The way individual pitches interact when grouped to bring structure to music.

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2answers
55 views

Fauxbourdon in minor - examples from actual compositions

Dimitri Tymoczko has a very nice overview of fauxbourdon harmony in this syllabus. While he gives several example for fauxbourdon in major, he doesn't give examples for minor. I don't know of any ...
2
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0answers
79 views

Why is this minor subdominant chord being used in a major key? [closed]

On a nostalgic whim, I was playing around learning this piece of music from Final Fantasy 7, as I was interested in the chord changes that happen (specifically, the first two chords in the tune). ...
9
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2answers
213 views

Do capable harmony singers sing in just intonation or tempered tuning?

I understand that the mathematical frequency ratios between certain intervals will correlate with the overtones that are present when a note sounds in a fundamental frequency. Certain predictable ...
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4answers
2k views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
6
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3answers
78 views

Harmonic implications of an instrument's timbre

Is there a study of harmonic implications of an instrument's timbre in western music theory? For example: If i use an instrument with a "rich" timbre, with lots of overtones, then isn't the sound ...
5
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2answers
384 views

7th chord notation confusion

I simply cannot understand the notation used in this question: I need to express this chord in 4-part, open or closed position; I just can't seem to understand how the notation works. I know that ...
3
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1answer
147 views

History of “jazz minor/melodic minor” harmony

I'm curious about the development of modern (post-bop-ish) jazz harmony. In Mark Levine's Jazz Theory Book, he shows how modes of the melodic minor scale can be used to form and improvise over chords ...
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2answers
1k views

Why D sharp not E flat in Turkish March

I'm analyzing Mozart's Turkish March piece for the piano. As I see in measure 18 the harmony is F7 (fourth) with minor seven. Assuming it is a minor seven because the harmony is F7 why they thought ...
3
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5answers
546 views

Book recommendations to understand theory and harmony of music. Classical, Jazz, R&B everything :)

Short story: I have started playing piano about 1.5 years ago. I miss only a few days without practise apart from being ill, on holiday, visiting family etc. I practice like crazy. My wife who ...
15
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5answers
1k views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
0
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3answers
123 views

Tonicisation of Secondary Dominant in D Minor

Okay, so I'm basically just hoping someone can tell me if I'm on the right or wrong track here. I have to implement the technique described in the title in a piece I've written for an assessment. In ...
4
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1answer
115 views

What do the terms “pitch relationships” and “vertical dimension” signify in relation to harmony?

I am trying to learn more about the neurological basis of harmony perception. However, I am having a bit of trouble understanding the musical technical terminology being used by the authors in a ...
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4answers
430 views

Can any diminished chord be used as V anywhere?

I've been playing with diminished chords as 'V' in ii-V-I progressions. I often use one of the three diminished chords in a ii-V-I progression -- I sharpen the 5th note of the scale and hang a ...
5
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3answers
733 views

Is two singing voices occasionaly being unison “allowed”?

I was writing a lower harmony to an existing (rock) lead voice with a given chord progression and there is a point in time, where it seems like the two voices need to sing the very same note. The only ...
0
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3answers
117 views

Help harmonizing a piece

I came across this question in my theory workbook, (Master Your Theory Grade 4 by Dulcie Holland). I have to harmonize it in four part vocal style. However, the thing is, I can't seem to be able to ...
4
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3answers
227 views

Do the notes of a chord form parallel octaves, even when they are not played simultaneously?

Here is an example of what I'm trying to say The sample below is in Bb major. Do the notes of the bass and the alto form parallel octaves? On the alto voice I'm using delayed resolution. On the ...
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1answer
54 views

Why do certain keys good together? [duplicate]

I am a DJ and the software I dj with just introduced key analyzation (Serato DJ). So now I have the key to every song in my library. Someone invented a way for DJ's to mix music in key without having ...
23
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6answers
2k views

How to create Chord progressions that make sense

I've been reading over Walter Piston's Harmony book, and it has been an eye-opener to say the least. I understand concepts like tension and release, voice leading and so forth, but I still don't ...
4
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1answer
206 views

How are keys in the circle of fifths related?

I know this seems like a basic question, and in the traditional sense, I actually know how their related. Though, whilst reading a book titled 'harmony for computer musicians', I've come across a ...
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9answers
2k views

Why do many songs in major keys use a bVII in the chord progression?

Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. So the I, ii, iii, IV, V, vi, ...
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3answers
101 views

Re-harmonize the chord with the bass?

Hi i'm a bass player and as any other bassist i was looking to improve my bass skills and I've always wondered how I could change the root note of a certain chord to give it a different feel. For ...
0
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1answer
136 views

introducing the 3 main concepts of harmony : chord, tonality, mode

Where is the best example of a 7-8 pages course defining all together the basic concepts of harmony, that would be useful when teaching harmony to an adult who is interested in classical music, ...
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2answers
57 views

Chord progression in Brangane's warning

I have been interested for quite some time in the harmonic progression in Brangane's warnings in the second act of Wagner's Tristan und Isolde. My question: how can one analyze the chord progression ...
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2answers
81 views

Does a dominant seventh chord always have to function as a secondary dominant/cadence?

Does a dominant seventh chord always have to function as a secondary dominant/cadence? In "I Wanna Hold Your Hand" they play a B7-C and a B7-G instead of resolving to an E. Does this just work as a ...
23
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9answers
7k views

How to dramatically change the feeling of a song while keeping the melody largely the same?

How to dramatically change the feeling of a song while keeping the melody largely the same? Let's say we have a happy, upbeat pop song and we want to turn it into a sad song (or vice versa). Is it ...
3
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3answers
283 views

I, (II), III major chord progression?

