The name given to the distance between two pitches. Can be expressed in terms of relative scale degrees (minor 3rd, tritone, unison, octave) or exact ratios (3:2, 16:9, 5:4).

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16
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5answers
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Are doubly augmented and doubly diminished intervals practical?

In music theory when naming intervals, a lowered diminished interval is a doubly diminished interval (dd) and a raised augmented interval is a doubly augmented interval (AA). One example is a C♯ ...
11
votes
6answers
306 views

Why aren't intervals zero-indexed?

Note: italics such as "2nd" refer to my proposed notation; existing notation is written without italics: "2nd". Why is the interval between C and D called a 2nd, as they are 1 note apart? Surely this ...
7
votes
5answers
6k views

How to differentiate between a diminished fifth and an augmented fourth interval?

Both are a tritone appart, both sound the same. How can we differentiate when an interval is an augmented fourth or a diminished fifth? Context: In voice leading we learn that when the spelling of ...
7
votes
5answers
532 views

Chords and Intervals - Unison

Just trying to wrap my head around intervals but I'm confused by Unison. If I am playing a chord on a piano, how do you play a Unison chord if you can't press the same key twice at the same time? ...
12
votes
3answers
276 views

What is this scale? [Root , +1 , +3 , +1 , +2 , +1 , +3 , +1 (Root again)]

Intervals (relative to previous note): Root , +1 , +3 , +1 , +2 , +1 , +3 , +1 (Root again) Example: A, Bb, C#, D, E, F, G# This scale is used often in Turkish Music. But I don't know if it has a ...
4
votes
1answer
76 views

Are same interval leaps consented in second species counterpoint?

I've been told that, in second species counterpoint, presenting the same interval in 2 consecutive bars is an error. What then if the intervals skips in opposite directions? Like this: Is this ...
6
votes
4answers
412 views

Recognizing downwards intervals by humming corresponding upwards interval - bad practice?

Originally I tried to recognize intervals by ear through the use of songs (e.g. m3 = first two notes in Greensleeves). This worked until I got to m6-M7, where the songs I had for downwards intervals ...
3
votes
4answers
1k views

Theory of Major and Minor Chord Sounds

Since a major triad is comprised of a minor-third stacked on top of a major-third, and a minor triad is comprised of a major-third stacked on top of a minor-third, they should, in "theory", have the ...
8
votes
2answers
204 views

Why in the study of counterpoint by johan fux are minor sixths allowed but not augmented fifth?

If augmented fifths and minor sixths are enharmonically equivalent why does johan fux in his book study of counterpoint allow minor sixths but not augmented fifths if they sound the same? How does one ...
1
vote
6answers
169 views

Diminished Intervals

If I go from F# to D# down (F#-D#) is that a diminished third or augmented second interval? I am composing in minor mode and want to know because augmented intervals are forbidden in part writing.
1
vote
1answer
204 views

Diminished Intervals in Voice Leading

I know that augmented intervals within part writing in both minor and major keys is forbidden but what about diminished intervals? For example if I we're in e minor and in 3/4 time and I'm writing a ...
2
votes
2answers
1k views

Perfect pitch and tuning forks

Ok. So I consider myself to have pretty good pitch. If you give me a few seconds after you sound a note, I can tell you what the note is. I can also tune a timpani to any pitch using only my mouth ...
5
votes
2answers
179 views

What is the savart unit in Persian music theory?

i was heard about savart unit in persian music that divides a chromatic interval into smaller units. persian musicians using an interval smaller than the chromatic intervals, called: kron. they ...
7
votes
4answers
2k views

Does the bass note in a “slash” chord really have an associated interval?

I have a question about "slash" chords. Look at the chord E/G: E G♯ B G 1 3 5 ? G is the minor 3rd interval (♭3) in the key of E. However, I would have thought by definition chords cannot ...
17
votes
3answers
2k views

Why are thirds used to construct chords?

I am (slowly) learning music theory on the guitar. I've begun learning about scales and chords, and it seems that all chords are built using some combination of thirds. For example, a minor triad is ...
16
votes
9answers
1k views

Musical Aids to Memorize Intervals

As the tutor for my school's music department, I spend a lot of time helping students drill intervals. However, I only have a handful of songs to recommend recognition. P8 — Somewhere Over the ...
3
votes
3answers
225 views

Ranking Interval Complexity

I would like to know the order of complexity of musical intervals (in a melody). I learned about this from an exposure to the Kodaly method, although I have not learned from nor taught using the ...
4
votes
2answers
330 views

What note(s) are a diminished 3rd above D-flat?

In What is the interval between Db and D# some of the comments indicate that the interval Db->Eb can be considered as a diminished third. I would think that Fbb (double-flatted F) is a diminished ...
15
votes
2answers
561 views

What is the name of the interval Db - D#?

I know that Db - Eb is a major second/diminished third. What is the interval Db - D# called (and why)? EDIT: oops, Db - Eb is NOT a diminished third.
3
votes
3answers
473 views

Changing compound intervals into simple intervals to simplify a piano arrangement

I am learning to play "raindrop keep falling on my head". In the sheet I have there are in the base line there are tenth interval that I simplified into thirds: My questions are: Is it very ...
8
votes
3answers
4k views

Exercises for quickly identifying intervals on the staff

In order to improve my piano sight-reading, I want to practice recognizing intervals on the staff faster. If possible I'd like to combine the interval-recognition with a training for my finger memory, ...
4
votes
2answers
456 views

How do you label a sequential interval when the second note is lower in pitch than the first?

Consider the interval D3 G3. This would form a perfect fourth. In a sequential interval, say a quarter note D3 followed by quarter note G3, this still "sounds" like a perfect fourth so using that ...
5
votes
4answers
473 views

What's the term for the intervals between notes within a scale that produces a chord

I probably described that poorly in the title, and I'm not even sure there is a word for what I'm thinking. Lets say you're playing on just the white keys on a keyboard. C E G is C major, and D F A ...
18
votes
11answers
888 views

Can a chord contain both the C and C♯ notes? (as opposed to containing C and D♭ notes)

Can a chord contain both the C and C♯ notes? Or do you always have to use D♭ rather than C♯ in a chord that already contains the note C? I'm guessing the answer is no, both C and C♯ should not be ...
12
votes
10answers
6k views

What is the full list of possible chord names? Are there chords that don't have a name in chord theory?

My chord book covers 35 different chord types. When I look on the web or in other tools, all the same types of chords come up. But I don't think this is the "full" set of possible chords. I'm not ...
36
votes
7answers
4k views

What notes are optional in jazz chords?

I have a question on jazz chords, and what notes can be removed from the chord. My understanding is fairly superficial - mostly from what I've read in books. This is what I understand: In some ...
6
votes
3answers
350 views

What makes augmented fourths and the diminished fifths so hard to sing/remember?

I've always wondered what makes these particular intervals so difficult.
3
votes
2answers
2k views

I need help to understand chord intervals (not single note intervals)

I understand intervals between notes. Each number of steps between two notes has a particular name. Like this: But some times I see people refering to intervals between chords, not single notes. ...
10
votes
3answers
744 views

What are some useful ear training exercises for moving beyond two-note interval training?

I've practiced enough that I can recognize two-note intervals in isolation (sequentially), but this doesn't seem to help that much for understanding actual songs. What exercises would help to go ...