The study of how music works, seeking to identify structures and patterns in music.

learn more… | top users | synonyms (1)

1
vote
1answer
21 views

Motifs in Bartók's 5th Quartet

I'm doing a motific analysis of the first movement of Bartók's 5th Quartet and I've traced almost everything. The only bit which bothers me occurs at bar 82, then again at bar 177 where it forms the ...
3
votes
1answer
97 views

Is sensitive a vaild alternative name for the leading tone?

I was reading the sample version of Modern Harmony Step By Step and one passage caught my eye: In the passage above it seems that what is typically referred to as the leading tone is revered to as ...
3
votes
1answer
36 views

How would you go about writing a a chord progression properly using the circle of fifths in the phrygian mode?

My question is: How would you go about writing a a chord progression properly using the circle of fifths in the Phrygian mode? I have seen many discuss the circle of fifths using Majors and minors but ...
3
votes
5answers
100 views

How to enter in jazz theory

Maybe this question has been asked before. I could not find. I am self-learned amateur guitar player. I play for quite long time (around 10 years) and not playing jazz/blues bad but I feel not ...
6
votes
3answers
91 views

Modern Harmonic Movements

I know quite a bit about the progression of harmony during the common practice period and up to basic jazz theory, but anything beyond the early 20th century just drops off for me. I know a little ...
5
votes
1answer
266 views

What is melodic inversion and how to do it?

I understood how to invert the chords (moving the bass note an octave above). When it comes to melodies I have seen many examples on the net but cant seem to understand the idea behind it. This ...
0
votes
3answers
73 views

How does one choose the correct time signature to match the tempo and vice versa?

I am having quite some difficulty trying to determine the correct time signature as well as the tempo to match the rythm of the song I am trying to write for. It's not so much that I don't have an ...
10
votes
1answer
110 views

Locrian Harmony

I like utilizing modes in my the pieces I write, but there is one mode I've never been able to fully grasp and utilize and that is the Locrian mode. The chords that naturally occur in the Locrian ...
4
votes
3answers
51 views

What are common analytic techniques for identifying phrases in music?

I understand that the concept of "phrase" is not always very well defined, and that there contrasting "intuitive" and "analytical" ways of thinking about music phrases and phrasing, per Wikipedia. ...
2
votes
1answer
63 views

How can I identify Gregorian modes in Bach music?

I'm learning these Gregorian modes things and I'm trying to identify these modes in a Bach music, Invention 8 F Major, for example: The music starts at F in Ionian mode. But I think It changes when ...
3
votes
3answers
142 views

What are the official modes from Ionian to Locrian?

I am having some confusion is respects to the formal definition of what the various modes are. I know that their defined in relation to their scale, however, I've come to realise this may not be best ...
3
votes
3answers
90 views

Does the bass always have to harmonise with the lead?

I have written a half decent lead, at least for my level, and I am now trying to harmonise a bass with it. I am employing one of the most basic kind of methods to achieve this - playing the root note ...
1
vote
1answer
41 views

Is there an explicit number of 'notes' in microtonal music/scales?

Western music consists of 12 unique notes that are repeated across octaves. Is there any set number of unique notes in microtonal music? Or does the number of notes vary depending on the octave?
4
votes
1answer
71 views

Diatonic substitution and upper-structure triads for minor chords

I'm going through Garrison Fewell's "Jazz Improvisation for Guitar - A Harmonic Approach". The start of Chapter 1 reads: Triad substitution is the use of triads derived from the chord tones and ...
3
votes
5answers
249 views

Why are pure tones depicted as sine waves?

This is pretty much the only thing in music theory (that i've covered so far) that I cannot understand. What I would expect to hear, is what you get from LFO, or Low Frequency Oscillator represented ...
4
votes
3answers
254 views

Is it too late to learn music theory and composition?

I have been playing electric guitar for 5 years and have pretty decent technique. I have a decent ear too (I'm still improving it). I listened to rock guitar virtuosos like Yngwie Malmsteen, Paul ...
2
votes
6answers
185 views

How do you write a corresponding bassline for an already written melody?

