relationship between pitches (sounding simultaneously).

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37
votes
4answers
7k views

What are some chord substitutions for a I-IV-V blues progression?

I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any ...
21
votes
9answers
2k views

How to dramatically change the feeling of a song while keeping the melody largely the same?

How to dramatically change the feeling of a song while keeping the melody largely the same? Let's say we have a happy, upbeat pop song and we want to turn it into a sad song (or vice versa). Is it ...
18
votes
9answers
5k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. I mean, is it ...
18
votes
9answers
2k views

In blues, country blues, why don't songwriters get sued for aping the same progressions/tempos/scales as other established blues songs?

Thought: As a guitar player, you can play the blues in pretty much any scale, A for instance with stock rhythms and endings. Example: You write a song in that scale you may even use the same solo ...
18
votes
4answers
1k views

Chord progressions

I know these kinds of question are asked a thousand different ways in every forum, but I've read many of them and they seem to be lacking in certain respects, so I'll cross my fingers and hope for the ...
16
votes
4answers
428 views

Why do melodies have harmonies?

It seems to me that every melody can be assigned chords. Although different people may assign different chords, in many cases, only certain chords (a small subset of all possible chord choices) seem ...
15
votes
5answers
2k views

Prokofiev's style

I have a predilection for music from the first half of the 20th century. I can't pinpoint the exact reason why, I suspect it is from absorbing so much music from movies, tv series and computer games ...
13
votes
4answers
999 views

C#m in Am chord progression

I was listening to this song; ...
13
votes
2answers
2k views

Is there any real difference between Counterpoint and Polyphony?

From what I understand, they both kind of refer to the same thing. Why the need for 2 terms?
13
votes
1answer
626 views

Singing: How to pre-visualize harmonies

When singing, I have a good singing voice for harmony--once I've identified the note. However, finding the note is exactly my problem; I tend towards singing the note the lead singer is using if I'm ...
13
votes
1answer
170 views

Should the dominant-seventh chord in just intonation use 9:5 for its seventh, or rather 16:9?

It may be just out of habit, what with the 12-edo temperament all around us, but anyway: I find the dominant-seventh rendition 20:25:30:36 sounds extremely harsh. In particular, the tritone from the ...
12
votes
1answer
544 views

What is harmonic mixing?

I'm currently learning how to become a DJ. One of the concepts that caught my attention was "harmonic mixing". I know some very basic music theory, and I'm having some trouble understanding it. What ...
12
votes
4answers
1k views

What online resources should I use to learn harmony and musical analysis?

I had some harmony courses and I want to learn some more about it. Ideally, I am looking for is a KhanAcademy-like website about harmony and musical analysis. If that doesn't exist, where else should ...
11
votes
6answers
480 views

My ear is not very well trained - what can I look for as easy hints when trying to identify a ii-V-I progression in blues music?

I'm looking to learn how to better analyze music I am listening to, and I'm having problems identifying ii-V-I progressions, especially when they're the basis for improvisation. What are some hints or ...
11
votes
3answers
824 views

Pentatonic scale with a sharpened 2nd note, any name?

I was messing with the A minor pentatonic scale and discovered that if I sharpen the 2nd note of the scale, it sounds very interesting to my ears, even more than the original scale. Does this already ...
11
votes
4answers
169 views

What are the benefits of determining form before composing?

I've heard time and time again of composers who say "It is better [for beginners] to know your form, and have a general idea of important chord progressions before you begin thinking seriously about ...
10
votes
3answers
245 views

Interval of a 4th above the bass

As I was studying music theory (harmonizing a melody in particular) I got confused with the statement: The interval of a 4th above the bass is considered dissonant and must resolve down by ...
9
votes
5answers
1k views

Understanding the elements of harmony in “honky-tonk” or ragtime style piano

I enjoy improvising piano in what I call (perhaps incorrectly) a "honky-tonk" or "ragtime" style, usually involving a steady stride or two-step in the left hand, and playing over that with lots of ...
9
votes
1answer
366 views

In jazz, what is diatonic substitution?

What is diatonic substitution? How is it used in improvisation?
9
votes
0answers
63 views

What is a multi-tonic system?

Coltrane changes, Slonimsky-Schillinger Symmetric System, three-tonic system, four-tonic system: what are they? How are they used in improvisation, composition, harmonization, and reharmonization? Are ...
8
votes
4answers
390 views

How do I practice harmonizing in singing?

I'm not good at singing harmonies. In my mind to harmonize, you can just sing an alternate melody and that usually sounds good with the main melody. I don't think to myself that I have to sing a 5th ...
8
votes
2answers
237 views

Correct terminology for chord inversions

I am confused with what I've read in various sources concerning chord notations. Is there a standard notation for chord inversions? As far as I understand, a chord inversion is determined from the ...
7
votes
2answers
1k views

Parallel octaves vs doubled octaves

I've read this Wikipedia article on parallel fifths, which also touched on parallel octaves. However, I'm having difficulty understanding the difference between doubled and parallel octaves. I think I ...
7
votes
3answers
327 views

Is there some trick for counterpoint beyond 2 voices?

I really suck at chord harmony, so whenever I compose, I tend to use counterpoint a lot. Counterpoint is somewhat easy when you just have two voices. Because I just compose for fun, I generally do ...
7
votes
2answers
285 views

In Jazz, what is an avoid note?

