13
votes
4answers
912 views

C#m in Am chord progression

I was listening to this song; ...
3
votes
4answers
120 views

I-IV-V blues progression

I'm currently learning a 12 bar blues rhythm and am getting confused by it. The solo is played over the A minor pentatonic scale. And the underlying chord progression is A - D - E. But isn't this ...
4
votes
4answers
190 views

How to analyze music outside of common practice harmony?

I'm familiar enough with common practice harmony, its rules and methods for diatonically harmonizing the scale, tonicizing scale degrees and modulating into new keys. But these tools seem to lose ...
1
vote
1answer
190 views

Which scales to use on complex chord progressions?

According to this article, it is possible to make a chord progression by just keeping one tone that remains constant in all chords of the progression. Also, it gives these examples: Cadd9 F6 D G ...
6
votes
3answers
307 views

Looking for letter-based chord identification algorithms, and related literature

I'm searching for chord recognition algorithms that will assign a chord name(s) to a group of notes, and related literature. I'm not looking for programs that do this. I'm looking for the algorithm, ...
5
votes
4answers
403 views

Uses for augmented chords in composition

I've been studying for music theory for many years and I enjoy just writing little chord progressions and melodies to see what certain progressions sound like and how interesting I can make them. The ...
3
votes
4answers
233 views

“I-vi” in Major or “III-i” in Minor?

There are some progressions that seem to move back and forth between a major key and its relative minor, like the "I-vi" progression (C, Am for example, two measures each.) Most people would consider ...
2
votes
2answers
261 views

how does the bluegrass major chord built off of the flat 7 “work”?

It's in almost every bluegrass song, but I've never seen an exposition of the theory behind the major chord (minor may also be used, but I don't think I've seen it) built off of the flat 7th of the ...
11
votes
1answer
261 views

What are some good/interesting ways to exit a circle of fifths section?

Circle of 5ths is in tons of chord progressions, sounds nice and 'easy', etc. But if you keep going on it the song can sound unreasonably predictable. What are some good ways to use a little bit of ...
6
votes
2answers
565 views

“Andalusian cadences”: How are they commonly heard?

The "Andalusian cadence" I-bVII-bVI-V is commonly heard as a repeated figure in Flamenco music as well as many pop songs, e.g. "Hit the Road, Jack": ...
6
votes
2answers
851 views

What does it mean when progression is resolved?

I saw this text inside a very basic piano workbook in which I'm not sure what the author means by using "resolve". Progression #1: C-F-G-F-C NOTE: This 4 bar progression resolves back to C ...
8
votes
2answers
607 views

Why play out of scale notes as part of a chord?

So, I'm learning 'Stray Cat Strut' right now and came across something I'm not sure I understood. I have to say, I've only just begun to learn theory, so maybe that's why. Anyway, as far as I can ...
3
votes
3answers
343 views

Musical Harmony: When to use more than three chords

I understand that I, IV, and V chords in both major and minor keys are common chords that make up a good progression. I understand that those 3 chords cover all the notes diatonic to the key that we ...
13
votes
4answers
737 views

Why do these progressions sound good?

I have always wondered why these progressions sound so exiting. I don't really know how the I-IV-things work, so I'll just write the chords. An explanation of what's really going on would be much ...
4
votes
2answers
654 views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? By harmony, I of course mean, 'I', 'III, 'IV' etc.. and their connection.
4
votes
1answer
295 views

What's so special about III ?

Take a C major scale, and pick each other note, starting from each note C-D-EF-G-A-BC-D-EF I: C E G = C ii: D F A = Dm iii: E G B ...
8
votes
1answer
607 views

What is this called? Why is it allowed?

"Golden Train" by Justin Nozuka (YouTube link below) is in the key of Ab major. However he uses a Cb major chord throughout the song, which is not in the key of Ab major. It sounds good and works ...
7
votes
2answers
248 views

In chord progressions, how can I refer to a chord that's out of the scale?

I'm training a music that is most on the G Major scale.. But then there's a B chord. As B is not on the G Major scale, how can I refer to it when I'm writing the chord progression? EDIT My guess is ...
16
votes
1answer
612 views

Are there any machine-readable databases of chord progressions available?

I'm interested in doing some linguistics-inspired computational musicology on chord progressions and am wondering if there are any freely available databases of chord progressions. Obviously, I could ...
11
votes
6answers
469 views

My ear is not very well trained - what can I look for as easy hints when trying to identify a ii-V-I progression in blues music?

I'm looking to learn how to better analyze music I am listening to, and I'm having problems identifying ii-V-I progressions, especially when they're the basis for improvisation. What are some hints or ...
3
votes
1answer
446 views

Does the three chord trick always end a chord progression on the third chord?

It seems almost a redundant question, but the meat of it is this: If one is using the three chord trick, is it stylistically required by rules of theory and phrasing to end the progression on the ...
34
votes
4answers
6k views

What are some chord substitutions for a I-IV-V blues progression?

I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any ...