types of scales, coupled with sets of characteristic melodic behaviors.

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3
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2answers
90 views

Is the history of scales in Cooke's “Mastering Scales” an accurate history?

I was using Cooke's "Mastering Scales" just to get piano fingerings. But, I see that it also contains a history of scales. Is this an accurate history, especially the sections about the old church ...
1
vote
3answers
114 views

Confusion about using scales and modes together in a solo?

Ok so my music theory knowledge is limited. I have been playing guitar for a couple of years now, mostly by ear and I often struggle in applying theory. While writing a solo I wondered whether I ...
2
votes
0answers
56 views

Is I-V-vi-IV not tonal compared to passamezzo moderno/antico?

I'm asking this using tonal in the sense it was described in a highly voted best answer I found with search on topic of tonal vs modal. I interpret what is said in it that tonality implies common ...
6
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4answers
2k views

Modal chord progressions for Rock music

I need some solid understanding on modal chord progressions. I would be glad if you can explain and give examples this especially from a rock or blues music perspective
3
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2answers
81 views

Is the usage of scales (modes) in jazz music common practice?

A friend of mine told me that the usage of scales or modes in jazz music is not common. Even I heard myself in a Miles Davis interview that jazz is a tradition. So here are two questions basically: Is ...
3
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1answer
69 views

How do you modulate between modes?

I'm confused about how to switch modes in song. When you switch modes, will it switch like this (C Ionian -> C Mixolydian) or like this (C Ionian -> G Mixolydian)? Also, how will you formulate chords ...
10
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6answers
1k views

Is F Lydian mode in the “key” of C Major?

I would assume that many would agree that if we have a piece of music and there are no sharps or flats in the key signature that in most cases (if not all) the piece would be considered in the key of ...
1
vote
1answer
70 views

Why are major and minor harmonies multiple orders of magnitude more common than modal harmony? [duplicate]

At least for Western music of the past 300 years, it has been far more common for music to have major or minor scales as their basis of harmony, as opposed to a modal harmony. Is there a reason modal ...
0
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2answers
65 views

confused about modes and the proper way to use them in my playing

I was wondering if someone could explain to me the correct way to play and use modes. some websites that I use to teach myself about them say that (in relation to C major) the Dorian would simply be: ...
11
votes
7answers
8k views

What is a good solo to learn in the Dorian mode?

I understand that Dorian is a commonly used mode in rock. I am starting to play / improvise in the mode and would like to learn some guitar solos that are good examples of this scale so that I see how ...
1
vote
2answers
84 views

What is the scale played on this chord progression?

I'm trying to figure out one jazz improvisation on this chord progression (Sunny - Bobby Hebb) Am7 Gm7 C9 Fmaj7 Bm7b5 E7b9 So as the chords go Am7, Gm7 - C9 the improvisation starts in Am ...
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2answers
2k views

Determining modes in a minor Key

Speaking of Functional harmony; If a song is in key C, then we call the C major scale from E to E is a Phrygian mode. Good, what if a song is in key Am, which is actually relative of C and also Am ...
4
votes
3answers
6k views

How do you compose a Dominant Seventh Scale?

It seems like you just make the seventh note flat, but are there any restrictions to that? Can any scale become a Dominant Seventh Scale by slight modification or does it differ on a case-by-case ...
23
votes
8answers
2k views

What are modes and how are they useful?

I'm a self-taught guitarist with zero to little experience in music theory. After marrying a violinist I found that there's a lot to music theory that I know tribally but don't understand the ...
20
votes
2answers
507 views

Is this piece of renaissance music really in the locrian mode?

A fifteenth-century dance manual contains this piece of music: which appears to be (uncharacteristically) in the locrian mode. Is it really, or am I mis-reading? Does anybody know of other music ...
4
votes
3answers
618 views

Why does the chord progression Gmaj - F#maj - Amaj sound the way it does?

I really like the chord progression Gmaj - F#maj - Amaj ... (I think it can be written I, VII, II)? While all the chords are major, there is some sadness about it. What is the story behind this ...
3
votes
3answers
283 views

I, (II), III major chord progression?

