Questions tagged [theory]

For questions about how music works, seeking to identify structures and patterns in music. Used to indicate questions about musical concepts and structures, as opposed to techniques and execution.

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If a piece (classical or otherwise) has multiple sections with different keys, is "this piece is in key X" a valid statement? Why?

Now, this would be an easy enough question if: The piece in question had a title containing the key, or The piece would have a home key, modulate to another key and then come back to finish in the ...
Morgan Kendal's user avatar
12 votes
5 answers
5k views

Why is a minor 3rd consonant but an augmented 2nd dissonant?

I am currently reading the Jazzology and on the chapter per the consonant and dissonant intervals I came across this statement: while a minor 3rd is consonant, an augmented 2nd is dissonant. (...
Shevliaskovic's user avatar
12 votes
4 answers
4k views

Can we really detect the difference between a couple of BPMs?

My question relates to our capacity (trained or untrained) of detecting differences between two frequencies. In harmony, the analogue to our capacity of detecting the difference between two tones/...
hirschme's user avatar
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12 votes
3 answers
4k views

If I press C4, C5 and C6, is this a chord?

Are there any other special requirements for three sounds to be a chord by musical definition? Do overtones or the same note just sounding on different octaves (sounding together) still can be named a ...
h22's user avatar
  • 4,494
12 votes
7 answers
9k views

Sharp 5 or flat 13? Sharp 9 or flat 10?

Let's say I'm in C major. I have a dominant altered chord built on G. This very popular voicing has the following tones (I'm including both enharmonic spellings for the accidentals): G B (D# or Eb) F ...
Duncan Malashock's user avatar
12 votes
1 answer
1k views

What is a I♭ chord?

I was watching Music Matters' video on counterpoint when I came across this chord progression: | I V | I V IV | II♭ V I VI I♭ | II♭ V I || My question is what is a I♭ chord. Is this chord common? Is ...
wilhelm9116's user avatar
12 votes
6 answers
3k views

Why does C9 sound so good resolving to D major 7

So, I have been playing this chord progression in the key of D major with the chords DM7, Bm7, GM7, C9, and I can't seem to figure out why the c9 resolves so nicely to the D major 7 chord. Is it just ...
Phoenix Krebs's user avatar
12 votes
5 answers
20k views

How do I correctly borrow chords from one key to another?

So how does one decide to borrow chords? Let's say I am in the key of C Major. Can I borrow chords, say, from the G Major key? How does this work?
DiggDugg's user avatar
  • 353
12 votes
4 answers
5k views

Voice leading confusion

I perfectly understand the theory of voice leading when explained in most theory books about moving voices between chords in the shortest possible manner to give a smooth connection between chords. ...
user avatar
12 votes
3 answers
964 views

What is meaning of “concert” in this musical theatre score?

In rehearsals for a production of American Idiot musical and this reference to “concert” is in the score. My guess is this means male parts should sing in the written concert pitch instead of an ...
Malcolm McCaffery's user avatar
12 votes
8 answers
513 views

Alternatives to scale-centric beginning music theory?

I'm a noob music student and I recently asked a question here about the widespread use of a bVII chord in a scale where the seventh scale degree is vii°, and the general consensus in the many helpful ...
user316117's user avatar
12 votes
2 answers
2k views

Why does the same classical piece sound like it's in a different key in different recordings?

I've noticed that sometimes a different recording of the same piece will sound like it's being played in a different key. For example, I listened to Concerto No. 6 in B-Flat Major, BWV 1051: III. ...
Jeff Shall's user avatar
12 votes
1 answer
2k views

Chopin Polonaise in Ab major, op 53 change in key

In Chopin's polonaise in A-flat major, op.53, in the second section the key changes from A flat to E major. What type of change is this? Is it from the flattening of the sixth (F-flat major), or was ...
pickled lettuce's user avatar
12 votes
2 answers
787 views

"Punning chord"

I'd like to know if the following description is accurate: "A composer modulates from one key to another by the use of the “punning” chord, the augmented sixth (punning because it is also a dominant ...
Veta Veta's user avatar
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4 answers
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Harmonic analysis of the B section of "Have You Met Miss Jones"

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
Dom's user avatar
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12 votes
3 answers
639 views

Are the discrete hexachords of a tone row always either the same set class or z-related?

In a traditional 12-note tone row, it seems to me that the first six notes will always either be in the same set class as the last six notes, or will be z-related, but I'm having trouble confirming ...
Pat Muchmore's user avatar
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12 votes
2 answers
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How to interpret a switch from Em (Aeolian) to Bm?

