6
votes
1answer
572 views

What to call the chord G B F# A C# F#

I wrote a piece containing the following six string guitar chord (fingering shown; first finger barre; standard tuning): %3/2.2/1.4/3.2/1.2/1.2/1 What is the name of this chord?
1
vote
2answers
98 views

What is this Chord Notation?

I know how to read Roman Numerals for chord progressions. But I've seen something recently I don't understand. I've attached an image below. What are those sub/post-strip's?
5
votes
1answer
150 views

What do the numerator and denominator of a chord name in roman numerals mean?

I'm reading a paper on music theory and I keep coming across names of chords expressed as a fraction - I/I, I/V, ii/I, etc. Based on the use of these names in the paper, I'm reading this as: I/I: A ...
6
votes
1answer
142 views

Tonnetz algorithms

I'm looking for applied algorithms for Riemannian tonnetz. I was thinking first of the "big bang" approach with some of the 3D projections of tonnetz, but those are overshoot.
4
votes
3answers
138 views

How to interpret non-diatonic note?

This might look like is just curiosity to know something about one particular song, but is not, I'm hoping it'll help me understand better when I'm doing song analysis. I keep struggling when ...
2
votes
3answers
103 views

How to analyze chord progressions in tonal music?

I've been told that you have to analyze progressions according to the key at the end, despite how many keys/tonality that precede it. Is this true? If a composition contains one key in long duration ...
3
votes
4answers
207 views

What is the best way to organize chords/keys in a database (details below)?

I am working on a project that involves putting together a database of chords/keys, and I'm wondering what you guys think is the best way to categorize each chord/key. For example, if I want users to ...
2
votes
1answer
93 views

music theory on a minor chord and how long to hold each chord when creating a song. [closed]

i know that for a major chord the ones that sound best are the 1st 4th n 5th though what bout for a minor chord. Does that rule still apply. I would also like to humbly ask for a simplified way to ...
5
votes
3answers
1k views

Classical music theory notation for chord inversions

In classical music harmony analysis, we see the chord inversions notated like I6/4, I6, V4/3. Examples: What are those numbers? How do they define the inversion? What's the theory behind using ...
1
vote
2answers
119 views

What are the notes in a 11th chord?

Does a chord like C11 contain (apart from 1st, 3rd, 5th) the 7th and the 9th? Or I can just play the 3rd, 5th and the 11th and the root? I have the same question with chords like C9 and C13.
5
votes
2answers
224 views

What is a “D-10” Chord?

I found a Paul McCartney Song..."Maybe I'm Amazed"... that showed a chord that still has me stumped: D-10 is the name of the chord Now, I understand that most chord names are 'even' (as opposed to ...
7
votes
2answers
277 views

How do you name chords in 20th Century Music? (Chords stacked in intervals other than 3rds)

This question stems from some thoughts on List of possible trichord/triad names.. When you stack chords in 3rds, you get all the standard chord names of Major, minor, 7 etc, but what about when ...
2
votes
3answers
606 views

Building Lydian chords

I am learning about chords and their relationships to major scale modes in jazz. As I understand it, each mode allows a different chord to be built by choosing the 1st, 3rd, 5th, 7th of the scale. I ...
5
votes
3answers
240 views

What note type in the 7th of a chord? - Music Theory

If this diagram is accurate, would the 7th of a Bmin7 be formed from a minor 7th interval or a major 7th interval, e. g. A-natural or A-sharp? I'm assuming A-natural. If this line of thinking is ...
6
votes
3answers
342 views

Chord progressions ending in “I” at the end of a phrase vs. the beginning of the next

Is there a generally accepted term or a useful published discussion of differences between chord progressions that resolve within a phrase (say in the fourth bar of a four-bar phrase) as opposed to ...
11
votes
5answers
3k views

Melody improvisation over chords

My question deals with what scale to play over a given chord progression. For example, consider a progression containing I,II,IV,V in C. I.e., the rhythm guitar is playing C, Dmin, F, and G... My ...
7
votes
3answers
384 views

Does a chord need to include its root?

While I understand that it is very important to include the root note in a chord, is it required? Let's say I'm in C Major, and I want to play a I chord. Do I need to include C in order for it to be ...
6
votes
3answers
230 views

Dominant functioning as a Subdominant!

The D9 chord voices appropriate seems to be able to function as a subdominant chord. This is very intriguing and I've always thought and read that dominant chords function as dominant chords(except in ...
7
votes
2answers
681 views

“Andalusian cadences”: How are they commonly heard?

The "Andalusian cadence" I-bVII-bVI-V is commonly heard as a repeated figure in Flamenco music as well as many pop songs, e.g. "Hit the Road, Jack": ...
5
votes
2answers
414 views

What is A flat to C minor?

I know that Cm is the relative minor of Eb. I noticed the Eb chord is made up of two of the same notes of Cm (beginning on the third degree). Ab is also made up of two of the same notes, but on the ...
16
votes
3answers
897 views

Why are thirds used to construct chords?

I am (slowly) learning music theory on the guitar. I've begun learning about scales and chords, and it seems that all chords are built using some combination of thirds. For example, a minor triad is ...
8
votes
2answers
779 views

Why play out of scale notes as part of a chord?

So, I'm learning 'Stray Cat Strut' right now and came across something I'm not sure I understood. I have to say, I've only just begun to learn theory, so maybe that's why. Anyway, as far as I can ...
11
votes
6answers
718 views

“slash” chords, e.g. B/F♯ - are these only for inversions, or can any note be the bass note?

I'm trying to work out whether it is technically correct to have a "slash" chord where the bass note is not one of the notes in the chord. I thought the main reason for slash chords is to show which ...