In Under the Bridge by Red Hot Chili Peppers, the introduction alternates between D and F# chords, with an E in between as a passing chord in some cases. There is also a g# passing note played over ...
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5answers
341 views

What are the benefits of determining form before composing?

I've heard time and time again of composers who say "It is better [for beginners] to know your form, and have a general idea of important chord progressions before you begin thinking seriously about ...
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1answer
653 views

What is a Neapolitan 6th?

In studying music theory I have heard the term Neapolitan 6th quite a few times, but I'm not quite sure what it is. What is a Neapolitan 6th and how is it used in a composition?
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5answers
2k views

Why is bass note so important in harmonic analysis of music?

In any type of harmonic analysis the bass plays a big part in determining the function of the harmony. There are even special ways to describe what note of the chord is in the bass (known as ...
0
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1answer
49 views

Where to start studying Jazz style? [closed]

Recently, I went to a Jazz concert. There was a bassist, a pianist and a drummer. I'm wondering what types of scales and chords they were playing. Is there a good material on the Internet for me to ...
6
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1answer
165 views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
2
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3answers
1k views

Latin jazz: anticipated chord change on last beat

I'm in the process of using a midi sequencer to provide me with simple background (drums, bass line, bare minimum piano harmony) to practice improvising on Spain (Chick Corea). From listening to a ...
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3answers
89 views

Can you remove harmony from counterpoint?

For example, two melodies at once but one melody is only on the on beats while the other is only on the off beats, does this remove the harmony from counterpoint?
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3answers
306 views

how to play chords, bass and melody at the same time like Finger pickers and classical guitarists?

For a long time I have been trying to figure out how classical guitarists and finger pickers, play arpeggio, bass line and melody at the same time. Do they use chord shapes 1, 3, 5(for example) and ...
3
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2answers
243 views

How to read accidentals in medieval music “modern” notation?

I am writing an instrumental orchestration of De Machaut's Messe de Nostre Dame, Kyrie. I found scores in IMSLP here and here. These scores show accidentals above notes, sometimes in parenthesis. I ...
0
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1answer
96 views

Diminished progression

How can you use a progression (like the one below) and have it fit in C major well and support the melody? Do these diminished chords fit in a diatonic scale well, even though they're chromatic? ...
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1answer
71 views

Substituting all chords with relative minor/major…?

I was mucking around with Oasis' "Don't look back in anger" on the acoustic guitar/vocals. I was using these chords, but on capo 4 as I reworked the song a bit: ...
2
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2answers
108 views

Techniques for Tracking and Panning: Rhythm, Lead and Harmonies? [closed]

I am a super noob with recording just started and want to know, about tracking and panning. I don't know how many tracks I should record and how I should pan the guitars. Let's say you have a chord ...
3
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2answers
240 views

Harmonical analysis of Fm D♭ E♭ B♭

How should I analyse this chord progression: Fm D♭ E♭ B♭ ? Is it (in A♭ major): vi IV V II ?
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3answers
281 views

Dealing with synthesized sounds where only a subset of tones sound good

I created a heavily modulated and filtered bass sound on F-1 but cannot play anything other than the F-1 itself and its # as the rest have too many conflicting frequencies. How can these two keys be ...
5
votes
2answers
480 views

A triad is 3 notes, but on guitar, we strum more than 3 strings?

In music theory, I see that a triad is a chord built with three notes. Take Emaj in example; it is built with E,G#,B. But why when we strum all the six strings of the guitar does the harmony still ...
2
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4answers
302 views

Tonal harmony, counting intervals and confusing about Perfect Fifth in C Major

Distance from E to F is a half step because no other notes fall between them. Why are we using the G note as a perfect fifth in C Major chord? Shouldn't be G sharp?
2
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2answers
96 views

Modulation via a major chord, then another major chord a half step down

In Nick Cave's "Darker With The Day", there's a modulation at the end of the chorus which sounds very good (to me), but I don't understand why it works. The verse is more or less in G major: GM ...
13
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8answers
4k views

Is Emajor the dominant chord in the key of A minor?

I read somewhere that Emajor is the dominant (V) chord in A minor. Is this correct? If so, why is it not Eminor, since the A minor scale has no sharps or flats in it?
2
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2answers
161 views

Music Theory, Circle of Fifth, Chords that fit, Exceptions and example song “Sultans of Swing”

I am playing guitar for some years now, mostly self-taught. I had never studied that much of music theory, but now as I want to improve my improvisation skill and want to get a broader view I started ...
5
votes
1answer
188 views

Relation of the diminished chord to the circle of fifths?

Within each key there are seven chords. If I understand it correctly the "first" six correspond to the minor and major variants of the current key and its immediate neighbors in the circle of fifths, ...
3
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2answers
372 views

Open/Close Position Chords: What I am missing?

Working through Hindemith's harmony I encountered the following diagram of all the valid positions for a C-Major chord in strict four-part writing. I am befuddled as to why the third chord in the ...
2
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5answers
538 views

Why do I need to learn counterpoint if I know harmony?

When I search for differences between harmony and counterpoint I usually read that in the end there's harmony in counterpoint. Can't I learn just harmony and get the same results ?
5
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2answers
139 views

Composition Training (with Hindemith)

I am looking to get back into composition and trying to get some advice on textbooks. By way of background, my biggest liability is my lack of formal training (I have none). During my early teens, I ...
5
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2answers
102 views

Role of Dominant 7th chord in particular progressions

Examining this progression in F: | F | A7 | Dm7 | Bb, Bbm | | F, E7 | Gm7, C7 | F, D7 | Gm7, C7 | In the fifth measure I really don't understand what role has the E7 chord because I can't ...