Why are some scale degrees avoided? What is the reasoning behind the avoid notes? Are there avoid notes in all modes? If so, which are the avoid notes of the different modes? Is this pattern widely ...
7
votes
3answers
415 views

How do you compose tuplets against straight notes?

I would like to know how to compose tuplets of odd numbers against even numbers on the piano (ie. 3 against 2). How would you go around composing something like this? I have been composing for some ...
7
votes
0answers
65 views

Why does Fux use F# in his counterpoint to a firmus written in G mixolydian

In the given image below, Fux writes a counterpoint to a cantus firmus given to him as part of his studies by his fictitious teacher Aloysious. A rule that is often emphasised is that one should ...
6
votes
3answers
364 views

What is a parallel mode?

What is a parallel mode? How are the parallel modes used in composition and/or improvisation?
6
votes
2answers
245 views

How far do the supporting chords contribute to the tonality of Vi Hart's “Twinkle Twinkle Little Star”, and if they do, how?

Vi Hart, a mathemusician (cool eh!) at the Khan Academy posted an excellent video explaining 12 Tone music. She first explains the rules thus: You have to use all twelve chromatic pitches in some ...
6
votes
2answers
88 views

Voice-leading with three chords in first inversion?

Hey guys just keeping my part writing skills sharp (not flat) for the long summer. I got this out of Assignment 9.4 of Robert W. Ottman's "Elementary Harmony." It's in G♭ major. I was already given ...
6
votes
2answers
1k views

Using modes and static harmony

Edit: i know what modes are and how they are related to major scale..etc. question is about modal harmony and chord progression in modal harmony. not what is a mode and name of other modes..etc What ...
6
votes
1answer
153 views

In jazz, what is an upper structure triad?

What is upper structure? Which are the upper structure triads? How are they used?
5
votes
4answers
170 views

What are some harmonic options for layering guitar lines while recording?

I would like to layer multiple guitar lines for a section of a song that I'm working on - what are some harmonic variations that I would be able to use?
5
votes
2answers
135 views

Notation used for harmonic context

Could someone please explain what it means to say, "the harmonic context of V/V-V-I". How should one read this? It would be nice if you could also give two or three examples if you think it would ...
5
votes
1answer
3k views

Ic-V-I perfect cadence progression SATB part writing rules

I am studying Music at AS-level - we have to harmonise a soprano line (in any style we wish I believe) with the alto, tenor and bass parts. One possible perfect cadence I have been taught is the ...
5
votes
2answers
396 views

Composing chord progressions for samba

I know that there are questions on samba chords, samba rhythm, samba shapes and samba melody but, as far as I am aware, this site does not have a question about the tonality and harmony of samba ...
4
votes
2answers
459 views

Name for a group of notes made up of a root, major third, and perfect 4th?

I'm looking at the song "One thing leads to another" by the Fixx. Throughout the song, the guitarist plays the highest three strings at the 5th fret (giving C E A). Correct me if I am wrong, but the ...
4
votes
5answers
232 views

How to identify a pop tune that has vocal harmonization that does not move in parallel motion

I was trying to find an example of a pop tune that had vocal harmonization AND that it also does not move in parallel motion. I need help on what to look for to identify such patterns. I thought of ...
4
votes
2answers
264 views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
4
votes
4answers
226 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
4
votes
3answers
184 views

Finding advanced chords for melody

I can find basic chords for most of the "normal" melodies by ear, but I can't find right "Jazz" chords like 7th chords..(advanced chords). Well,I'm not bad in chord theory. what do I need to study in ...
4
votes
2answers
766 views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? By harmony, I of course mean, 'I', 'III, 'IV' etc.. and their connection.
4
votes
1answer
72 views

Songs that resolve late

I was recently listening to Slide Away by Oasis and could not help but notice how the song hits the I chord a whole minute in the song (the "now that you're mine"). I really loved this move and was ...
4
votes
3answers
212 views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
4
votes
2answers
246 views

Accidentals in First Species Counterpoint

On page 39 of Alfred Mann's translation of The Study of Counterpoint there is a passage concerning justification of using accidentals in first species counterpoint. Here is the passage: Aloys: ...
4
votes
3answers
370 views

How important is harmony theory?

In what way does matter for the overall sound of the orchestra that everyone is aware of how the chord is placed, more than just knowing their own part in it? I play trombone in what I believe is ...
3
votes
3answers
159 views

How can I practice harmony?

I know some basic stuff about harmony, but I do not know have to advance any further.I finished my harmony lessons for this year and I'm going to start again in the autumn. Is there any way I can ...
3
votes
2answers
521 views

How to Harmonize uncommon scales?

How do you harmonize scales like C C# F F# Bb Whole tone scale : C D E F# Ab Bb ? (The scales above are just examples.) Scales like these do not seem to bias to Major or Minor harmony, ...
3
votes
2answers
108 views

Chords triads in any scale

Sorry for the very basic question, but my only experience comes from using DAW software. The rule I use to create a triade chord is playng three notes at {0,4,7} semitones for a major cord and {0,3,7} ...
3
votes
2answers
152 views

Roman Analysis of “Ab B G” chord

I am currently analyzing a bit of music for homework which consists of four voices (string quartet). It is in the key of G Major, but the chord that it ends on, is a Ab on the cello, B on the Viola, ...