I'm self taught, so I know just a few things on scales and modes, some probably wrong. So the other day I was composing a new song. I believe it starts in E minor, as I was playing over the Chords Em ...
yannicuLar's user avatar
12 votes
3 answers
2k views

How to establish a mode?

I would like to learn about the art of establishing a mode. For example, how to make A minor sound like A minor instead of C major.
pktc's user avatar
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3 answers
1k views

What are some good/interesting ways to exit a circle of fifths section?

Circle of 5ths is in tons of chord progressions, sounds nice and 'easy', etc. But if you keep going on it the song can sound unreasonably predictable. What are some good ways to use a little bit of ...
buildsucceeded's user avatar
12 votes
4 answers
9k views

Do modes exist in the harmonic / melodic minor scales?

I'm trying to get my head around modes and the tonal center. In my understanding the natural minor scale is the same as the Aeolian mode. However, when considering the mix-up that happens in the ...
JohnandLyn Henry's user avatar
12 votes
2 answers
3k views

Is there a term for a chord progression that chromatically ascends or descends an octave?

I've noticed a pattern in music that is very interesting where a progression will start with one chord and chromatically ascend or descend until the starting chord is reached again. For example: a ...
Dom's user avatar
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12 votes
6 answers
3k views

Why did composers write atonally?

Can anyone tell me the best justifications for writing atonally by the composers who did so? Did anyone, including Schoenberg, explain what "freeing the dissonance" means? Does it imply that he ...
Souvaroff's user avatar
  • 121
12 votes
3 answers
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Interval of a 4th above the bass

As I was studying music theory (harmonizing a melody in particular) I got confused with the statement: The interval of a 4th above the bass is considered dissonant and must resolve down by step. ...
Zafer Cesur's user avatar
12 votes
2 answers
7k views

Why is Italian the standard for expressive markings in music?

I was reading through the music for Clair de Lune by Claude Debussy a few days ago and I realized that I am often surprised when I see expressive markings (dynamics, tempo, accents and the like) that ...
Stephen's user avatar
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12 votes
5 answers
918 views

What are the benefits of determining form before composing?

I've heard time and time again of composers who say "It is better [for beginners] to know your form, and have a general idea of important chord progressions before you begin thinking seriously about ...
Sketchyfish's user avatar
12 votes
2 answers
1k views

When is the "d" in "Goldfinger" sung?

I noticed that some choirs will synch up their consonants while singing. Is there a standard approach for timing consonants? For the sake of example, here's a cropped portion of sheet music (source): ...
Dustin G. Mixon's user avatar
12 votes
5 answers
3k views

Do songs written in certain modes not have keys?

Up until recently I thought that if a song was written in a mode with a major 3rd, then it was in a major key, and if it was in a mode with a minor 3rd, then it was in a minor key. But I read an ...
wumbo's user avatar
  • 223
12 votes
2 answers
6k views

In jazz, what is an upper structure triad?

What is upper structure? How are upper structure triads constructed? How are they used?
TaylorSwiftFan5932's user avatar
12 votes
4 answers
4k views

What online resources should I use to learn harmony and musical analysis?

I had some harmony courses and I want to learn some more about it. Ideally, I am looking for is a KhanAcademy-like website about harmony and musical analysis. If that doesn't exist, where else should ...
Benjamin Crouzier's user avatar
12 votes
1 answer
433 views

Was the pitch A given that letter because the minor key was originally the "basic" mode?

It's something that's puzzled me; The key that has no sharps and no flats, in essence the "basic" key, is C Major. Well, fine, but why C? Why not label that key and note A, if it's the foundation of ...
KeithS's user avatar
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12 votes
1 answer
2k views

Recognizing modulation style / pattern in Steely Dan's "West of Hollywood"

I'm a fan of Steely Dan's music, but I find analysis of their music to be difficult from a tone-, modal-, and chord-theory point of view. But perhaps the complex jazz-influenced M7/M9/M11 chords ...
pr1268's user avatar
  • 1,344
12 votes
1 answer
1k views

What is the four tonic system?

What is the four tonic system? What's the theory behind it? How is it used in improvisation, harmonization, reharmonization?
TaylorSwiftFan5932's user avatar
12 votes
3 answers
6k views

How would one create music based on the principles of Cubism?

How would one create music based on the principles of Cubism? (e.g., 20th century painters: Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger) The basic definition of Cubism calls for the use ...
filzilla's user avatar
  • 4,084
11 votes
6 answers
3k views

Is it mathematically possible to create an equal temperament which matches just interval ratios?

