types of scales, coupled with sets of characteristic melodic behaviors.

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Is I-V-vi-IV not tonal compared to passamezzo moderno/antico?

I'm asking this using tonal in the sense it was described in a highly voted best answer I found with search on topic of tonal vs modal. I interpret what is said in it that tonality implies common ...
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Gregorian modes in Renaissance music (with Cabezón's 'Tiento del Cuarto Tono' as an example)

I'd like to ask a question on how Gregorian modes were transformed during Renaissance using a piece of Antonio de Cabezón as an example. His 'Tiento del Cuarto Tono' is written in mode 4, which is, as ...