I've read about the debate of "just intonation" vs 12-tone equal temperament. And nowhere it was clearly stated why just intonation is impractical. Here are my assumptions. Please let me know if I am ...
I am reading "Fundamentals of Musical Composition" by Arnold Schoenberg. Chapter XI, page 99, states: Chromaticism is difficult partly because the natural semi-tones differ in size from the ...
I'm trying to figure out how to use the "-Z" (or "--freq_table") option of timidity to assign specific frequencies to midi note numbers, but there is no clear documentation online.] How do I specify ...
Over time my pitch has improved simply through singing more, but I still have some problems with being a bit off sometimes (or way off on very high or very low notes). It helps if I focus on a ...
It may be just out of habit, what with the 12-edo temperament all around us, but anyway: I find the dominant-seventh rendition 20:25:30:36 sounds extremely harsh. In particular, the tritone from the ...
I'm sure the right answer is "practice more" but there's a limit to the amount of time I get to do that. Are there any obvious techniques or quick exercises I can use to improve my intonation? Even if ...
What do I do if the saddles on my bridge are already touching the bridge but I want to raise my action?
I want to raise the action a tad of my Schecter Omen Extreme 6, because there is a bit of fret buzz on the 5th fret 1st string, and a bit around the higher frets as well (same string). But I know that ...