5
votes
3answers
141 views

When is a note b5 and when #11?

(on an Jazzology exercise) I have to identify this chord: What I thought it was was: G7 b5 b9 b13. But when I looked at the solution, it was G7 b9 #11 b13. I said that the chord had b5 because of ...
16
votes
2answers
1k views

Am I allowed to add a b9 to a maj7 chord in Jazz?

On Jazzology chapter 2, exercise 6, example 2, I have to identify this chord (if it exists): I thought that it was Cmaj7(b9). My train of thought was (from the lowest to the highest note): C -> ...
6
votes
5answers
324 views

Proper symbol for this chord (1 5 7 9 11)?

I'm a songwriter in the jazz-pop idiom, and when playing through a chart with a guitarist, he told me that, in his opinion, I had labeled a chord inaccurately / incorrectly. Here's the chord as I ...
12
votes
4answers
512 views

Chord analysis: b13 or #5

I've come across an exercise in the Jazzology "jazz theory" book, where the chord should be identified, given the notes below: I identified it as a B7#5#9, but the answer was B7#9b13. I'm guessing ...
21
votes
3answers
688 views

Playing a Coltrane polychord and the limits of space

As I was the reading sheet music for John Coltrane's A Love Supreme, I noticed a chord I had never seen before. It looks like this: I'm familiar with slash chords, but never had to practically ...