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8
votes
3answers
295 views

Raised leading tones in Phrygian mode counterpoint

In most cases the penultimate note of the counterpoint will be the leading tone, which must be raised in minor to establish a sense of tonality. But why is the leading tone in the Phrygian mode ...
7
votes
1answer
1k views

How do you practice Audiation (playing music in your head)?

Time for a tricky question. Audiation appears to be the practice of playing music in your head. I found an answer referring to what audiation is in To sing is good for ear training, but is it ...
4
votes
1answer
639 views

Playing Separately with Hands and Feet on Drums

I'm training playing drums for about 3-4 months, but I still can't control my feet separately from my hands (i.e. when I play some rhythm with my hands I can barely play some other rhythm and keep it ...
2
votes
1answer
129 views

Diatonic Function of Accidentals in Counterpoint

Why is it in counterpoint that the fourth degree of natural mode "F" lowered to "Bb" instead of remaining as "B"? Why isn't the fourth degree lowered for other modes? Shouldn't the "B" ...
2
votes
1answer
338 views

Meaning of “Battuta” in Counterpoint

What is Battuta and does it only apply to voice leading by contrary motion? For example, in treble clef, if going from "E-G" (major-tenth - that is, the "E" is in the bass and the "G" is ...
1
vote
2answers
176 views

Voice-crossing in First Species Counterpoint

In two-part counterpoint, is it okay for the counterpoint and cantus firmus voices to cross? Transferred from: Few Questions on Counterpoint in the Tradition of Johan Fux