The way individual pitches interact when grouped to bring structure to music.

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12
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4answers
2k views

Understanding minor key harmony

A comment discussion under this question from me, clued me in to the fact that I don't really understand how minor keys work very well. So here is what I think I know The natural minor comes from the ...
28
votes
11answers
12k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. Is it possible ...
10
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4answers
9k views

What is a secondary dominant chord?

What is a secondary dominant chord? What's the theory behind them? How are they used in composition?
7
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2answers
361 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: [...]but why did ...
44
votes
4answers
14k views

What are some chord substitutions for a I-IV-V blues progression?

I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any ...
7
votes
2answers
250 views

Melodic Minor - Uses

The one problem I have with the Melodic Minor is that I just don't know how and where to use it. From my comprehension, it is the Minor scale when descending and when ascending it has a maj6 and maj7. ...
6
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3answers
1k views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
23
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9answers
5k views

How to dramatically change the feeling of a song while keeping the melody largely the same?

How to dramatically change the feeling of a song while keeping the melody largely the same? Let's say we have a happy, upbeat pop song and we want to turn it into a sad song (or vice versa). Is it ...
13
votes
5answers
930 views

Guide-lines for creating a simple chord-progression?

I am working on a computer program that generates a simple melody, based on a simple chord progression of four chords taken from the 7 triads of the C Major scale. The program is also supposed to ...
10
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2answers
202 views

Why does Fux use F# in his counterpoint to a firmus written in G mixolydian

In the given image below, Fux writes a counterpoint to a cantus firmus given to him as part of his studies by his fictitious teacher Aloysious. A rule that is often emphasised is that one should ...
14
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3answers
1k views

Beatles - Because: Chord progression

I am currently looking at this tune but I'm a bit confused by a part of the progression. It seems to be using chords built mostly from the C# harmonic minor scale. So, my current understanding ...
13
votes
1answer
877 views

Singing: How to pre-visualize harmonies

When singing, I have a good singing voice for harmony--once I've identified the note. However, finding the note is exactly my problem; I tend towards singing the note the lead singer is using if I'm ...
10
votes
4answers
13k views

How do I practice harmonizing in singing?

I'm not good at singing harmonies. In my mind to harmonize, you can just sing an alternate melody and that usually sounds good with the main melody. I don't think to myself that I have to sing a 5th ...
17
votes
1answer
584 views

What is a multi-tonic system?

Coltrane changes, Slonimsky-Schillinger Symmetric System, three-tonic system, four-tonic system: what are they? How are they used in improvisation, composition, harmonization, and reharmonization? Are ...
13
votes
1answer
1k views

What is harmonic mixing / mix in key?

I'm currently learning how to become a DJ. One of the concepts that caught my attention was "harmonic mixing". I know some very basic music theory, and I'm having some trouble understanding it. What ...
8
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3answers
2k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
13
votes
1answer
367 views

Should the dominant-seventh chord in just intonation use 9:5 for its seventh, or rather 16:9?

It may be just out of habit, what with the 12-edo temperament all around us, but anyway: I find the dominant-seventh rendition 20:25:30:36 sounds extremely harsh. In particular, the tritone from the ...
11
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3answers
1k views

What is tritone substitution?

What is tritone substitution? How can this device be applied to improvisation and composition?
7
votes
2answers
413 views

How far do the supporting chords contribute to the tonality of Vi Hart's “Twinkle Twinkle Little Star”, and if they do, how?

Vi Hart, a mathemusician (cool eh!) at the Khan Academy posted an excellent video explaining 12 Tone music. She first explains the rules thus: You have to use all twelve chromatic pitches in some ...
10
votes
2answers
1k views

Harmony and roman numeral analysis: how to deal with chromaticism?

I recently started playing piano. While learning and performing new pieces, I found that it helps me a lot to have some certainty of what's going on with the notes, the chords, and the harmony. I ...
9
votes
3answers
590 views

Why is bII 7(b5) considered a dominant?

I am using Ear Master for ear training and at the Chord Progression exercises, there is an exercise called "Various dominant-tonic combinations". These are the chord progressions that are being ...
6
votes
3answers
891 views

What is a parallel mode?

What is a parallel mode? How are the parallel modes used in composition and/or improvisation?
6
votes
4answers
204 views

What are some harmonic options for layering guitar lines while recording?

I would like to layer multiple guitar lines for a section of a song that I'm working on - what are some harmonic variations that I would be able to use?
3
votes
3answers
263 views

How can I practice harmony?

I know some basic stuff about harmony, but I do not know have to advance any further.I finished my harmony lessons for this year and I'm going to start again in the autumn. Is there any way I can ...
2
votes
2answers
883 views

Latin jazz: anticipated chord change on last beat

I'm in the process of using a midi sequencer to provide me with simple background (drums, bass line, bare minimum piano harmony) to practice improvising on Spain (Chick Corea). From listening to a ...
12
votes
3answers
1k views

Pentatonic scale with a sharpened 2nd note, any name?

I was messing with the A minor pentatonic scale and discovered that if I sharpen the 2nd note of the scale, it sounds very interesting to my ears, even more than the original scale. Does this already ...
6
votes
1answer
397 views

Is the bass note of a chord the only indicative of its [the chord's] inversion?

If a C major chord is voiced as (from low to high) E-G-C, it is said to be in first inversion , if it is voiced as G-C-E, it is the second inversion. But the resources I have read do not specify if a ...
5
votes
3answers
390 views

How do I learn to detect chord voicing by ear?

When I hear music what I can consciously detect is the top melody note and the chord as a whole, for eg "that is a C sung over an A min". However, I am unable to detect how the chord is voiced, as in ...
4
votes
2answers
249 views

How common is it to omit the I in II V I cadences in Jazz?

I was studying the song 'Satin Doll' by Duke Ellington: And basically, there many II V in different tonalities. The same happens in Charles Mingus's 'Nostalgia in Times Square' (bars 9-11): In ...
2
votes
3answers
136 views

Chord progressions : which note resolves to which note

In the key of C , going from G to C, note B resolves strongly to note C. How should the note D resolve? (To note C or E? I guess it should be to note C, assuming the key note has higher "priority". ...
1
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0answers
190 views

How to create four-part harmonies? [closed]

I am struggling with writing a four-part symphonic or choral piece. That is, a piece where SATB are each distinct and present. Example 4-Part Harmony: Handel's Hallelujah Chorus. For others see any ...