In my music theory class I have created a 16-measure melody, and have now been instructed by my teacher to create a corresponding bass-line for that melody. (I scored an 88% on my melody, so I assume ...
2
votes
4answers
102 views

Grand Staff using the Bass Clef and Treble Alto-Tenor Clef

Does anybody have any additional information regarding the origins and usage of the Treble Alto-Tenor Clef symbol? I found it in the late Gardner Read's book on Music Notation, and beyond that - ...
13
votes
8answers
2k views

The practical difference between 2/2 and 2/4 time [duplicate]

In practice, what is the difference between 2/2 and 2/4? Doesn't the emphasis fall in the same place either way?
1
vote
1answer
49 views

Terminology: note and “note class”

In music, the term note sometimes refers to a note in a specific octave (like "C♯4") and sometimes to the set of all notes with the same name, regardless of octave (like "C♯"). Which terms should one ...
0
votes
1answer
67 views

Understanding metal guitar music writing structure [closed]

I have a software package called TuxGuitar. (Any track writing software will be similar) I can write drum tracks on it no problem. but when it comes to writing guitar tracks I seem to be making a lot ...
4
votes
3answers
178 views

Scale degree in minor key

I am just beginning my ear training and I have a question about hearing minor scales. Music theory tells me that minor scale degrees work similarly to major scale degrees. For example in the key of ...
2
votes
1answer
64 views

Music Harmonic analysis: Chord identification

I'm struggling with identifying the chords in these measures because the notes on the base clef staff are not part of the chord in the top staff. This piece is in F# minor, so the top chords by ...
1
vote
3answers
192 views

What does it mean to play a note for half a second?

This is my first serious look at the science side of music, as I am getting started with audio programming, and I am greeted by an awkward bouncer first up. I know that a note is simply a certain ...
7
votes
5answers
368 views

The Tritone - is it a #4 or a b5?

Generally, in Blues and jazz, the oft-used tritone (C to F#/Gb) is referred to as a b5. Why is this a better term than #4? In the Blues scale, there will always be two notes of the same name, but why ...
1
vote
2answers
93 views

Tritone as a passing note

Can a tritone be used as a passing note? (say in key of C, going from note C to G).
6
votes
2answers
201 views

Triangle Tonnetz vs. Hexagon Tonnetz

I have just started to learn about Tonnetz and I've run across two very representations of the same information in different types of Tonnetz. In the first one shown below the triangles represent a ...
2
votes
3answers
110 views

Understanding Inversions

I am not completely understanding how I find the major and minor chords. I understand half of what is going on, but not fully. Can someone please help.
3
votes
1answer
85 views

Is there a collection of pop or jazz standards that include harmonic analysis? [closed]

I'm learning to do harmonic analysis and I'm quite happy with the sources for the theoretic aspects online and in books. But to practice, it would be great to have excercises with solutions ...
3
votes
1answer
179 views

What is a “7-9” chord? (G7-9, etc..)

There's a chord in the Lennie Niehaus arrangement of the Stan Kenton Orchestra version of Laura, written by Johnny Mercer and David Raksin. This chord is written as G7-9. In googling, I get G7(#9) a ...
2
votes
1answer
72 views

Is there a modulation to the relative minor in the bridge to the Vanessa Carlton song “A Thousand Miles?”

I have been told different things by different people and I don't really understand how to make heads or tails of it. I understand that it is somewhat a matter of opinion but it also seems from other ...
1
vote
5answers
234 views

Is there a constant relation between a song notes and its chords progression?

Please forgive me in advance if I am using the wrong terms to describe something, I am not a professional musician. Sometimes I can play a song notes on the guitar (same notes the singer sings) and ...
1
vote
1answer
60 views

Compare the similarity of flow and rhythm of 2 songs

First off, I apologize if I'm not able to articulate my question correctly due to my lack of knowledge on music terms. My friends and I were having an argument about whether two foreign songs we ...
4
votes
2answers
259 views

“The Simpsons” main theme

http://www.hooktheory.com/theorytab/view/danny-elfman/the-simpsons-main-title-theme how did the theme go from C lydian to B lydian to E lydian to C lydian to Db lyian? how did they (modulate) ...
3
votes
4answers
372 views

Difference between equal temperament and just intonation

I am learning Indian classical music and learned about just intonation and equal temperament. I want to know the difference between them. I know that Indian classical music uses just intonation and ...
4
votes
1answer
180 views

Is it normal to struggle through “The Jazz Piano Book” by Mark Levine?

