11
votes
5answers
374 views

Why do jamming musicians “trade fours” (rather than any other number)?

I've run across the idea of "trading fours" when playing in (and listening to) jazz groups; i.e. where two or more musicians take it in turns to play four bar licks or solos. I understand that it can ...
4
votes
2answers
490 views

Software for practicing the reading of jazz chord changes?

There are now a lot of good programs out for sight-reading, simple chord progression recognition, and for jazz, even some backing track creators. But is there a program that generates chord changes ...
9
votes
6answers
216 views

How to close the gap between ideas and capabilities when improvising?

I'm a drumset player. I just finished a B.A. in Percussion Performance, marched 4 years of DCI drum & bugle corps, and am now working on a degree in jazz studies. As I've begun to play more and ...
3
votes
1answer
414 views

How can I improve my fingering on the saxophone in the high notes and overtones?

I have a couple of months working on my improvisation and I'm having some issues with fast passages on the saxophone's higher notes and overtones (starting from D with the left hand palm). I'm ...
9
votes
4answers
469 views

Theory of improvisation

I am looking for improvisation theory ressources. I mainly focus on free jazz and improvised music but I am also interested in dance, drama and pictural improvisation. I want to know if a ...
7
votes
3answers
529 views

Incorporating modes in solos

I have been playing and improvising quite happily for many years on a few different instruments but can't seem to get my head around incorporating modes into my day-to-day playing. I am from a blues ...
15
votes
4answers
450 views

Where can I get started with my improvisation?

I have been playing the alto saxophone for a while now. I have also improvised from time to time and have some theoretical and practical background on the instrument, harmony, scales, etc. I have ...