In two-part counterpoint, is it okay for the counterpoint and cantus firmus voices to cross? Transferred from: Few Questions on Counterpoint in the Tradition of Johan Fux
Why is it in counterpoint that the fourth degree of natural mode "F" lowered to "Bb" instead of remaining as "B"? Why isn't the fourth degree lowered for other modes? Shouldn't the "B" ...
What is Battuta and does it only apply to voice leading by contrary motion? For example, in treble clef, if going from "E-G" (major-tenth - that is, the "E" is in the bass and the "G" is ...
In most cases the penultimate note of the counterpoint will be the leading tone, which must be raised in minor to establish a sense of tonality. But why is the leading tone in the Phrygian mode ...