On a mailing list I'm subscribed to, someone recently asked what the collective name was in English for the sharps and flats you find in the key signature. Apparently, the closest translation from ...
I was looking at Dvorak's Humoresque (op 101 n 7) : it's mostly in Gb major, in the middle it changes to F# minor. This would have looked more natural for me if F# major instead of Gb major were ...
See: http://www.8notes.com/school/theory/key_signatures.asp It says that sharps should be defined in the key signature in this specific order: FCGDAEB While flats should be defined in this order: ...
There are so many songs in pretty odd key-signatures like 4,5,6 sharps or flats. At least this is my impression when I listen to songs on the radio/net while trying to follow them on my piano/guitar. ...
For example, if the key signature on the left doesn't have any sharps or flats then it could theoretically be in either the C Major scale or the A Minor scale. How do you determine which one?
Is there a good mnemonic or trick for working out the key signature from a given key? I can always write out the chromatic scale, then count out the appropriate intervals from the tonic, and figure ...
Back in the days when I was studying from John Thompson's First Grade Piano book, I had come across a peculiarity which I could not understand: in pages 13-15 there are pieces which are in the key of ...
I've noticed that a variety of pieces in the classical repetoire (certainly at least the piano repetoire), label what seems to be effectively the same key signature differently. That is, I am not ...
I have trouble deciding what accidentals to put in the key signature for pieces in Dorian, Phrygian, Lydian or Mixolydian modes. There seem to be trade-offs associated with each choice. For example, ...