I'm a hobbyist pianist who has been playing primarily rock and blues music for about 2 years, and classical before that for a few years. I have a beginner grasp of music theory (I know my major, 3 ...
2
votes
3answers
207 views

Is there a name for this phenomenon in the circle of fifths?

I've recently come across some interesting properties of the circle of fifths in relation to diatonic modes. I'm wondering whether this has been noted elsewhere and if so, in what capacity? A name to ...
1
vote
2answers
81 views

V6-I6 and V-vi6 chord successions

Why are V6-I6 and V-vi6 inappropriate chordal successions (when harmonizing for the Common Practice Period)?
3
votes
1answer
75 views

Melody in Diminished Scale

I came up with a cool melody and just find out it is a diminished scale. The melody has the following notes: D D# F G# A. Most scales containing these notes are diminished (I believe all of them are ...
2
votes
2answers
111 views

What interval do all the modes have in common?

I was watching a video exercise to play all of the modes you can over a power chord A5 in this case. Is there an interval that all modes share over a particular tonic (A in this example)?
7
votes
3answers
291 views

Do triads sound strongest in second inversion?

On Mark Levine's Jazz Theory book, on Chapter Five, Slash Chords, it says: Although triads can sound good in any inversion, all things being equal triads sounds strongest in second inversion. ...
5
votes
5answers
335 views

Which other chords are considered equivalent or function like a V7?

A dominant seventh chord as the fifth degree of a key (notated V7) is often used to build a cadence back to the tonic. With that function in mind, I've seen people refer to other chords as "it ...
4
votes
2answers
151 views

Is there a proper way to train the ears?

To become a better play, I want to figure out how I can train my ears to be able to pick something up by listening/watching to it and then being able to play it. Or to be able to listen to something ...
1
vote
4answers
168 views

Book recommendations to understand theory and harmony of music. Classical, Jazz, R&B everything :)

Short story: I have started playing piano about 1.5 years ago. I miss only a few days without practise apart from being ill, on holiday, visiting family etc. I practice like crazy. My wife who ...
4
votes
4answers
171 views

Why are key signatures like E# and B# necessary?

Why do we need key signatures such as E#, B#, Cb, and Fb? Take a look at the scales for E# and B#: E# has 4 sharps and 4 double sharps. The key of F is exactly the same, and it only has one note ...
1
vote
1answer
71 views

Compound meter( 6/8) beat subdivisions?

I know in the 6/8 compound meter, the first beat gets strong downbeat and the second beat gets the weak upbeat. But I am trying to analyze syncopation in a piece, so I want to know how each of the ...
6
votes
7answers
773 views

What is a chord with a diminished third called?

The third of the chord is one of the criteria to determine the name of the chord. If the third is major (and the fifth is perfect), the chord is called major chord ; if the third is minor and the ...
2
votes
1answer
126 views

How to judge a mix, on e.g. muddiness and balance?

I have been producing music for 7 years: And I have yet to understand how artists are able to tell what a proper mix sounds like. They often tell me that my mix sounds weird and "muddy", but I myself ...
2
votes
5answers
838 views

Sharps vs Flats - Formula to determine correct sharp and flat notes in a scale

I am trying to figure out how to know if a note in a scale is a sharp or a flat. So my starting point/input are the intervals of any scale. E.g. here are the Minor pentatonic intervals Interval: 1, ...
-1
votes
1answer
70 views

harmonic and melodic minor chord function

if the natural minor and major chord functions are Tonic Function: I, i, and vi - The home chord sounds at rest. It usually provides the beginning and ending for most progressions. Sometimes the ...