In Under the Bridge by Red Hot Chili Peppers, the introduction alternates between D and F# chords, with an E in between as a passing chord in some cases. There is also a g# passing note played over ...
20
votes
7answers
11k views

Why does the Dorian mode on C have two flats?

I'm studying scale modes and I just found on Wikipedia that the Dorian mode on C has two flats... Why is this? Because the Dorian mode is just the major scale (Ionian) starting from the second ...
1
vote
2answers
78 views

What is the name for the scale that is Aeolian with a lowered root?

This track at the beginning has some kind of an augmented scale. The first sounds I hear are C, D#, G#, E, A, F#. While analyzing it to give it as least as possible ...
2
votes
1answer
40 views

Determining closest key when primary contributing factors are shared among keys

Given a construct of intervals as follows: 1,#2,3,4,5,6,b7 (Dominant #2 first position) For the purpose of general notation, as the #2 is equivalent to a b3 and the 3rd is still present, would this ...
34
votes
18answers
27k views

What is the difference between a mode and a scale?

I can't seem to find a straight definition for both.
2
votes
1answer
47 views

What is the melodic minor scale with a flattened 5 called?

I can't find the answer anywhere on the internet. Except for that it can be seen as a whole-half scale with the sixth note left out. However this explanation doesn't satisfy my desire for an official ...
2
votes
1answer
115 views

Name for scale contain the notes C, D, E, F G#, A, A#

Is this an actual scale mode, like Phrygian, Locrian, etc, or is it just a constructed scale? C, D, E, F G#, A, A# (C) So, root, major second, major third, perfect forth, augmented fifth, major ...
1
vote
2answers
90 views

Double Harmonic (Ultraphrygian) Examples

Around 2 years ago i accidentally discovered Phrygian #3 #7 while jamming and found out with some research, that it apears to be called https://en.wikipedia.org/wiki/Double_harmonic_scale. Since then ...
3
votes
5answers
188 views

Why does the minor scale have modes?

My knowledge of music theory is very limited at the moment. I'm in the process of learning about scales and modes. I've learned that the major scale has a mode for every degree of the scale. The 6th ...
3
votes
1answer
89 views

Why is the Phrygian Dominant Scale thusly named?

I recently started experimenting with the Phrygian dominant scale. As I understand, it is the 5th mode of a harmonic minor scale. For example an A Phrygian Dominant consists of the notes ...
2
votes
2answers
139 views

How to improvise chord progressions?

I know how to make a chord progression, but when playing in a certain mode, how can I know instantly which chord is the ii and which chord is V, etc?
2
votes
3answers
161 views

How can I identify Gregorian modes in Bach music?

I'm learning these Gregorian modes things and I'm trying to identify these modes in a Bach music, Invention 8 F Major, for example: The music starts at F in Ionian mode. But I think It changes when ...
0
votes
1answer
183 views

Difference between Modality, Tonality and Chord-naming conventions in a more practical way?

There is a lot of very valuable information about these terms that I have been reading lately - inline on SE and on other places on the web: What's the difference between "modal ...
0
votes
3answers
186 views

How to play a Pentatonic Major using a Pentatonic Minor 3 octave shape

Ok, so the : C Major Pentatonic and the A Minor Pentatonic are supposed to be the same stuff. But I'm unsure how that happens theoretically. (Apart from the obvious fact that they have the ...
34
votes
9answers
7k views

Key signature for writing in modes other than major and minor

I have trouble deciding what accidentals to put in the key signature for pieces in Dorian, Phrygian, Lydian or Mixolydian modes. There seem to be trade-offs associated with each choice. For example, ...
4
votes
5answers
191 views

Tonality of modes?

With the basic modes like phrygian, Lydian etc, the modes with the same notes as C major ( so no flats or sharps) how do they sound different from a major or minor scale.( this is like E phrygian).
6
votes
2answers
190 views

How did the plagal modes differ from their authentic counterpart in practice?

In the traditional modal system there were eight modes. Four that were authentic and four were plagal. These modes are depicted below: Based on the description of the modes the final note of the ...
10
votes
3answers
765 views

What mode consists of the note G A Bb C Db E F G?