I've coded a Python app which lets us have any number of semitones in an octave in order to experiment with microtonal music. I would like to ask if there's a possibility to create such an equal ...
ZenBerry's user avatar
  • 315
11 votes
9 answers
13k views

Is it necessary to use only notes and chords that belong in a specific scale?

I used to think it is necessary to at least follow the chords of a scale until I came across the Nirvana song "Lithium" and I realized the notes and chords he used in the song don't fit in any scale! ...
Ali Rocker's user avatar
11 votes
11 answers
4k views

Math PI represented musically

I'm creating a program to output the values of pi as sound. I've seen a few videos and some other representations, and want to try to make my own for fun, except i'm unsure how to proceed. There are ...
Josue Espinosa's user avatar
11 votes
10 answers
3k views

If the music alphabet had more than 7 letters would octaves still sound like the same note?

I have a question about theoretical music theory... So say whoever first invented/discovered the musical alphabet decided to make it an 8-letter alphabet, consisting of A, B, C, D, E, F, G, and H. ...
user avatar
11 votes
4 answers
6k views

What are the interval patterns for the modes?

I came across this on this site: C Ionian is C D E F G A B, whereas C Dorian is C D E♭ F G A B♭ The WWHWWWH is for Ionian. What is the equivalent for the other modes?
user1584421's user avatar
11 votes
7 answers
2k views

Why is a minor chord or key considered to be "lesser?"

I am trying to understand why the terms major and minor, meaning greater and lesser, are applied to chords and keys. Why is a minor chord considered to be lesser and a major chord greater? I ...
ejbpesca's user avatar
  • 521
11 votes
4 answers
1k views

How to notate a non-standard hexatonic key

I am writing part of a piano piece in a hexatonic "key" containing these notes: C - D# - E - G - Ab - B (I say "key" instead of scale because I'm treating it like a key, deriving ...
I talked with a zombie's user avatar
11 votes
4 answers
18k views

How do you know if a song has triplets in 4/4 or if the tempo is 3/4?

How do you know if a song has triplets in 4/4 or if the tempo is 3/4 ? For example, consider this song : For the first line , I can count 1,2,3 ,1,2,3 ,1,2,3 ,1,2,...
RandomName_opt's user avatar
11 votes
9 answers
7k views

Why are key signatures like E# and B# necessary?

Why do we need key signatures such as E♯, B♯, C♭, and F♭? Take a look at the scales for E♯ and B♯: E♯ has 4 sharps and 4 double sharps. The key of F is exactly ...
Nick B.'s user avatar
  • 371
11 votes
5 answers
4k views

What do you call this alternating melodic pattern?

I hear the following in string parts a lot in intense movie scenes or certain styles of music. I don't think that this falls under the categorization of Alberti Bass since it's functioning as a ...
02fentym's user avatar
  • 2,344
11 votes
6 answers
9k views

Does a chord need to include its root?

While I understand that it is very important to include the root note in a chord, is it required? Let's say I'm in C Major, and I want to play a I chord. Do I need to include C in order for it to be ...
uber5001's user avatar
  • 213
11 votes
6 answers
3k views

What is the name of this chord? D Eb A

I'm writing a song with some pretty funky chords. I am unsure what to call one of them. The notes are D Eb and A. D is the root of the chord. It is like a Dsus2, except the 2 is flat. Would that be a ...
Jack Dinkel's user avatar
11 votes
3 answers
1k views

What is this straight line at the beginning of the measure?

Could this just be a error on the editors part? Is it possible that i could also be a ghost note of some sort?
user24346's user avatar
  • 111
11 votes
9 answers
1k views

In what language-level in Chomsky's hierarchy would the chord-progressions of classical music be categorized?

Formal languages In language-theory and grammar-theory, a language is the output generated by a grammar. Let's say "the grammar" is the rules and "the language" is the sentences and words that may ...
Xavi Montero's user avatar
11 votes
4 answers
2k views

Is doubling the root when converting guitar chords to piano wrong?

If you take guitar chords and put them into sheet music for piano, should you double the root (CEGC) or not (CEG)? And if you do is it wrong because you'd have parallel octaves? I mean I know ...
Aly's user avatar
  • 157
11 votes
3 answers
3k views

How does one start learning music theory?

I know some basic stuff like scales and how to construct chords, but I don't know much about the roles notes play in melody, what kinds of melodies there are, how to do chord progressions, and so on. ...
EpsilonVector's user avatar
11 votes
5 answers
2k views

Why practice enharmonic equivalent keys as separate keys

In this video Victor Wooten explains that there are 30 keys that people need to practice in as opposed to 24. I found out that the 6 extra keys are actually redundant in the sense that each one of ...
John Cataldo's user avatar

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