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2
votes
3answers
98 views

Does good intonation alone really make you “louder”? If yes, why?

I have multiple times heard this claim, from very different sources. There certainly seems to be some correlation between intonation and "loudness", in the sense that ensembles with great harmony ...
4
votes
1answer
126 views

Understanding just intonation, Timidity, and Scala

I'm not a programmer but I am working on a program that manipulates music via MIDI files in all sorts of interesting ways. I want to add the ability to use alternate tunings. I even went so far as to ...
5
votes
5answers
322 views

In Pythagorean tuning, what's the frequency of the tonic of each key?

When playing a fretless instrument (like violin), what frequency should be used to tune beginning of each key? I believe that for A major and A minor, 440Hz is the tonic. What will be the frequency ...
13
votes
1answer
268 views

Should the dominant-seventh chord in just intonation use 9:5 for its seventh, or rather 16:9?

It may be just out of habit, what with the 12-edo temperament all around us, but anyway: I find the dominant-seventh rendition 20:25:30:36 sounds extremely harsh. In particular, the tritone from the ...
25
votes
8answers
6k views

Why Is Just Intonation Impractical?

I've read about the debate of "just intonation" vs 12-tone equal temperament. And nowhere it was clearly stated why just intonation is impractical. Here are my assumptions. Please let me know if I am ...