I've read about the fact that 12 tone equal temperament is a relatively recent phenomenon, and that historically, each key would have a different character due to the unequal temperament. I'm curious ...
I hear sometimes players and composers say that this song won't sound good in F Major for example, and you should play it or write it in G Major (this was just an example). In other words, it seems ...
I am reading "Fundamentals of Musical Composition" by Arnold Schoenberg. Chapter XI, page 99, states: Chromaticism is difficult partly because the natural semi-tones differ in size from the ...
Do you know of any software out there that will allow me to play in different musical temperaments (e.g. Well temperament and Meantone temperament)? I'm especially interested in software that accepts ...
I'm looking to make some microtonal music (19/22 tone equal temperament). I want to produce it with midi. Timidity++ used to be able to produce a WAV file from a microtonal tuned .MID file, but it is ...
In 1936 American Standards Association (and the International Organization for Standardization in 1955) accepted that A would be tuned at 440 Hz (or cycles per second). Yet despite the fact that a ...
My understanding is that the vast majority of western music uses equal temperament, i.e. all semitones have a frequency ratio of the 12th root of 2. However I can hear in my piano that the notes at ...
I wonder the extent to which string quartets or a cappella choirs are non-ET. They are often cited as examples of the tendency towards just intonation when not using fixed-frequency instruments but ...
The following two links provide a brief introduction to Pythagorean comma: Pythagorean Comma - Indiana University The "Pythagorean Comma" - Jody Nagel The wikipedia article on this subject is also ...
From an article I read online, I believe I've understood that it's possible to treat the middle C (fingers covering all holes) on the tenor as if it were a D flat, and all higher notes on the ...