Music which conforms mostly to the diatonic system of tones.

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312 views

Tonal harmony: 18th century counterpoint vs. Accessible contemporary harmony and composition

I have a fair amount of knowledge when it comes to "rules" regarding music of the bygone days of the traditional prelude & fugue, the motet, and four voice harmony of the Baroque era. Specifically,...
2
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0answers
80 views

Is I-V-vi-IV not tonal compared to passamezzo moderno/antico?

I'm asking this using tonal in the sense it was described in a highly voted best answer I found with search on topic of tonal vs modal. I interpret what is said in it that tonality implies common ...
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1answer
230 views

Difference between Modality, Tonality and Chord-naming conventions in a more practical way?

There is a lot of very valuable information about these terms that I have been reading lately - inline on SE and on other places on the web: What's the difference between "modal music"...
4
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1answer
379 views

How are keys in the circle of fifths related?

I know this seems like a basic question, and in the traditional sense, I actually know how their related. Though, whilst reading a book titled 'harmony for computer musicians', I've come across a ...
8
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2answers
403 views

How to make C lydian not sound like G ionian?

What are some concrete melodic and harmonic tools to establish the correct tonic center in a lydian melody? The reason for asking about lydian specifically is that there is no minor seventh for the ...
3
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2answers
225 views

Do non-tonic ear training exercises hurt music students?

I've always had a problem with some of the songs that are used to remember what an interval sounds like. Particularly, the ones whose melodies don't start on the tonic. For example, Here Comes The ...
12
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1answer
259 views

What are the significant schools of 20th century music theory?

I'm reading the following paper, Lerdahl, F. (1988). Tonal pitch space. Music Perception, 315-349. I'm interested in comparing what is written here with other equivalent theories. Some of these ...
5
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3answers
496 views

General procedure for determining the name of an interval given a major key / diatonic collection

I'm attempting to program a library that lets one make use of concepts from Peter Westergaard's tonal theory. The current problem I'm trying to solve is to determine the specific name of an interval ...
2
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1answer
672 views

How do you construct a musical motive?

I was wondering if I could get a second opinion on methods for constructing a musical motive. I have been creating melodies for quite some time, mainly without taking harmonic progression into ...
12
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5answers
387 views

What are the benefits of determining form before composing?

I've heard time and time again of composers who say "It is better [for beginners] to know your form, and have a general idea of important chord progressions before you begin thinking seriously about ...
25
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6answers
2k views

How to create Chord progressions that make sense

I've been reading over Walter Piston's Harmony book, and it has been an eye-opener to say the least. I understand concepts like tension and release, voice leading and so forth, but I still don't ...
10
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2answers
161 views

Why Orlando Gibbons is considered “the end of modality, the beginning of tonality”?

According to Glenn Gould (minute 28:20), Orlando Gibbons represents the end of modality, the beginning of tonality Can anyone deepen the meaning of this? Could you please point to a specific ...