I was playing random scales . I came to a strange nice sounding mode,but could not find out what it's name theoretically. (Even I could not find a tonic sounding in it) The scale/mode notes are : G ...
10
votes
4answers
559 views

Raised leading tones in Phrygian mode counterpoint

In most cases the penultimate note of the counterpoint will be the leading tone, which must be raised in minor to establish a sense of tonality. But why is the leading tone in the Phrygian mode ...
7
votes
2answers
375 views

How to make C lydian not sound like G ionian?

What are some concrete melodic and harmonic tools to establish the correct tonic center in a lydian melody? The reason for asking about lydian specifically is that there is no minor seventh for the ...
3
votes
4answers
2k views

What's the theory behind switching modes during a passage?

Look, at the following two chord progressions: (1) Dm C Bb Am Gm F Em Am (2) Dm C Bb Am Gm F E A Now, for the first six measures in both (1) and (2), we're just playing chords contained ...
9
votes
2answers
306 views

Do Neapolitan chords exist in modes with a minor second?

In relation to a question I asked earlier—What is a Neapolitan 6th chord—I have a follow up question. A Neapolitan chord is pretty much a Major chord built on the lowered second scale ...
8
votes
4answers
1k views

Incorporating modes in solos

I have been playing and improvising quite happily for many years on a few different instruments but can't seem to get my head around incorporating modes into my day-to-day playing. I am from a blues ...
7
votes
4answers
12k views

When to use different scales or modes over chord progressions?

I know my major/pentatonic/blues scales pretty well, and I can apply it pretty fluently when playing over 1-4-5-min6 chord progressions, but I find that when I try to improvise over more ...
6
votes
3answers
527 views

How is 12-bar blues harmonically possible?

How is 12-bar blues harmonically possible? Cmaj scale doesn't really have a C7 - F7 - G7. Is it done by borrowing chords from other modes? There seems to be a C7 in C mixolydian, F7 in C dorian and G7 ...
14
votes
7answers
1k views

How to know if it's a mode or scale?

How do I differentiate between modes? Suppose a person is playing "D Dorian". How do I know that it's "D Dorian" and not "C Major/Ionian" or "E Phrygian" and so on, and in fact "A natural minor" ...
13
votes
5answers
19k views

What is the purpose of the mixolydian scale? [duplicate]

For example: the G-Mixolydian is G-A-B-C-D-E-F (rather than G-A-B-C-D-E-F#). Why not just call it C? thanks
2
votes
3answers
777 views

Oasis - Supersonic Harmonic analysis (What modes are played, explaining modulations and pivots function as roman analysis)

Song can be played as: Main Riff: F#m(F#5) A B Bridge: E Riff E C#7 Chorus: D A E F#7, D A E C#7 -> Main Riff Again I am struggling on harmonic functions. I am not sure whether the song ...
5
votes
2answers
190 views

How would you go about writing a a chord progression properly using the circle of fifths in the phrygian mode?

My question is: How would you go about writing a a chord progression properly using the circle of fifths in the Phrygian mode? I have seen many discuss the circle of fifths using Majors and minors but ...
3
votes
1answer
124 views

In Fux's Gradus ad Parnassum, why is the B always flat in the exercises done in the F mode?

In Fux's Gradus ad Parnassum, when in the F mode (lydian), the B is always flat, at least in the first and second species examples. The cantus firmus proposed by master Aloys avoids the note ...
7
votes
2answers
199 views

Modes: More complicated than it seems?

I've been playing guitar for almost 12 years now. I had never really gotten into what is described as 'modal playing'; I tried years ago and it seemed so hopelessly complicated that I abandoned it. ...
14
votes
1answer
287 views

Locrian Harmony

I like utilizing modes in my the pieces I write, but there is one mode I've never been able to fully grasp and utilize and that is the Locrian mode. The chords that naturally occur in the Locrian ...
2
votes
2answers
62 views

Phrygian dominant scale with a major seventh

The Phrygian dominant scale with a major seventh instead of a minor seventh is formed by: a root a minor second a major third a fourth a fifth a minor sixth a major seventh. My questions are: ...
4
votes
1answer
142 views

Is Dudley Moore's Bedazzled in A Phrygian?

This song (YouTube) is one of the strangest pieces of music I've heard, with a long "A" pedal bass and a huge variety of crazy harmonies on top (my transcription), including lots of tritones. Is ...