditional harmony, I have heard the word "sonority" used sometimes freely in a way to describe harmonic structures or harmonic systems. However, in my experience the word was used somewhat ...
0
votes
1answer
66 views

trying to figure a chord in song [closed]

I have been all day trying to figure out a chord - I think its a passing chord - by hearing to the song, I'm not succeeding finding out the chord. the song has a chord progression from 1 to 5 but ...
12
votes
3answers
344 views

Interval of a 4th above the bass

As I was studying music theory (harmonizing a melody in particular) I got confused with the statement: The interval of a 4th above the bass is considered dissonant and must resolve down by ...
5
votes
2answers
687 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
1
vote
1answer
71 views

Trying To Figure Out A Chord Type

I'm new to jazz and harmony and I love it, I have been trying to figure out what type of chord is played in this song : this is the song : I Want A Little Sugar In My Bowl - Nina Simone : Here Is ...
10
votes
4answers
821 views

Why does this key change work?

In the song 'Respect' by Aretha Franklin which is a fairly simple progression in Bb major the saxophone solo part of the song seems to make a key change to the key of Em. I don't understand why this ...
7
votes
5answers
391 views

How do enharmonic notes affect harmony and chord progressions?

Quoting the Wikipedia article: The notes C♯ and D♭ are enharmonic (or enharmonically equivalent) notes. Namely, they are the same key on a keyboard, and thus they are identical in pitch, although ...
5
votes
2answers
443 views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
3
votes
1answer
82 views

What is the Slonimsky-Schillinger Symmetric System?

What is the Slonimsky-Schillinger Symmetric System? What's the theory behind it? How is it used in composition?
3
votes
1answer
111 views

Harmony in Phrygian : What chords are tonic, subdominant, and dominant?

Phrygian is a very distinct sounding mode. I've been trying to better understand the harmony of the mode so I can use it more. Obviously the i chord is a tonic chord and iv is a subdominant chord, but ...